"Published on the occasion of the exhibition Van Gogh Repetitions, organized by The Phillips Collection, Washington, D.C., and the Cleveland Museum of Art."
Co-published by Museum of Modern Art and the Van Gogh Museum in conjunction with the first exhibition to focus on Vincent van Gogh's depictions of nocturnal and twilight scenes, Van Gogh and the Colors of the Night examines the artist's night landscapes, interior scenes, and representations of the effects of both gaslight and natural light on their surroundings. It features over one hundred illustrations, including details of Van Gogh's iconic paintings and works by other artist important to the development of his style.
As the first public museum in the United States to purchase a painting by Vincent van Gogh, the Detroit Institute of Arts is celebrating its historic accomplishment with a groundbreaking exploration of the introduction and early reception in America of the iconic artist's work. The painting in question is Self-Portrait, produced in Paris during the summer of 1887-with a light palette initially informed by Impressionist works-and acquired by the museum in 1922. To contextualize his work, Van Gogh in America brings together approximately 60 of Van Gogh's paintings, drawings, and prints from collections around the world. Essays by leading Van Gogh scholars from the Van Gogh Museum in the Netherlands and The Metropolitan Museum of Art chronicle the considerable efforts made by early promoters of modernism in the United States, including dealers, collectors, private art organizations, public institutions, and the Van Gogh family, to frame the artist's biography and introduce his artistic production into the American consciousness.
"Ah! . . . to make of painting what the music of Berlioz and Wagner has been before us . . . a consolatory art for distressed hearts!"--Vincent van Gogh This engaging book is the first in-depth investigation of the influential role that music and sound played throughout Vincent van Gogh's (1853-1890) life. From psalms and hymns to the operas of Richard Wagner to simple birdsong, music represented to Van Gogh the ultimate form of artistic expression. And he believed that by emulating music painting could articulate deep truths and impart a lasting emotional impact on its viewers. In Van Gogh and Music Natascha Veldhorst provides close readings of the many allusions to music in the artist's prolific correspondence and examines the period's artistic theory to offer a rich picture of the status of music in late 19th-century culture. Veldhorst shows the extent to which Van Gogh not only admired the ability of music to inspire emotion, but how he incorporated musical subject matter and techniques into his work, with illustrations of celebrated paintings such as Sunflowers in a Vase, which he described as "a symphony in blue and yellow." An expansive inquiry into the significance of sound and music for the artist, including the formative influence of his song-filled upbringing, Van Gogh and Music is full of fascinating new insights into the work of one of history's most venerated artists.
An address book in which each alphabetical divider-page opens with a detail from a Van Gogh painting and is followed overleaf by an image of the complete work and a quotation from one of the artist's letters. The spiral binding enables the book to be laid open at any page.
A revelatory resituation of Van Gogh's familiar works in the company of the surprising variety of nineteenth-century art and literature he most revered Vincent van Gogh's (1853-1890) idiosyncratic style grew out of a deep admiration for and connection to the nineteenth-century art world. This fresh look at Van Gogh's influences explores the artist's relationship to the Barbizon School painters Jean-François Millet and Georges Michel--Van Gogh's self-proclaimed mentors--as well as to Realists like Jean-François Raffaëlli and Léon Lhermitte. New scholarship offers insights into Van Gogh's emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Israëls, and his keen interest in the work of the Impressionists. This copiously illustrated volume also discusses Van Gogh's allegiance to the colorism of Eugène Delacroix, as well as his alliance with the Realist literature of Charles Dickens and George Eliot. Although Van Gogh has often been portrayed as an insular and tortured savant, Through Vincent's Eyes provides a fascinating deep dive into the artist's sources of inspiration that reveals his expansive interest in the artistic culture of his time. Published in association with the Santa Barbara Museum of Art Published in association with the Santa Barbara Museum of Art Exhibition Schedule: Columbus Museum of Art (November 12, 2021-February 6, 2022) Santa Barbara Museum of Art (February 27-May 22, 2022)
One name in the history of the 20th century art stands out over all others: Pablo Picasso (1881-1973). As painter, graphic artist and sculptor, he displayed an inventive enterprise and innovative bravado that always kept him one step ahead of his contemporaries. As one of them, the painter Max Ernst, ruefully put it: No one can touch Picasso. He is genius incarnate. The works selected here cover Picasso's entire output, from the less familiar to key masterpieces such as Guernica, from the Blue and Rose Periods early in his career through his cubist and classicist phases and the formal experiments of the Thirties to his later involvement with politics in art. Discusses the life and work of the well-known twentieth-century painter, describing how his art was influenced by the events in Spain and his early years there.