In Shadows: In this twisted tale, a young woman must face her fears and her worst nightmares before time runs out. Enjoy this horrifying trip into her psyche with incredible Story and Art by rising stars!
A brand new mini series featuring the master of horror. My government is a kleptocracy, moderated by violence. My city is a sinking ship... all the waters of the world's corruption flowing into her, filling her belly, dragging her down into darkness and nothing. They say the law doesn't matter anymore. That it exists only to preserve the powers and the position of a lawless few.
“A horror landmark and a work of gory genius.”—Joe Hill, New York Times bestselling author of The Fireman New York Times bestselling author Daniel Kraus completes George A. Romero's brand-new masterpiece of zombie horror, the massive novel left unfinished at Romero's death! George A. Romero invented the modern zombie with Night of the Living Dead, creating a monster that has become a key part of pop culture. Romero often felt hemmed in by the constraints of film-making. To tell the story of the rise of the zombies and the fall of humanity the way it should be told, Romero turned to fiction. Unfortunately, when he died, the story was incomplete. Enter Daniel Kraus, co-author, with Guillermo del Toro, of the New York Times bestseller The Shape of Water (based on the Academy Award-winning movie) and Trollhunters (which became an Emmy Award-winning series), and author of The Death and Life of Zebulon Finch (an Entertainment Weekly Top 10 Book of the Year). A lifelong Romero fan, Kraus was honored to be asked, by Romero's widow, to complete The Living Dead. Set in the present day, The Living Dead is an entirely new tale, the story of the zombie plague as George A. Romero wanted to tell it. It begins with one body. A pair of medical examiners find themselves battling a dead man who won’t stay dead. It spreads quickly. In a Midwestern trailer park, a Black teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic makes a new religion out of death. At a cable news station, a surviving anchor keeps broadcasting while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
The inside story of the legendary actor's 65-year career — from radio to classic movies and horror films to Broadway — and his family life. "Entertaining and touching." — The New York Times.
“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.
Vincent Price, whose name is virtually synonymous with the American horror film, was a major screen presence for more than four decades. His early films include such film noir classics as Laura and Leave Her to Heaven, but it was the release of House of Wax in 1953 that established the actor as the silky-voiced master of menace. The late 50s saw Price starring in William Castle’s extraordinary cycle of gimmick-driven films, including The Tingler, with cinema seats wired to simulate the movie monster’s electrical attacks. In the 60s, Price excelled in leading roles in Roger Corman’s The Fall of the House of Usher and The Pit and the Pendulum—mysterious, almost meditative films based on the work of Poe. Among his later career highlights are The Abominable Dr. Phibes, Theater of Blood, and Edward Scissorhands. Now, in this judicious, well-illustrated survey, Denis Meikle looks at both the highs and lows of an enduring film career.
"When Henry was a child, something terrible happened in the woods behind his home, something so shocking he could only express his grief by drawing pictures of what he had witnessed. Eventually, Henry's mind blocked out the bad memories, but he continued to draw, often at night by the light of the moon. Twenty years later, Henry makes his living by painting his disturbing works of art. He loves his wife and son, and life couldn't be better--except there's something not quite right about the old stone farmhouse his family now calls home. There's something strange living in the cramped cellar, in the maze of pipes that feed the ancient steam boiler. A winter storm is brewing and soon Henry will learn the true nature of the monster waiting for him down in the darkness."--Page 4 of cover