The horse would know, but the horse can't talk. Premio Querini Stampalia-FURLA per l'arte. Catalogo della mostra (Venezia, 2002). Ediz. italiana e inglese

The horse would know, but the horse can't talk. Premio Querini Stampalia-FURLA per l'arte. Catalogo della mostra (Venezia, 2002). Ediz. italiana e inglese

Author: Chiara Bertola

Publisher:

Published: 2002

Total Pages: 126

ISBN-13:

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This third edition of the Premio Querini Stampalia--FURLA per l'Arte documents and honors the work of five emerging artists who live and work in Italy: Marcello Maloberti, Ottonella Mocellin, Adrian Paci, Daniele Puppi and Sissi. The "godfather" of the award, German artist Lothar Baumgarten, provided the title of this publication--a proverb that invites reflection on the impossibility of judging an artist.


Mona Hatoum. Catalogo della mostra (Venezia, 4 giugno-20 settembre 2009). Ediz. italiana e inglese

Mona Hatoum. Catalogo della mostra (Venezia, 4 giugno-20 settembre 2009). Ediz. italiana e inglese

Author: Mona Hatoum

Publisher:

Published: 2009

Total Pages: 180

ISBN-13:

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Questo volume documenta la genesi e l'evoluzione di Interior Landscape, un progetto concepito per gli spazi contemporanei e gli interni della collezione museale del palazzo storico della famiglia Querini Stampalia a Venezia. L'opera di Mona Hatoum si rivolge alla nozione di dislocamento, di incertezza e conflitto. Attraverso l'uso di oggetti familiari e di vita domestica trasformati in sculture estranee e misteriose, sovvertendone le forme in messaggi cifrati di ambiguità e minaccia, l'artista crea un territorio che non è più spazio rassicurante e protettivo.


Discourse on the State of the Jews

Discourse on the State of the Jews

Author: Simone Luzzatto

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-07-08

Total Pages: 448

ISBN-13: 3110528231

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In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.


Seven Days in the Art World

Seven Days in the Art World

Author: Sarah Thornton

Publisher: W. W. Norton & Company

Published: 2008-11-17

Total Pages: 304

ISBN-13: 0393071057

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A fly-on-the-wall account of the smart and strange subcultures that make, trade, curate, collect, and hype contemporary art. The art market has been booming. Museum attendance is surging. More people than ever call themselves artists. Contemporary art has become a mass entertainment, a luxury good, a job description, and, for some, a kind of alternative religion. In a series of beautifully paced narratives, Sarah Thornton investigates the drama of a Christie's auction, the workings in Takashi Murakami's studios, the elite at the Basel Art Fair, the eccentricities of Artforum magazine, the competition behind an important art prize, life in a notorious art-school seminar, and the wonderland of the Venice Biennale. She reveals the new dynamics of creativity, taste, status, money, and the search for meaning in life. A judicious and juicy account of the institutions that have the power to shape art history, based on hundreds of interviews with high-profile players, Thornton's entertaining ethnography will change the way you look at contemporary culture.


Italy’s Eighteenth Century

Italy’s Eighteenth Century

Author: Paula Findlen

Publisher: Stanford University Press

Published: 2009

Total Pages: 505

ISBN-13: 0804759049

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In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.


Gilbert & George

Gilbert & George

Author: Gilbert & George

Publisher:

Published: 2005

Total Pages: 92

ISBN-13:

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La obra expuesta, realizada en 1971, está constituida por 23 dibujos de grandes dimensiones realizados al carboncillo sobre cartón entelado, anticipando una serie de temas presentes en el posterior trabajo fotográfico de los artistas y en la investigación artística contemporánea, como la introducción de textos bajo la forma de títulos, el gran formato o la estructura narrativa y seriada de la obra.


The Architecture of the City

The Architecture of the City

Author: Aldo Rossi

Publisher: MIT Press

Published: 1984-09-13

Total Pages: 216

ISBN-13: 9780262680431

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Aldo Rossi was a practicing architect and leader of the Italian architectural movement La Tendenza and one of the most influential theorists of the twentieth century. The Architecture of the City is his major work of architectural and urban theory. In part a protest against functionalism and the Modern Movement, in part an attempt to restore the craft of architecture to its position as the only valid object of architectural study, and in part an analysis of the rules and forms of the city's construction, the book has become immensely popular among architects and design students.


Fascist Spectacle

Fascist Spectacle

Author: Simonetta Falasca-Zamponi

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 318

ISBN-13: 0520926153

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This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.