GRAYSCALE coloring book. Includes TWO full sets of the 20 amazing GRAYSCALE illustrations. And BONUS 10 pictures from Alena Lazareva's other coloring books. Share with a family member, color with a friend. Enjoy coloring your favorite images a second time. Have an extra copy in case you make a mistake. * Page size is 8.5x11inches. * Pages printed on one side only. * Paper non-perforated I recommend using colored pencils, soft pastel. It is not suitable for use with wet media such as watercolor. Use sheet of card under the page you are colouring. Happy coloring!
Rediscover the beauty around you. Open this coloring book and be reminded of splendor everywhere. Beauty abounds in the extraordinary and the ordinary…and even in the mundane. Whatever your circumstances, beauty is there, waiting to be noticed and cherished. Allow yourself the time to stop and see the beauty our God has fashioned in creation, in one another, and in His grace. Each perforated coloring page features an original design from one of nine different artists, beautifully illustrating an inspirational quote from hymns, Scripture, writers, preachers, and teachers. So grab your colored pencils and your closest friends and take some time to relax and reflect on the beauty all around you. To help set the perfect mood for worship, contemplation, and creative expression, a link to the “Everything Beautiful” Spotify playlist is included. #EverythingBeautifulBook
Go back in time to the Victorian Era with this beloved new collection from artist Hannah Lynn! Featuring her popular wide-eyed Whimsy Girls in a variety of Victorian scenes that are sure to delight for hours of coloring time! 25 Designs with *2* copies of each for a total of 50 pages to color. Measures 8.5x11, pages printed single sided, with a glossy cover. Suitable for all ages, but intended for adults and older children due to the detail in the illustrations. Designs range from moderate to challenging in this book. True to the artist's personal style, the coloring pages feature bold, thick lines for ease of coloring inside the lines. This is Hannah's 10th coloring book--please view all available titles on my Amazon Author page by clicking on the author name under the title of the book. To learn more about Hannah Lynn, please visit HannahLynn.com!****PDF Printable option available for purchase on HannahLynn.com****GET EXCLUSIVE DOWNLOAD PAGES ON PATREON.COM/HANNAHLYNN****
Based on fashions from steampunk literature, 31 original designs combine Victorian-era clothing with goggles, clocks, and other technological accessories. The intricacy and post-apocalyptic air of the illustrations offer creatively challenging, unique coloring experiences.
This beautiful and relaxing coloring book for adults contains 55 coloring pages to enjoy and celebrate the beauty of women. Full of gorgeous designs of women, hairstyles, flowers, butterflies and more, ranging from simple to complex. Perfect for all levels of colorists.
Are you a history buff? A fan of fashion? Or do you just love to color? This book is perfect for you! It has 30 single sided pages to color featuring gorgeous gowns and beautiful dresses from the American Civil War era. Each gown is historically accurate. The women and men featured in the book are actual civil war reenactors, making this book extra special. Try your hand at coloring these gorgeous gowns, and you will not be disappointed!
Children's literature isn't just for children anymore. This original study explores the varied forms and roles of children's literature—when it's written for adults. What do Adam Mansbach's Go the F**k to Sleep and Barbara Park's MA! There's Nothing to Do Here! have in common? These large-format picture books are decidedly intended for parents rather than children. In No Kids Allowed, Michelle Ann Abate examines a constellation of books that form a paradoxical new genre: children's literature for adults. Distinguishing these books from YA and middle-grade fiction that appeals to adult readers, Abate argues that there is something unique about this phenomenon. Principally defined by its form and audience, children's literature, Abate demonstrates, engages with more than mere nostalgia when recast for grown-up readers. Abate examines how board books, coloring books, bedtime stories, and series detective fiction written and published specifically for adults question the boundaries of genre and challenge the assumption that adulthood and childhood are mutually exclusive.
Victorian Alphabet Books and the Education of the Eye shows how the familiar genre went beyond mere reading instruction to offer nineteenth-century British writers, illustrators, and publishers a site for representing and re-thinking literacy itself. This interdisciplinary study traces how individuals throughout the Victorian era deployed alphabet books to promote visual literacy or oral culture as a vital complement to textual literacy. Their strategies ranged from puns and political allusions to elaborate designs that addressed adult audiences alongside or even instead of children. As the format became more familiar in the first part of Victoria's reign, George Cruikshank, William Makepeace Thackeray, Henry Cole, and Edward Lear were quick to recognize its critical potential. This history pivots around the mid-1860s and 1870s, when the production of illustrated alphabet books exploded thanks to evolving printing technology and national education reform. Case studies of individual works and makers show how a revolution in picture books reflected and responded to laws assuring children's access to schooling. On the one hand, Socialist artist Walter Crane was able to develop alphabetical illustration from a utilitarian mid-century product into an aesthetically rich, yet accessibly priced "education of the eye." On the other hand, Kate Greenaway, Hablot Knight Browne (Phiz), and their publishers tended to leverage commercialized nostalgia against pedagogy. This survey concludes by showing how market-oriented trends and the development of photographic reproduction toward the end of the century fed into interpretations of the alphabet, including works by Rudyard Kipling and Hilaire Belloc, that reflected growing ambivalence about industrialized print culture.
Portrayals of Children in Popular Culture: Fleeting Images, edited by Vibiana Bowman Cvetkovic and Debbie Olson, is a collection which examines images of “children” and “childhood” in popular culture, including print, online, television shows, and films. The contributors to this volume explore the constructions of “children” and “childhood” rather than actual children or actual childhoods. In the chapters that are concerned with depictions of actual, individual children, the authors investigate how the images of those children conform or “trouble” current notions of what it means to be a child engaged in a contemporary “childhood.” This is a unique volume, because of the academic discourse which is employed—that of “Childhood Studies.” The Childhood Studies scholars represented in this collection utilize an interdisciplinary approach which draws upon various academic fields—their methodologies, theoretical approaches, and scholarly conventions—for the scholarly research in this collection. Together, the contributions to this collection interrogate classic notions of childhood innocence, knowledge, agency, and the fluid position of the signifier “child” within contemporary media forms. These interdisciplinary works function as a testament to the infectiousness of the child image in print, television, and cinematic contexts, and represent a new avenue of discursive scholarship; the questions raised and connections made provide fresh insights and unique perspectives to topics regarding children and childhood and their representation within multiple media platforms. The growing field of Childhood Studies is enriched by the intellectual originality represented by this volume’s authors who ask new questions about the enduring and captivating image of the child.
