The Vans Warped Tour is a massive, ten-stage traveling punk music festival that also features alternative entertainment, skate and bike ramps, and booths selling food, gear, and assorted other items. The tour attracts more than 750,000 fans in 50 cities across North America. This book gives readers an insiders view of the tour, the musicians who play at it, the people who make it happen, year after year.
Featuring photographs by Lisa Johnson,The Warped Tour is where extreme music - a blend,of punk, alternative, hip-hop, ska and reggae -,and extreme sports come together. Founded in 1995,it has become the longest-running festival tour in,America, responsible for introducing the world to,No Doubt, Blink 182, Eminem, Papa Roach, Kid Rock,and Limp Bizkit. With over 500,000 dedicated fans,in the U.S. alone, the Warped Tour has also,travelled the world, with dates in Europe, Japan,and Australia. Now this fully-illustrated book,documents the tour's highlights for all its fans.
Describes the music/extreme sports festival Vans Warped Tour, including its history, the famous bands and extreme sports stars that have been featured there, and the future of the festival.
From packing the right equipment to keeping enough gas in the tank to get home, every aspect of making a successful tour with a band is addressed in this comprehensive guide. More than 100 luminaries and leading organizations from the world of touring--among them Chris Connelly, Henry Rollins, the House of Blues, and the Vans Warped Tour, as well as club owners, tour managers, and even sex advisors--provide handy insider know-how along with insight on mistakes commonly made by novice bands. Chapters address the nitty-gritty of touring, with instructions on how to secure venues and publicity, how to stay healthy on the road, and how to keep the budget in the black. Loaded with hundreds of years' worth of collective hands-on experience from those steeped in the music business, this is a must-have resource for creating an unforgettable tour.
Punk rock culture in a preeminently average town Synonymous with American mediocrity, Peoria was fertile ground for the boredom- and anger-fueled fury of punk rock. Jonathan Wright and Dawson Barrett explore the do-it-yourself scene built by Peoria punks, performers, and scenesters in the 1980s and 1990s. From fanzines to indie record shops to renting the VFW hall for an all-ages show, Peoria's punk culture reflected the movement elsewhere, but the city's conservatism and industrial decline offered a richer-than-usual target environment for rebellion. Eyewitness accounts take readers into hangouts and long-lost venues, while interviews with the people who were there trace the ever-changing scene and varied fortunes of local legends like Caustic Defiance, Dollface, and Planes Mistaken for Stars. What emerges is a sympathetic portrait of a youth culture in search of entertainment but just as hungry for community—the shared sense of otherness that, even for one night only, could unite outsiders and discontents under the banner of music. A raucous look at a small-city underground, Punks in Peoria takes readers off the beaten track to reveal the punk rock life as lived in Anytown, U.S.A.
Intended for students, general readers, vegetarians, and vegans, as well as those interested in animal welfare and liberation, this A–Z encyclopedia explores the historical and cultural significance of vegetarianism in the United States and beyond. Vegetarianism in the United States did not start in the 1960s—it has a much longer, complex history going back to the early 1800s. Cultural Encyclopedia of Vegetarianism examines that history through the lens of culture, focusing on what vegetarianism has had to say to and about Americans. This A–Z encyclopedia brings together the work of a number of scholars from diverse fields, including history, sociology, philosophy, religious studies, anthropology, nutrition, American studies, religious studies, women's and gender history, and the history of medicine. Approximately 100 essay entries cover cultural and historical aspects of vegetarianism, primarily but not exclusively in relation to the United States, shedding light on the practice's roots in ancient cultures and challenging popular myths and misconceptions related to both vegetarianism and veganism. With discussions on everything from activist movements to cookbooks, the encyclopedia offers a unique, wide-ranging exploration that will appeal to students, practitioners, and anyone else who wants to know more.
A visual tour de force showcasing Toronto’s vast concert history. “Not sure there’s ever been anything like this...The graphics are fascinating, the script is comprehensive. It’s staggering what’s been unleashed from the Vault.” — Gary Topp, promoter, half of the legendary duo the Garys “These pages will take you on a musical magical mystery tour of Toronto’s important place in concert history. Reading The Flyer Vault gives you a rush, just like the one you get when the house lights go down!” — Dan Kanter, multi-platinum-selling songwriter/producer “The Flyer Vault book helps bottle the lore, bringing me a little bit closer to my Toronto and its shows that have only grown in renown.” —Danko Jones, lead singer/guitarist of the rock trio Danko Jones Duke Ellington. Johnny Cash. David Bowie. Nirvana. Bob Marley. Wu-Tang Clan. Daft Punk. These are just some of the legendary names that played Toronto over the last century. Drawing from Daniel Tate’s extensive flyer collection, first archived on his Flyer Vault Instagram account, Tate and Rob Bowman have assembled a time capsule that captures a mesmerizing history of Toronto concert and club life, ?running the gamut of genres from vaudeville to rock, jazz to hip-hop, blues to electronica, and punk to country. The Flyer Vault: 150 Years of Toronto Concert History traces seminal live music moments in the city, including James Brown’s debut performance in the middle of a city-wide blackout, a then-unknown Jimi Hendrix backing up Wilson Pickett in 1966 — the year a new band from London named Led Zeppelin performed in Toronto six times — and the one and only show by the Notorious B.I.G., which almost caused a riot in the winter of 1995. Complementing the book’s flyers is the story of the music, highlighting such iconic venues as Massey Hall, the Concert Hall/Rock Pile/Club 888, and the BamBoo, alongside lesser-known but equally important clubs such as Industry Nightclub and the Edge.
While the internet bubble has burst, the New Economy that the internet produced is still with us, along with the myth of a workplace built around more humane notions of how people work and spend their days in offices. No-Collar is the only close study of New Economy workplaces in their heyday. Andrew Ross, a renowned writer and scholar of American intellectual and social life, spent eighteen months deep inside Silicon Alley in residence at two prominent New Economy companies, Razorfish and 360hiphop, and interviewed a wide range of industry employees in other cities to write this remarkable book. Maverick in their organizations and permissive in their culture, these workplaces offered personal freedoms and rewards that were unheard of in corporate America. Employees feared they may never again enjoy such an irresistible work environment. Yet for every apparent benefit, there appeared to be a hidden cost: 70-hour workweeks, a lack of managerial protection, an oppressive shouldering of risk by employees, an illusory sense of power sharing, and no end of emotional churning. The industrialization of bohemia encouraged employees to think outside the box, but also allowed companies to claim their most free and creative thoughts and ideas. In these workplaces, Andrew Ross encountered a new kind of industrial personality, and emerged with a sobering lesson. Be careful what you wish for. When work becomes sufficiently humane, we tend to do far too much of it, and it usurps an unacceptable portion of our lives. He concludes that we should not have to choose between a personally gratifying and a just workplace, we should strive to enjoy both. Author note: Andrew Ross is Professor in the American Studies program at New York University. A writer for Artforum, The Nation, The Village Voice, and many other publications, he is the author or editor of thirteen books, including The Celebration Chronicles, Real Love, The Chicago Gangster Theory of Life, Strange Weather, No Respect, and, most recently, Low Pay, High Profile: The Global Push for Fair Labor.
Scott has played over 500 concerts at hundreds of venues spanning almost two decades. From performing to the bar staff at strip mall dive bars, to a sold-out show with members of The Misfits and the Ramones, 33 Percent Rockstar: Music, Heartbreak and the Pursuit of Rock Stardom is about the love of music and life as a struggling musician. It is the true story of what happens when you give up everything to follow your dreams—even when they lead to a run-down strip club in a seedy part of Lincoln, Nebraska. Scott learned how to play the bass guitar, and became a musician. He'd eventually become a damn good one. He fell in love and got his heart broken. Twice. He played in multiple bands, recorded multiple albums, and toured the country. In the end, Scott never made it big, but it wasn’t for lack of trying. All for the love of music, he toiled in dead-end jobs, drove across the country in dilapidated tour vans, and dealt with the fragile egos and creative differences of a rotating cast of bands and band members. 33 Percent Rockstar: Music, Heartbreak and the Pursuit of Rock Stardom is a Behind the Music for the vast majority of musicians who never achieve rock stardom and offers a glimpse of the everyday lives of those hopeful, possibly deluded souls pursuing the rockstar dream.
