Author:

Publisher: BoD – Books on Demand

Published:

Total Pages: 266

ISBN-13: 3385035791

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David Teniers The Younger

David Teniers The Younger

Author: Jane P. Davidson

Publisher: Routledge

Published: 2019-03-12

Total Pages: 181

ISBN-13: 042972778X

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For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, writ-ten in 1898, remains a most complete study of Teniers. 1 De Peyre's Biogra-phie Critique of 1910 added little information not already published by Rosenberg.2 A number of recent articles have dealt with various aspects of Teniers's life or style, but none has been entirely satisfactory. 5 Some are incomplete; others contain errors gleaned from earlier sources. None has dealt with the artist's stylistic evolution from his early works to the works of the mature Teniers.


Anonymous Art at Auction

Anonymous Art at Auction

Author: Anne-Sophie V. Radermecker

Publisher: BRILL

Published: 2021-05-25

Total Pages: 340

ISBN-13: 9004460209

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In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.


Time, Media, and Visuality in Post-Revolutionary France

Time, Media, and Visuality in Post-Revolutionary France

Author: Iris Moon

Publisher: Bloomsbury Publishing USA

Published: 2021-07-01

Total Pages: 403

ISBN-13: 150134840X

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The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”