Sam Spade, Nick and Nora Charles, The Continental Op. In his novels and stories, Dashiell Hammett created some of the most memorable characters--detectives, dames, and assorted miscreants--in twentieth-century fiction. It is nearly impossible to imagine modern American literature without Hammett. Vintage Hammett features episodes from Red Harvest, The Maltese Falcon, The Dain Curse, and The Thin Man; and stories featuring the Continental Op, including “The House in Turk Street,” “The Girl with the Silver Eyes," and "Flypaper.” It also includes the story "Nightshade" which has not been available in over fifty years. Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions.
The steadfast and sturdy Continental Op has been summoned to the town of Personville—known as Poisonville—a dusty mining community splintered by competing factions of gangsters and petty criminals. The Op has been hired by Donald Willsson, publisher of the local newspaper, who gave little indication about the reason for the visit. No sooner does the Op arrive, than the body count begins to climb . . . starting with his client. With this last honest citizen of Poisonville murdered, the Op decides to stay on and force a reckoning—even if that means taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
A wonderfully dark, pitch-perfect noir prequel to The Maltese Falcon, featuring Dashiell Hammett’s beloved detective, Sam Spade. It’s 1921—seven years before Sam Spade will solve the famous case of the Maltese Falcon. He’s just set up his own agency in San Francisco and he gets off to a quick start, working cases (he doesn’t do domestic) and hiring a bright young secretary named Effie Perrine. When he’s hired by a prominent San Francisco banker to find his missing son, Spade gets the break he’s been looking for. He spends the next few years dealing with booze runners, waterfront thugs, banking swindlers, gold smugglers, and bumbling cops. He brings in Miles Archer as a partner to help bolster the agency, though it was Archer who stole his girl while he was fighting in World War I. All along, Spade will tangle with an enigmatic villain who holds a long-standing grudge against Spade. And, of course, he’ll fall in love—though it won’t turn out for the best. It never does with dames.
Nominated, 2024 Edgar Allan Poe Award in the category of best critical/biographical, Mystery Writers of America Shortlisted, 2024 Agatha Awards - Best Mystery Nonfiction, Malice Domestic Posthumous Winner - 2023 IFCA Book Prize, International Crime Fiction Association Narrative innovation is typically seen as the domain of the avant-garde. However, techniques such as nonlinear timelines, multiple points of view, and unreliable narration have long been part of American popular culture. How did forms and styles once regarded as “difficult” become familiar to audiences? In Perplexing Plots, David Bordwell reveals how crime fiction, plays, and films made unconventional narrative mainstream. He shows that since the nineteenth century, detective stories and suspense thrillers have allowed ambitious storytellers to experiment with narrative. Tales of crime and mystery became a training ground where audiences learned to appreciate artifice. These genres demand a sophisticated awareness of storytelling conventions: they play games with narrative form and toy with audience expectations. Bordwell examines how writers and directors have pushed, pulled, and collaborated with their audiences to change popular storytelling. He explores the plot engineering of figures such as Raymond Chandler, Agatha Christie, Dashiell Hammett, Patricia Highsmith, Alfred Hitchcock, Dorothy Sayers, and Quentin Tarantino, and traces how mainstream storytellers and modernist experimenters influenced one another’s work. A sweeping, kaleidoscopic account written in a lively, conversational style, Perplexing Plots offers an ambitious new understanding of how movies, literature, theater, and popular culture have evolved over the past century.
Once upon a time there were good American novels and bad ones, but none was thought of as a work of art. The Novel Art tells the story of how, beginning with Henry James, this began to change. Examining the late-nineteenth century movement to elevate the status of the novel, its sources, paradoxes, and reverberations into the twentieth century, Mark McGurl presents a more coherent and wide-ranging account of the development of American modernist fiction than ever before. Moving deftly from James to Stephen Crane, Edith Wharton, Gertrude Stein, William Faulkner, Dashiell Hammett, and Djuna Barnes among others, McGurl argues that what unifies this diverse group of ambitious writers is their agonized relation to a middling genre rarely included in discussions of the fine arts. He concludes that the new product, despite its authors' desire to distinguish it from popular forms, never quite forsook the intimacy the genre had long cultivated with the common reader. Indeed, the ''art novel'' sought status within the mass market, and among its prime strategies was a promotion of the mind as a source of value in an economy increasingly dependent on mental labor. McGurl also shows how modernism's obsessive interest in simple-mindedness revealed a continued concern with the masses even as it attempted to use this simplicity to produce a heightened sophistication of form. Masterfully argued and set in elegant prose, The Novel Art provides a rich new understanding of the fascinating road the American novel has taken from being an artless enterprise to an aesthetic one.
When eight diamonds are stolen from a prominent San Francisco family, the Continental Op is called in to investigate. But the missing jewels aren’t the only thing out of the ordinary. The man who reported the burglary ends up dead, ostensibly a suicide. His daughter, one of the suspects, Miss Gabrielle Dain Leggett, has a penchant for morphine and religious cults. She also has an unfortunate effect on the people around her: they have a habit of dying. Might Gabrielle be the victim of an arcane family curse? Or is the truth about her stranger and even more dangerous? The Dain Curse is one of the Continental Op’s most bizarre cases and a tautly crafted masterpiece of suspense.
Short, thick-bodied, mulishly stubborn, and indifferent to pain, Dashiell Hammett's Continetal Op was the prototype for generations of tough-guy detectives. In these stories the Op unravels a murder with too many clues, looks for a girl with eyes the color of shadows on polished silver, and tangles with a crooked-eared gunman called the Whosis Kid.
Kirk Hammett, the lead guitarist for Metallica, is the curator of one of the world's finest collections of monster-movie memorabilia. Kirk unveils his near-mythical treasure trove of rare posters, props, costumes, and toys from the early silent classics to more modern fare. From Bela Lugosi's annotated Dracula script to the creepy Donnie Darko bunny suit to cool model kits from the 1960s. Alongside scores of original photographs Kirk offers up thoughts about his appreciation for all things scary and fantastic, shedding light on not only the collection of a lifetime, but the man himself
Short, thick-bodied, mulishly stubborn, and indifferent to physical pain, Dashiell Hammett's Continental Op was the prototype for generations of tough-guy detectives. He is also the hero of most of the nine stories in this volume. The Op's one enthusiasm is doing his job, and in The Big Knockover the jobs entail taking on a gang of modern-day freebooters, a vice-ridden hell's acre in the Arizona desert, and the bank job to end all bank jobs, along with such assorted grifters as Babe McCloor, Bluepoint Vance, Alphabet Shorty McCoy, and the Dis-and-Dat Kid.
A Companion to Crime Fiction presents the definitive guide to this popular genre from its origins in the eighteenth century to the present day A collection of forty-seven newly commissioned essays from a team of leading scholars across the globe make this Companion the definitive guide to crime fiction Follows the development of the genre from its origins in the eighteenth century through to its phenomenal present day popularity Features full-length critical essays on the most significant authors and film-makers, from Arthur Conan Doyle and Dashiell Hammett to Alfred Hitchcock and Martin Scorsese exploring the ways in which they have shaped and influenced the field Includes extensive references to the most up-to-date scholarship, and a comprehensive bibliography
