From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, Vintage 1954 is a nostalgic tale of time travel. 'A glorious time-slip caper... Just wonderful’ Daily Mail When Hubert Larnaudie invites some fellow residents of his Parisian apartment building to drink an exceptional bottle of 1954 Beaujolais, he has no idea of its special properties. The following morning, Hubert finds himself waking up in 1950s Paris, as do antique restorer Magalie, mixologist Julien, and Airbnb tenant Bob from Milwaukee, who's on his first trip to Europe. After their initial shock, the city of Edith Piaf and An American in Paris begins to work its charm on them. The four delight in getting to know the French capital during this iconic period, whilst also playing with the possibilities that time travel allows. But, ultimately, they need to work out how to get back to 2017, and time is of the essence...
"This book is dedicated to YOU, a busy homemaker who gladly prepares three meals a day for your family, and who delights in doing it" on dedication page.
A plump little meadow mouse, always an inviting target for hungry hunters in the Green Meadow, spends much of his time avoiding the clutches of Hooty the Owl, Reddy Fox and Old Granny Fox, Mr. Blacksnake, and other pesky predators as he explores the Old Briar-patch and Farmer Brown's orchard.
From the author of The Red Notebook, described as 'Parisian perfection' by HRH The Duchess of Cornwall, The Readers' Room is a thrilling murder mystery set in the world of publishing. ‘The plot blends mystery with comedy to great effect’– Daily Mail When the manuscript of a debut crime novel arrives at a Parisian publishing house, everyone in the readers’ room is convinced it’s something special. And the committee for France’s highest literary honour, the Prix Goncourt, agrees. But when the shortlist is announced, there’s a problem for editor Violaine Lepage: she has no idea of the author’s identity. As the police begin to investigate a series of murders strangely reminiscent of those recounted in the book, Violaine is not the only one looking for answers. And, suffering memory blanks following an aeroplane accident, she’s beginning to wonder what role she might play in the story ... Antoine Laurain, bestselling author of The Red Notebook, combines intrigue and charm in this dazzling novel of mystery, love and the power of books.
In America Noir David Cochran details how ten writers and filmmakers challenged the social pieties prevalent during the Cold War, such as the superiority of the American democracy, the benevolence of free enterprise, and the sanctity of the suburban family. Rod Serling's The Twilight Zone featured victims of vast, faceless, bureaucratic powers. Jim Thompson's noir thrillers, such as The Grifters, portrayed the ravages of capitalism on those at the bottom of the social ladder. Patricia Highsmith, in The Talented Mr. Ripley, placed an amoral con man in an international setting, implicitly questioning America's fitness as leader of the free world. Charles Willeford's pulp novels, such as Wild Wives and Woman Chaser, depicted the family as a hotbed of violence and chaos. These artists pioneered a detached, ironic sensibility that radically juxtaposed cultural references and blurred the distinctions between “high” and “low” art. Their refusal to surrender to the pressures for political conformity and their unflinching portrayal of the underside of American life paved the way for the emergence of a 1960s counterculture that forever changed the way America views itself.
The Enduring Importance of Leo Strauss takes on the crucial task of separating what is truly important in the work of Leo Strauss from the ephemeral politics associated with his school. Laurence Lampert focuses on exotericism: the use of artful rhetoric to simultaneously communicate a socially responsible message to the public at large and a more radical message of philosophic truth to a smaller, more intellectually inclined audience. Largely forgotten after the Enlightenment, exotericism, he shows, deeply informed Strauss both as a reader and as a philosophic writer—indeed, Lampert argues, Strauss learned from the finest practitioners of exoteric writing how to become one himself. Examining some of Strauss’s most important books and essays through this exoteric lens, Lampert reevaluates not only Strauss but the philosophers—from Plato to Halevi to Nietzsche—with whom Strauss most deeply engaged. Ultimately Lampert shows that Strauss’s famous distinction between ancient and modern thinkers is primarily rhetorical, one of the great examples of Strauss’s exoteric craft. Celebrating Strauss’s achievements while recognizing one main shortcoming—unlike Nietzsche, he failed to appreciate the ramifications of modern natural science for philosophy and its public presentation—Lampert illuminates Strauss as having even greater philosophic importance than we have thought before.
Contributions by Ted Atkinson, Michael P. Bibler, Deborah Clarke, David A. Davis, David M. Earle, Jason D. Fichtel, Elizabeth Fielder, Joseph Fruscione, Matthew Pratt Guterl, Patrick E. Horn, Cheryl Lester, Jessica Martell, Sharon Monteith, Richard C. Moreland, Alan Nadel, Julie Beth Napolin, François Pitavy, Ramón Saldívar, Hortense J. Spillers, Terrell L. Tebbetts, Zackary Vernon, Randall Wilhelm, and Charles Reagan Wilson These essays examine issues across the wide arc of Faulkner's extraordinary career, from his aesthetic apprenticeship in the visual arts, to late-career engagements with the Cold War, the civil rights movement, and beyond, to the place of death in his artistic vision and the long, varied afterlives he and his writings have enjoyed in literature and popular culture. Contributors deliver stimulating reassessments of Faulkner's first novel, Soldiers' Pay; his final novel, The Reivers; and much of the important work between. Scholars explore how a broad range of elite and lowbrow cultural forms—plantation diaries, phonograph records, pulp magazines—shaped Faulkner's capacious imagination and how his works were translated into such media as film and modern dance. Essays place Faulkner's writings in dialogue with those of fellow twentieth-century authors including W. E. B. Du Bois, Ernest Hemingway, Richard Hall, and Jayne Anne Phillips; locate his work in relation to African American intellectual currents and Global South artistic traditions; and weigh the rewards as well as the risks of dislodging Faulkner from the canonical position he currently occupies. While Faulkner studies has cultivated an image of the novelist as a neglected genius who toiled in obscurity, a look back fifty years to the final months of the author's life reveals a widely traveled and celebrated artist whose significance was framed in national and international as well as regional terms. Fifty Years after Faulkner bears out that expansive view, reintroducing us to a writer whose work retains its ability to provoke, intrigue, and surprise a variety of readerships.
