This innovative microhistory of a fascinating yet neglected city shows how its loyalty to Venice was tested by military attack, economic downturn, and demographic collapse. Despite these trials, Brescia experienced cultural revival and political transformation, which Bowd uses to explain state formation in a powerful region of Renaissance Italy.
A detailed analysis of descriptions of Venice and the Venetian Terraferma in the Renaissance, when both the city of Venice and the mainland state were undergoing fundamental changes.
Space matters. It situates our history, structures our daily lives, and often determines what we can and cannot do. Borders are central to this reality. Tools and symbols of separation, power, and identity, they bring people together as much as they set them apart. This book explores how borders were understood, made, and encountered at the end of the Middle Ages, and what they can tell us about the spatial fabric of society at the threshold of modernity. It shows that pre-modern borders were nothing like the fuzzy lines they are typically made out to be, that border-making was rarely a top-down process and should instead be studied as an interactive endeavour, and that space was shaped by communities far more than states in this period. At its core, Borders and the Politics of Space in Late Medieval Italy is the account of a frontier which would mark the Italian peninsula for centuries, that between the territories of the Duchy of Milan and those of the Republic of Venice. But it is also a study of how rulers and subjects alike defined spaces they could call their own. Luca Zenobi combines methods from several disciplines and applies them to a range of evidence from twenty different libraries and archives, including theoretical treatises and pragmatic records, written chronicles and cartographic visualisations, private documents and official correspondence. The cast of characters is equally eclectic, featuring influential thinkers and pragmatic statesmen, zealous factions and clumsy bureaucrats, hopeless beggars and ambitious princes. On the border, their stories intersect and reveal their part in a shared history.
This volume brings together studies that explore the richness of the Arabic literary tradition and of Islamic intellectual life, from the beginnings of Islam to the present. The contributors cover an unusually wide range of subjects, including such topics as guile in the Quran, marriage in Islamic law, early esoterica, commentaries on al-Ḥarīrī’s Maqamāt, Hellenistic philosophy in Arabic, medieval music and song, scurrilous poetry, Arabic rhetoric, cursing, the modern social and legal history of the Middle East, al-Kharrat’s modernist project, and contemporary Islamic thought and responses to it. The volume’s range reflects the enormous breadth of Everett Rowson’s scholarship and his impact over a lifetime of publishing, editing, teaching, and mentoring in the many fields that constitute the Arabic humanities and Islamic thought. Contributors: Ali Humayun Akhtar, Thomas Bauer, Hans Hinrich Biesterfeldt, Kevin van Bladel, Marilyn Booth, Michael Cooperson, Kenneth M. Cuno, Geert Jan van Gelder, Hala Halim, Lara Harb, David Hollenberg, Matthew L. Keegan, David Larsen, Joseph E. Lowry, Zainab Mahmood, Jon McGinnis, Jeannie Miller, John Nawas, Bilal Orfali, Alex Popovkin, Dwight F. Reynolds, Susan A. Spectorsky, Tara Stephan, Adam Talib, Sarra Tlili, Shawkat M. Toorawa, James Toth, Mark S. Wagner.
This study re-examines Venice’s political economy from the viewpoint of its ordinary people or popolani who, despite the commonly held view that they were excluded from political life by the nobility or nobili, actually organized and ran for themselves hundreds of corporations within the city-state. Mercy was central to this popolani’s Christian values and those who offered mercy to their fellow men and women in temporary hardship were investing in the expectation of reciprocity in their own time of need. Beginning by tracing a formative linking of religion, economy, and polity from the thirteenth to the fifteenth centuries, Venice as the Polity of Mercy then chronicles the collapse of this triad during the struggles between church and state in the mid-sixteenth and seventeenth centuries, followed by a revitalizing reconnection of economy and polity within a different religious climate after the plague of 1630. As such, Richard Mackenney’s book offers up a revitalized image of Renaissance Venetian society as dynamic rather than static, as well as a new understanding of the city’s significance through a reconfiguration of its history and artwork.
In The Anxieties of a Citizen Class: The Miracles of the True Cross of San Giovanni Evangelista, Venice 1370-1480 Kiril Petkov identifies the socio-psychological preoccupations accompanying the formation of the leading commoner group of early Renaissance Venice, the cittadini originarii, as revealed in a cycle of miracles performed by a fragment of the True Cross owned by the brotherhood of San Giovanni Evangelista. The study’s principal contention is that the miracles trace the evolution of the citizen elite from members of a large, fluid group of men of affairs to community managers to state servants. Each miracle highlights a stage of that process and the social anxieties engendered in the acquisition of a specific social identity.
Italy and the Islamic World tells the story of how Italian cities have been centres of international exchange for centuries, linking Europe with the most storied marketplaces of the Middle East and North Africa. From the Ancient Roman period and the Renaissance to the rise of the Italian Republic, Italy has been a global crossroads for more than two millennia. In Ali Humayun Akhtar's new picture of European history, Italy's debates about trade with its southern neighbours evoke an earlier era of encounters - one that sheds light on where the EU is heading today.
While the masterpieces of the Italian Renaissance are usually associated with Italy’s historical seats of power, some of the era’s most characteristic works are to be found in places other than Florence, Rome, and Venice. They are the product of the diversity of regions and cultures that makes up the country. In Endless Periphery, Stephen J. Campbell examines a range of iconic works in order to unlock a rich series of local references in Renaissance art that include regional rulers, patron saints, and miracles, demonstrating, for example, that the works of Titian spoke to beholders differently in Naples, Brescia, or Milan than in his native Venice. More than a series of regional microhistories, Endless Periphery tracks the geographic mobility of Italian Renaissance art and artists, revealing a series of exchanges between artists and their patrons, as well as the power dynamics that fueled these exchanges. A counter history of one of the greatest epochs of art production, this richly illustrated book will bring new insight to our understanding of classic works of Italian art.
Factional Struggles' explores the dynamics of conflicts among ruling elites within cities, dynastic courts, rural areas and regional noble lineages during the early modern period. Building on case studies from France, Italy, the Empire and the Swiss Confederation, the essays collected by Mathieu Caesar in this volume highlight how factions were formed and how they shaped political society from the late Middle Ages. The authors have especially focused on how political and religious ideologies contributed to the formation of partisanship, the role of propaganda, and the significance and strategies of factional leaders. The volume shows how factions, despite the generally negative view of them held by theologians and jurists, were in practice accepted and used as political tools.
