Venus and Adonis
Author: William Shakespeare
Publisher:
Published: 1870
Total Pages: 254
ISBN-13:
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Author: William Shakespeare
Publisher:
Published: 1870
Total Pages: 254
ISBN-13:
DOWNLOAD EBOOKAuthor: Marlene Dumas
Publisher: David Zwirner Books
Published: 2019-06-18
Total Pages: 129
ISBN-13: 194170199X
DOWNLOAD EBOOKMarlene Dumas’s works respond more than ever to the uncertainty and sensuality of the painting process itself. Allowing the structure of the canvases and the materiality of the paint greater freedom to inform the development of her compositions, the artist has likened the creation of these works to the act of falling in love: an unpredictable and open-ended process that is as filled with awkwardness and anxiety as it is with bliss and discovery. Myths & Mortals documents a selection of paintings—debuted in the spring of 2018 at David Zwirner, New York—ranging from monumental nude figures to intimately scaled canvases that present details of bodily parts and facial features. Several nearly ten-foot-tall paintings focus on individual figures, including a number of male and female nudes and a seemingly solemn bride, whose expression is obscured behind a floor-length veil. Like the Greek gods and goddesses, the figures in these paintings are at once larger than life and overwhelmingly human. The smaller-scale paintings—referred to by the artist as “erotic landscapes”—present a variety of fragmentary images: eyes, lips, nipples, or lovers locked in a kiss. Evident across all of these works is the artist’s uniquely sensitive treatment of the human form and her constantly evolving experimentation with color and texture. Alongside these paintings, Dumas presents an expansive series of thirty-two works on paper originally created for a Dutch translation of William Shakespeare’s narrative poem Venus & Adonis (1593) by Hafid Bouazza (2016). Myths & Mortals is accompanied by new scholarship on the artist by Claire Messud and a text by Dumas herself.
Author: William Shakespeare
Publisher:
Published: 1905
Total Pages: 702
ISBN-13:
DOWNLOAD EBOOKAuthor: Annibale Carracci
Publisher: Paul Holberton Publishing
Published: 2005
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKThis catalog accompanied the exhibition at the Museo Nacional del Prado of the newly restored Venus, Adonis and Cupid by Annibale Carracci and of paintings of the same subject by Titian and Veronese. In addition to reproductions of these gorgeous paintings, the catalog includes drawings and prints related to Carracci's work as well as documentation
Author: Arthur J. DiFuria
Publisher: BRILL
Published: 2021-12-20
Total Pages: 884
ISBN-13: 9004462066
DOWNLOAD EBOOKThis volume examines how and why many early modern pictures operate in an ekphrastic mode.
Author: Stuart Sillars
Publisher: Cambridge University Press
Published: 2015-08-06
Total Pages: 337
ISBN-13: 1107029953
DOWNLOAD EBOOKA fully illustrated study of Shakespeare's awareness of traditions in visual art and their presence in his plays and poems.
Author: Marlene Dumas
Publisher: Tate Gallery Publication
Published: 2014
Total Pages: 195
ISBN-13: 9781938922541
DOWNLOAD EBOOKIssued in connection with an exhibition held at Stedelijk Museum Amsterdam, 6 September 2014-4 January 2015; Tate Modern, London, 5 February-10 May 2015; Fondation Beyeler, Riehen/Basel, 30 May-13 September 2015.
Author: William Shakespeare
Publisher:
Published: 2020-03-07
Total Pages: 44
ISBN-13:
DOWNLOAD EBOOKVenus and Adonis is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication. The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting.
Author: Michele Marrapodi
Publisher: Routledge
Published: 2017-02-17
Total Pages: 672
ISBN-13: 1351815121
DOWNLOAD EBOOKCritical investigation into the rubric of 'Shakespeare and the visual arts' has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers instead the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. By studying the intermediality between theatre and the visual arts, the volume extols drama as a hybrid genre, combining the figurative power of imagery with the plasticity of the acting process, and explains the tri-dimensional quality of the dramatic discourse in the verbal-visual interaction, the stagecraft of the performance, and the natural legacy of the iconographical topoi of painting’s cognitive structures. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance. An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.
Author: Marlene Dumas
Publisher: Museum of Contemporary Art Cleveland
Published: 2008
Total Pages: 283
ISBN-13: 9781933751085
DOWNLOAD EBOOKIn her expressionistic drawings and paintings of the last three decades, acclaimed South African artist Marlene Dumas has focused on the human figure, probing themes of love, despair, desire and confusion in order to critique social and political attitudes towards women, children, people of colour and others who have been historically victimized. This substantial, fully illustrated volume, published on the occasion of Dumas's first major American survey, features a newly commissioned essay by renowned scholar Richard Schiff, placing the artist's work in relation to both American figurative painting since the 1980s and Abstract Expressionism. The book also includes curator Cornelia H. Butler's examination of Dumas's photographic sources and shorter texts by Lisa Gabrielle Mark and Matthew Monahan. Writings by the artist, as well as an extensive illustrated exhibition history and bibliography, complete this comprehensive examination of the work of one of the most thought-provoking artists working today.