This vintage typewriter composition book is an elegant upgrade to the standard composition book that many teachers require. And it's not just for school, either. Feel free to use it as a place to keep your personal writing as well. This 7.44 by 9.69 inch notebook is college ruled and includes 200 pages for your writing pleasure. The paper is white and the lines are light gray. Designed in the USA.
This vintage typewriter composition book is an elegant upgrade to the standard composition book that many teachers require. And it's not just for school, either. Feel free to use it as a place to keep your personal writing as well. This 7.44 by 9.69 inch notebook is wide ruled and includes 200 pages for your writing pleasure. The paper is white and the lines are light gray.Designed in the USA.
Just the type of thing to thrill analog-obsessed note-takers, this box of notepaper mimics the shape of a real typewriter in petite proportions ideal for desktop display. Perforated sheets for notes—with watermarks just like vintage typewriter paper—pull out of the box top.
In recent years, typewriters have experienced a resurgence. This fascinating book celebrates that renaissance through images of the most heralded typewriters in history, along with the stories of people who have created and used these beloved machines. Written by typewriter collectors and experts, it features 125 photographs tracing the typewriter's evolution from the nineteenth through the twentieth centuries, along with print advertisements, vintage photographs, patents, and other memorabilia.
The fourth edition, fully revised enlarged and reset in 2012, further updated in 2017. Version 4.3 of the 4th edition (2019) includes many updates; see title page verso for a list of pages.
How Chinese characters triumphed over the QWERTY keyboard and laid the foundation for China's information technology successes today. Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter. The earliest Chinese typewriters, Mullaney tells us, were figments of popular imagination, sensational accounts of twelve-foot keyboards with 5,000 keys. One of the first Chinese typewriters actually constructed was invented by a Christian missionary, who organized characters by common usage (but promoted the less-common characters for “Jesus" to the common usage level). Later came typewriters manufactured for use in Chinese offices, and typewriting schools that turned out trained “typewriter girls” and “typewriter boys.” Still later was the “Double Pigeon” typewriter produced by the Shanghai Calculator and Typewriter Factory, the typewriter of choice under Mao. Clerks and secretaries in this era experimented with alternative ways of organizing characters on their tray beds, inventing an input method that was the first instance of “predictive text.” Today, after more than a century of resistance against the alphabetic, not only have Chinese characters prevailed, they form the linguistic substrate of the vibrant world of Chinese information technology. The Chinese Typewriter, not just an “object history” but grappling with broad questions of technological change and global communication, shows how this happened. A Study of the Weatherhead East Asian Institute Columbia University
Bringing the Shovel Down maps the long and arduous process of being inculcated with the mythologies of state and power, the ramifications of that inculcation (largely, the loss of our humanity in the service of maintaining those mythologies), and finally, what it might mean, what it might provide us, if we were to transform those myths. The book, finally, has one underlying question: How might we better love one another?
Stories are everywhere... Exploring the great plots from Plato to The Matrix and from Tolstoy to Toy Story, this is a book for anyone who wants to unlock any narrative and learn to create their own. With startling and original insights into how we construct stories, this is a creative writing book like no other. It will show you how to read and write better.
