This book studies the role played by Jews in the explosion of cultural innovation in Vienna at the turn of the century, which had its roots in the years following the Ausgleich of 1867 and its demise in the sweeping events of the 1930s. The author shows that, in terms of personnel, Jews were predominant throughout most of Viennese high culture, and so any attempts to dismiss the "Jewish aspect" of the intelligentsia are refuted. The book goes on to explain this "Jewish aspect," dismissing any unitary, static model and adopting a historical approach that sees the "Jewishness" of Viennese modern culture as a result of the specific Jewish backgrounds of most of the leading cultural figures and their reactions to being Jewish.
This is the story of the decline and fall of an empire, a region devastated by war, and a world stage fundamentally transformed by the Russian Revolution. Bauer’s magisterial work — available in English for the first time in full — charts the evolution of three simultaneous, overlapping revolutionary waves: a national revolution for self-determination, which brought down imperial Austro-Hungary; a bourgeois revolution for parliamentary republics and universal suffrage; and a social revolution for workers’ control, factory councils, and industrial democracy. The brief but crowning achievement of Red Vienna, alongside Bauer’s unique theorization of an “integral socialism” — an attempted synthesis of revolutionary communism and social democracy — is a vital part of the left’s intellectual and historical heritage. Today, as movements once again struggle with questions of reform or revolution, political strategy, and state power, this is a crucial resource. Bauer tells the story of the Austrian Revolution with all the immediacy of a central participant, and all the insight of a brilliant and original theorist.
Encyclopedic in its coverage, this seminal work focuses on the architecture of Prague from the turn of the century to the end of the Second World War: a rich matrix within which to place the figures who created the powerful, innovative spirits of modern Czech architecture. The book documents the architects, structures, and theoretical underpinnings that helped to shape Prague's cultural heritage and present-day artistic spirit.
“Robert Wistrich’s exemplary scholarly analysis of the Viennese Jewish community in the 19th century is the first well-written, reliable study of its kind... gives elegant portraits of the crucial Jewish figures of the new Viennese politics at the turn of the century... focus[es] on the internal history of the highly diversified Jewish community... [Wistrich] analyzes effectively the genesis of Herzl’s Zionism from within the Viennese context. Although his sympathies for Zionism are clear, he is respectful of Jewish critics of Zionism. What is refreshing in his narrative is the absence of retrospective critical moralizing about assimilation and the remarkable participation of Jews in German culture. Assimilated Jewish aristocrats and intellectuals, even Jews who converted to Christianity, are presented with as much evenhandedness as those Viennese Jewish nationalists and traditionalist theologians whose mistrust of assimilation and acculturation as reliable defenses against prejudice seems to have been vindicated by the Holocaust. The Jews of Vienna in the Age of Franz Joseph is not merely a descriptive history of Viennese Jewry. It vindicates the centrality of Jewishness and anti-Semitism as dynamic and changing forces in the evolution of 19th-century Austro-German politics and culture... Mr. Wistrich’s poignant narrative reminds us that the struggle for civic equality, social acceptance and economic security by the Jews of 19th-century Vienna resulted, among other things, in a steady stream of diverse and unforgettable contributions to art, science and culture... Even if the hopes implicit in the political and social struggle of the Jews of Vienna before 1914 were dashed finally by the violence of Nazism, Mr. Wistrich’s book is a moving reminder of what high hopes they were.” — Leon Botstein, The New York Times Book Review “The excellence of his book lies... in the high quality of scholarship, the sensitivity to nuance, the desire to map the entire Jewish response to the crisis of the empire in all its complexity.” — Michael Ignatieff, New York Review of Books “Will be the standard work for some time to come... eminently readable.” — Peter Pulzer, London Review of Books “[A] monumental book which will be indispensible for a long time to come.” — Ritchie Robertson, German History “Wistrich draws all the strands of this complex story very clearly together... broadly conceived, his book has a compelling dramatic interest and is certain to remain a standard guide to its subject for a long time.” — Roger Morgan, Times Literary Supplement “A paradigm of fine Jewish historical writing and analysis... Wistrich builds his work by exhaustively treating the important trends and figures which Viennese Jewry produced.” — Sharon Fleisher, Jerusalem Post “... a veritable summa of the religious, cultural, and political history in which the Viennese Jews were the main agents of change during the decline of the Habsburg monarchy.” — Victor Karady, Liber
The long-awaited Revised Standard Edition of the Complete Psychological Works of Sigmund Freud (RSE) is founded on the canonical Standard Edition (SE) translation from the German by James Strachey, while adding a new layer of revisions and translations. Conceptual and lexicographic ambiguities are clarified inextensive new annotations. Drawing on established conventions and intellectual traditions, the Revised Standard Edition supplements Freud’s writing with substantial editorial commentaries addressing controversial technical terms and translation issues through the lens of modern scholarship—a living text in dialogue with itself and the reader. The RSE also includes 56 essays and letters which were not included in the SE. In the RSE text and footnotes a subtle underlining distinguishes, in an easy and accessible way, Mark Solms’s revisions and additions, from the historical translation and commentaries of James Strachey’s Standard Edition. Readers can examine what Strachey contributed before the revisions in tandem with Solms’s updates, new translations, annotations, and commentaries, collectively bringing Freud’s text and Strachey’s translation into dialogue with five decades of research, including the most recent developments in the field. Commissioned by the British Psychoanalytical Society and co-published by Rowman & Littlefield, the Revised Standard Edition brings together decades of scholarly deliberation concerning the translation of Freudian technical terms while retaining the best of Strachey’s original English translation.This landmark work will captivate a wide audience, from interested lay readers to practicing clinicians to scientists and scholars in fields related to psychoanalysis.
