Painting in Eighteenth-century Venice
Painting in Eighteenth-century Venice

Author: Michael Levey

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 296

ISBN-13: 9780300060577

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From Canaletto to Tiepolo, eighteenth century Venetian painters created brilliant works of art that are now considered to be the last flowering of the long Venetian tradition of painting. This beautiful book provides an introduction to eighteenth century Venetian painting, discussing the various types of painting--portraiture, genre, landscape, history paintings and religious works--as well as the society, patronage and intellectual climate of Venice at this time.

Painting in Eighteenth-century Venice
Painting in Eighteenth-century Venice

Author: Michael Levey

Publisher:

Published: 1980

Total Pages: 264

ISBN-13:

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"From Canaletto to Tiepolo, 18th-century Venetian painters created brilliant works of art that are now considered to be the last flowering of the long Venetian tradition of painting. This book provides an introduction to 18th-century Venetian painting, discussing the various types of painting - portraiture, genre, landscape, history paintings, and religious works - as well as the society, patronage, and intellectual climate of Venice at this time."--Amazon.com.

The Republic of Venice in the 18th Century
The Republic of Venice in the 18th Century

Author: Walter Panciera

Publisher:

Published: 2021

Total Pages: 142

ISBN-13: 9788833137575

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This book traces the last century of life of the Republic of Venice. It aims to show why the "Serenissima", unlike large countries such as France or England, was not on the way to becoming a modern nation. Until its end, the city of Venice never took the shape of a real national capital, but remained the dominant centre linking wide-ranging and diverse territories around the Adriatic. The particularism, or rather polycentrism, of its state apparatus is the key to understanding its limitations, as well as the legacy left in Venice's vast domains, reaching from Corfu to Lombardy. In the 18th century the Republic was weak compared to the great European states. Its institutions and leadership had been frozen for two centuries and there was no political reform, although Enlightenment culture diffused widely over the century. On the economic level, however, there was little sign of "decay": merchant traffic continued to prosper and there were a number of new developments in the manufacturing sphere.

The Glory of Venice
The Glory of Venice

Author: Jane Martineau

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 536

ISBN-13: 0300061862

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Venice, home of Tiepolo, Canaletto, Piranesi, Piazzetta, and Guardi, was the most artistic city of 18th-century Italy. This beautiful book examines the whole range of the arts in Venice during the period, including paintings, pastels and gouaches, drawings and watercolors, prints and illustrated books and sculpture. Beautifully illustrated.

Canaletto and the Art of Venice
Canaletto and the Art of Venice

Author: Rosie Razzall

Publisher: Royal Collection Editions

Published: 2017

Total Pages: 0

ISBN-13: 9781909741409

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The Royal Collection has one of the largest and finest collections of Venetian art from the first half of the eighteenth century. It includes paintings, prints and drawings by Canaletto himself, as well as those of his contemporaries, such as Sebastiano and Marco Ricci, Antonio Visentini, Francesco Zuccarelli and Giovanni Battista Piazzetta. These artists were patronised by Consul Smith and their works were later purchased by George III. This lavishly illustrated catalogue marks the first time that the rich holdings of eighteenth-century Venetian art in the Royal Collection will have been brought together, and focuses on presenting these extraordinary works against the background of the social and artistic networks of the period. Whilst displaying and analysing the brilliant works of Canaletto himself, including his cityscapes, capriccios and paintings of architecture, this catalogue also discusses the intimate interior of Venetian life, explores the links between artists and the theatre in Venice at this time and looks at Venice as a centre for printmaking and book production.

Venice
Venice

Author: Charles Beddington

Publisher:

Published: 2010

Total Pages: 200

ISBN-13:

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View-painting in eighteenth-century Venice began with the emergence of Luca Carlevarijs and ended with the death of Francesco Guardi in 1793. This title presents an overview of the artists then working in the city, and draws on the latest research and scholarship to illuminate the complex stylistic relationships between them.

Seeing Venice
Seeing Venice

Author: Mark Doty

Publisher: Getty Publications

Published: 2002

Total Pages: 64

ISBN-13: 9780892366583

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Bernardo Bellotto's magnificent View of the Grand Canal provides a rich visual record of life in eighteenth-century Venice. This painting--one of the most popular in the Getty Museum--is so sweeping in its scope and so detailed that it requires repeated viewings to take in its portrait of daily life in Venice in the 1780s. This small book presents Bellotto's great painting in a series of beautiful details that allow the reader to examine the painting closely and enjoy the colorful and busy goings-on of Venetian life captured so unforgettably by Bellotto. The book jacket unfolds to become a small poster of the painting in its entirety. Accompanying these delightful images is a lyrical essay by noted American poet Mark Doty. Together, Bellotto's painting and Doty's prose make for an unforgettable encounter with the art and life of Venice.