A monograph on Martha Schwartz, a US landscape designer of international repute. It consists of over 30 works in her exuberant style, most built, from places as far apart as Japan, Sweden, the UK and Canada.
Architects, landscape architects and urban designers experiment with color and lighting effects in their daily professional practice. Over the past decade, there has been a reinvigorated discussion on color within architectural and cultural studies. Yet, scholarly enquiry within landscape architecture has been minimal despite its important role in landscape design. This book posits that though color and lighting effects appear natural, fleeting, and difficult to comprehend, the sensory palette of built landscapes and gardens has been carefully constructed to shape our experience and evoke meaning and place character. Landscape Design in Color: History, Theory, and Practice 1750 to Today is an inquiry into the themes, theories, and debates on color and its impact on practice in Western landscape architecture over the past three centuries. Divided into three key periods, each chapter in the book looks at the use of color in the written and built work of key prominent designers. The book investigates thematic juxtapositions such as: natural and artificial; color and line; design and draftsmanship; sensation and concept; imitation and translation; deception and display; and decoration and structure, and how these have appeared, faded, disappeared, and reappeared throughout the ages. Richly designed and illustrated in full color throughout, including color palettes, this book is a must-have resource for students, scholars, and design professionals in landscape architecture and its allied disciplines.
Traditional, great urban landscapes have helped to fullfil the needs for environmental and human health, for social and collectivized urban spaces that generates a positive quality of life in the cities. The work of MSP, the famous Martha Schwartz and their partners, demonstrates a deep commitment to tis need. As people also spend most of their time outside the buildings on streets, sidewalks, utility corridors and parking lots it is also the request of MSP to bring delight, beauty, nature and playfulness to these places by their landcape design and in this way to the whole city. The book represents numerous of their projects showing the high quality of their design in texts and illustrations.
An authoritative and superbly illustrated celebration of the great gardens of the United States and Canada from the author of the highly acclaimed TheÿNew English Garden. The gardens chosen for this book range from eighteenth-century landscape gardens such as Thomas Jefferson's Monticello in North Carolina, through twentieth-century creations such as the lakeside garden at Innisfree in New York State and dramatic Naumkeag in Massachusetts to the work of exciting new designers such as Topher Delaney in San Francisco and Martha Schwartz in New Mexico. Many of the gardens are open to the public, so readers can actually visit them. The others, newer domestic gardens, offer instead glimpses into a glamorous world of luxurious outdoor living. To view a video preview of Great Gardens of America click here
Step inside the world's most famous garden and understand the strength of its attraction in this beautiful and fascinating study. Since is was bought and transformed by writer Vita Sackville West and diplomat Harold Nicholson in the 1930s, this garden has captured imaginations with its unique and intricate design. This unforgettable garden of rooms is influential today for its design, its exuberant planting, and its effect on visitors as a complete garden experience. Author Tim Richardson explores its power and its magic, explaining the nuances of its evolution and shows how we can all enjoy it today. Beautiful photographs transport you to the National Trust property, showcasing it in all its brilliance.
Gardening is rich in tradition, and many gardens are explicitly designed to refer to or honor the past. But garden design is also rich in innovation, and in The Making of Place John Dixon Hunt explores the wide varieties of approaches, aesthetics, and achievements in garden design throughout the world today. The gardens Hunt explores offer surprising new ideas about how we can carve out a space for respite in nature. Taking readers to gardens public and private, busy and hidden away, to botanical gardens, small parks, university campuses, and vernacular gardens, Hunt showcases the differences between cultures and countries around the globe, including the United States, United Kingdom, France, Germany, China, and Australia. Richly illustrated, The Making of Place is sure to enchant and inspire even the most modest of home gardeners.
The new southern studies has had an uneasy relationship with both American studies and the old southern studies. In Finding Purple America, Jon Smith, one of the founders of the new movement, locates the source of that unease in the fundamentally antimodern fantasies of both older fields. The old southern studies tends to view modernity as a threat to a mystic southern essence—a dangerous outside force taking the form of everything from a "bulldozer revolution" to a "national project of forgetting." Since the rise of the New Americanists, American studies has also imagined itself to be in a permanent crisis mode, seeking to affiliate the field and the national essence with youth countercultures that sixties leftists once imagined to be "the future." Such fantasies, Smith argues, have resulted in an old southern studies that cannot understand places like Birmingham or Atlanta (or cities at all) and an American studies that cannot understand red states. Most Americans live in neither a comforting, premodern Mayberry nor an exciting, postmodern Los Angeles but rather in what postcolonialists call "alternative modernities" and "hybrid cultures" whose relationships to past and future, to stability and change, are complex and ambivalent. Looking at how "the South" has played in global metropolitan pop culture since the nineties and at how southern popular and high culture alike have, in fact, repeatedly embraced urban modernity, Smith masterfully weaves together postcolonial theory, cultural studies, Lacanian psychoanalysis, and, surprisingly, marketing theory to open up the inconveniently in-between purple spaces and places that Americanist and southernist fantasies about "who we are"have so long sought to foreclose.
For students and alumni, their families, Cambridge locals and for lovers of private gardens, Tim Richardson's book on the most exquisite gardens in and around the university of Cambridge's colleges combines brilliant research and elegant prose with stunning photography by Clive Boursnell. Following on the heels of Oxford College Gardens, this book invites an armchair appreciation of the history, horticulture and atmosphere that these hallowed gardens provide. The gardens are as rich and varied as the colleges themselves, often set within stunning architecture, and include formal quadrangles, naturalistic planting, walled gardens, rooftop oases, productive plots and watermeadows as well as the private spaces enjoyed exclusively by the college masters, porters and fellows.
Using a variety of critical perspectives, this text demonstrates a renewal of garden design and directions for garden aesthetics, analysing projects by Fernando Chacel (Brazil), Andy Goldsworthy (Great Britain), Charles Jencks (Great Britain), Patricia Johanson (U.S.) and Bernard Lassus (France).
“100 projects by fifty of the world's most talented designers of public and private spaces . . . will expand your horizons and thrill the modernist in you.”—Metropolitan Home