Vienna's Dreams of Europe puts forward a convincing counter-narrative to the prevailing story of Austria's place in Europe since the Enlightenment. For a millennium, Austrian writers have used images of Europe and its hegemonic culture as their political and cultural reference points. Yet in discussions of Europe's nation-states, Austria appears only as an afterthought, no matter that its precursor states-the Holy Roman Empire, the Austrian Empire, and Austria Hungary-represented a globalized European cultural space outside the dominant paradigm of nationalist colonialism. Austrian writers today confront reunited Europe in full acknowledgment of Austro-Hungary's multicultural heritage, which mixes various nationalities, ethnicities, and cultural forms, including ancestors from the Balkans and beyond. Challenging standard accounts of 18th- through 20th-century European imperial identity construction, Vienna's Dreams of Europe introduces a group of Austrian public intellectuals and authors who have since the 18th century construed their own public as European. Working in different terms than today's theorist-critics of the hegemonic West, Katherine Arens posits a political identity resisting two hundred years of European nationalism.
While the domestic sphere might seem tangential to the dire political situation and humanitarian crises of interwar Europe, it was nevertheless at the forefront of debates about cultural identity and economic policy in the Viennese press, culture, and arts. Vienna and the New Wohnkultur, 1918-1938 explores why and how the Viennese design landscape was set apart--aesthetically and theoretically--from other European explorations of modern design. Jackson-Beckett examines interior design exhibitions, press, and debates about modern living in interwar Vienna, an overlooked area of modern European architecture and design history, arguing for a reconsideration of the contours of European modernism. The text analyses varied interpretations of modern domestic culture (Wohnkultur) in Vienna, and explores why these interpretations were distinct from other strands of European modernism. Vienna and the New Wohnkultur introduces new research and translation of primary sources on flexible, adaptable, and affordable design by architects, designers, and retailers. Vienna's design discourse also prefigured important postmodern and contemporary discussions on historicism, eclecticism, empathy, and user experience. Through extensive new research in archival and period sources, Jackson-Beckett illustrates how design ideas, taste, and portrayals of domestic culture of fin-de-si?cle Viennese Modernism (Wiener Moderne) were also deployed as forms of cultural and national identity both during the early years of the Social Democratic government in Vienna (1918-1934) and later under the fascist state (1934-1938).
Vienna has been the locale for nearly one hundred and fifty films and television productions in English, from 1920s through the first years of this century, with imaginative representations of Freud, Strauss, Franz Josef, Mozart, Beethoven, and Klimt; mad scientists, assassins, spies, refugees, romantics, and American professors; historical dramas, cartoons, documentaries, and Hitchcock's only musical comedy. The "City of Dreams" has appeared as an imperial court, a center of scientific and medical research, a Jewish and Catholic homeland, a locus of international espionage and domestic crime, the destination for innocents abroad, the birthplace of the waltz, a stage for performances and performers, and the site for romantic rendezvous. For many in English-language audiences, such productions have constituted the most significant representations of Vienna, a city that historically has been the capital of one of Europe's largest empires, one of the most important centers for classical music and opera, both a victim and an accomplice of Nazi Germany, and the home of international diplomacy. Cultural historians and Austrian writers have provided significant commentary on the city, but their influence has seldom reached such an extensive audience as the films and television productions screening Vienna for English-language audiences. Screening Vienna thus analyzes the representation of Vienna and the Viennese in English-language film and television, reviews the critical reception of these productions, and measures the representations against the cultural and historical contexts and the writings of contemporary Austrian writers.The book is unique in its scope (over one hundred and fifty productions from the 1920s to 2013) and in its inclusion of leading reviews of many films, references to cultural and historical studies of Vienna, and references to modern and contemporary Austrian fiction.Thus the analysis is more extensive in its coverage and more intensive in its analysis of each film than any previous study, with a focus on scene, language, plot, characterization, and the reception of these films. Scholars and students in American cultural studies, film studies, Austrian and Viennese history, and popular culture will find the book informative and essential for studies of Vienna in the American and British imagination. Given the extensive coverage and filmography, many libraries should also view the book as a reference work, in addition to its status in cultural and film studies. The book will also be useful for film studies and American popular culture studies courses at advanced or graduate level.
The XXI International Congress for Analytical Psychology was held in Vienna, the birthplace of psychoanalysis. It brought together an unprecedented number of participants from all over the world and from different fields of knowledge. The theme: Encountering the Other: Within us, between us and in the world, a most relevant and urgent topic of the contemporary discourse among clinicians and academics alike, was explored in a rich and diverse program of pre-congress workshops, master classes, plenary and breakout presentations and posters. The Proceedings are published as two volumes: a printed edition of the plenary presentations, and an e-Book with the complete material presented at the Congress. To professionals as well as the general public, this collection of papers offers an inspiring insight into contemporary Jungian thinking from the classical to the latest research-based scientific lens. From the Contents: Deifying the Soul – from Ibn Arabi to C.G. Jung by Navid Kermani Apocalyptic Themes in Times of Trouble: When Young Men are Deeply Alienated by Robert Tyminski Panel Encountering the Other Within: Dream Research in Analytical Psychology and the Relationship of Ego and other Parts of the Psyche by Christian Roesler, Yasuhiro Tanaka & Tamar Kron Integration Versus Conflict Between Schools of Dream Theory and Dreamwork: integrating the psychological core qualities of dreams with the contemporary knowledge of the dreaming brain by Ole Vedfelt Freud and Jung on Freud and Jung by Ernst Falzeder Opening the Closed Heart: affect-focused clinical work with the victims of early trauma by Donald E. Kalsched The Other Between Fear and Desire – countertransference fantasy as a bridge between me and the other by Daniela Eulert-Fuchs Self, Other and Individuation: resolving narcissism through the lunar and solar paths of the Rosarium by Marcus West Encountering the Other: Jungian Analysts and Traditional Healers in South Africa by Peter Ammann, Fred Borchardt , Nomfundo Lily-Rose Mlisa & Renee Ramsden From Horror to Ethical Responsibility: Carl Gustav Jung and Stephen King encounter the dark half within us, between us and in the world by Chiara Tozzi
Europe is a strange continent. Strictly speaking it is not a continent at all but a mere peninsula tacked on to Asia, from where many of its first inhabitants undoubtedly came. And yet, despite its huge variety- of features, languages, landscape and peoples- this smallest of continents has achieved a clear cultural identity. It is certainly true that 'Eurospeak' lacks poetry and that the myths of today are mainly nationalist, chauvinistic and of the 'No to Europe-type'. But, says the author, 'My Europe is not the Europe that regulates the curve on bananas, quarrels over subsidies for farmers or fights for places on the Council or Commission. I still believe in dreams, especially the European dream.' The author quotes Vaclav Havel 'Without dreaming of a better Europe, we shall never build a better Europe'. Going back to the origins of the European idea, Dr Schwimmer traces the true content of Robert Schumann's vision and shows how this must still be our inspiration. But the author goes back beyond that and looks at other visions of a Federal Europe. From the Hapsburg Empire to the League of Nations and Woodrow Wilson's celebrated speech in 1918, various concepts are examined carefully. In propounding his dream for the future, the author takes on the Eurosceptics directly and shows how Europe must be the key to its inhabitants tackling the problems of world terrorism, human rights and the internal strife of Russia and the Balkan States.
Whether you're sipping Czech beer with locals or exploring hilltop castles, get to know these fairytale cities with Moon Prague, Vienna & Budapest. Inside you'll find: Flexible itineraries for 1 to 5 days in Prague, Vienna, and Budapest that can be combined into a longer trip Strategic advice for foodies, art lovers, history buffs, and more Must-see highlights and unique experiences: Enjoy classical music in Vienna, wander through labyrinthine Habsburg palaces, or soak in Budapest's thermal Széchenyi baths. Hike through the Vienna Woods or bike through the Wachau Valley, where ruined castles, vineyards, and rolling hills line the banks of the Danube. Admire the works of Klimt and Schiele in Vienna's glamorous galleries, take in the festive atmosphere at Prague's Christmas markets, and walk across the romantic Charles Bridge as the sun sets over the Vltava The best local flavors: Sip a Melange in a cozy booth of a classic Viennese coffeehouse, sample local wine at a Hungarian vineyard, and kick back with a pint of pilsner at one of Prague's beer gardens Ideas for side trips from each city, including Liberec, Danube Bend, Lake Balaton, and the Kutná Hore Bone Church Honest insight from Budapest local Jennifer Walker and Prague local Auburn Scallon Full-color photos and detailed maps throughout Background information on the landscape, history, and cultural customs of each city Handy tools such as visa information, Hungarian, German, and Czech phrasebooks, and tips for traveling with children or as a senior Experience the best of these three cities at your own pace with Moon Prague, Vienna & Budapest. Exploring more of Europe's top spots? Check out Moon Rome, Florence & Venice or Moon Barcelona & Madrid.
After 40+ years of writing about Europe, Rick Steves has gathered 100 of his favorite memories together into one inspiring, award-winning collection: For the Love of Europe: My Favorite Places, People, and Stories. Join Rick as he's swept away by a fado singer in Lisbon, learns the dangers of falling in love with a gondolier in Venice, and savors a cheese course in the Loire Valley. Contemplate the mysteries of centuries-old stone circles in England, dangle from a cliff in the Swiss Alps, and hear a French farmer's defense of foie gras. With a brand-new, original introduction from Rick reflecting on his decades of travel, For the Love of Europe features 100 of the best stories published throughout his career. Covering his adventures through England, France, Germany, Ireland, Italy, the Netherlands, Spain, and more, these are stories only Rick Steves could tell. Wry, personal, and full of Rick's signature humor, For the Love of Europe is a fond and inspirational look at a lifetime of travel. Winner of the 2022 Society of American Travel Writers' Lowell Thomas Travel Journalism Award: Best Travel Book, Silver
Throughout the 19th century, European royalty built extraordinary palaces to which they retreated from their "official" lives in St. Petersburg, Paris, Vienna, and elsewhere. This book offers a panorama of these fantastic estates, where leading architects, craftsmen, muralists, garden designers, and naturalists were employed at enormous expense to create a life of unsurpassed luxury. Many of the palaces are now legendary: Ludwig II's famous Neuschwanstein, which dominates the Bavarian Alps; the "Alexandra Cottage" of Peterhof, the gift of Nicholas I to his wife; the lovely Castle of Miramare built for the ill-fated Archduke Maximilian, the short-lived emperor of Mexico. The palaces are "romantic" in every sense, as creations of their time, and as places suffused with nostalgic memory. Author Jérôme Coignard provides a brief overview of each royal family and their palace's architecture and decoration, drawing on contemporary memoirs and letters. Marc Walter's color photographs are accompanied by period interior views, watercolors, and family photographs. With information on visiting hours and directions to each of the palaces, this book offers a private tour through the last courts of Europe.
Wechsberg’s memoir of pre-World War II mittel-Europa recounts with charm and irony life in the dying Habsburg Empire, family stories of wealth gained and lost, the subtleties of coffeehouse culture and the dynamics of Viennese society where one “is at the same time an actor, his own audience, and his own critic.” “[His] early childhood reads like an idyll […] so that while other writers may recall the last years of this ancien régime as constricting, Wechsberg remembers them as kindly and easygoing if sometimes philistine and stuffy. However, his father was killed in action on the Russian front very soon after the start of the First World War, and his mother, having invested her inheritance in government bonds, was impoverished when the government lost the war and was dissolved. Yet this is in no way a mournful book: young Wechsberg found the pre-war years entertaining, and his inquiring, wry mind makes the post-war years equally so. His account of a visit in the twenties to rich relatives in Vienna, describing his provincial bewilderment at their cosmopolitan luxury, is very funny; it is also excellent social history, and everybody in the story — for example, the chauffeur, whom Wechsberg found the most comprehensible member of the ménage — comes alive for us. Though Wechsberg can remember himself as a country cousin, his memoirs are urbanity itself.” — The New Yorker (July 30, 1979)
