In a quiet city in British Columbia, vampires stalk a hospital, looking for victims to milk, kill, or recruit as partial vampires that instinctively desire humans for their life-giving blood. Although Jude loves the power of being a partial vampire, which includes shapeshifting into whatever he wants, he struggles with guilt over the harm his vampiric nature may cause. His human side clings to his past, but as a vampire he has access to a world of power, immortality, and liberation from human limitations. Should he work to destroy the world he lives in and dominate the planet, or side with humans in fighting the vampires that control him?
Sir Robert McKay's coven of vampires is known in British Columbia as benevolent and placid. Instead of hunting humans for blood, like many other vampires, they believe in having humans voluntarily donate their blood. These humans have a rare blood disorder that enables them to regenerate blood quickly when first drained, and they then need draining often to survive. These humans are known to vampires as Feeders. Anne Patterson is attacked, left bleeding and broken by a rogue vampire when it unsuccessfully tries to drain her blood. Luc Hastings, a feeder, and his vampire friend and tracker, Roman, find Anne at the side of a deserted road while tracking the rogue. Luc believes Anne to be another feeder, and helps her to accept what she is to the vampires. He finds it difficult to do, as his feelings for her get in the way. Anne feels safe with Luc, but when a vengeful vampire named Sir Raymond Pitout threatens the McKay Coven by taking Anne, things start to go seriously wrong. Luc realizes he cannot keep Anne safe. This scares him, so tries to back away from her. However, Anne proves her love for him by saving his life. Is her effort enough? First-time author Anita E.Viljoen has always been interested in vampires. Originally from Pretoria, South Africa, she now lives in Maple Ridge, British Columbia, Canada. Her favorite time to write is late at night during the witching hour. Publisher's Web site: http: //SBPRA.com/AnitaEViljoe
When Dr. David Heywood meets a woman who claims to hear voices and to be almost 200 years-old, he believes she has a serious mental illness. As he begins to fall in love with her, he starts to doubt his diagnosis. He feels he is slowly being trapped in a new reality. But who is trying to control him? Is it Catherine Desmarais or her Voice?
The Vatican Assassin - BERNARD CAMPION aka ""BC"" - used to kill for the Pope. But the old pope is dead. Seemingly unaware of BC's role, the new one names BC acting Vatican Ambassador to Lunar Prime! Can BC build peace between The Universal Islamic Nation (UIN), The Universal Trade Zone (UTZ) and the New catholic Church (NcC)? What is the mysterious ""Project""? And do aliens really want us all dead? Book Two of The VATICAN ASSASSIN TRILOGY. The UIN's Christmas raid of 2109 - the latest battle in their long-running war with the UTZ - left great changes in its wake. BC's world is upside down, converted from assassin to potential peacemaker by the new Pope. BC tries to help Governor Marc Edwards rebuild Lunar Prime as he puts his own life back together, but soon discovers his world is far more limited than he could have guessed. Triple agents, scientific enclaves on interstellar outposts, alien neighbors and interlopers - BC will soon find himself forced to consider a much broader frame of reference!
Vampires offers a bite-sized overview of the ever-mutating vampire, a phenomenon created by primal human fears of blood-sucking monsters. The book delves into ancient vampiric beliefs including the Chinese hopping vampire Jiangshi and Egyptian goddess Sekhmet, as well as Gothic horrors from the late Middle Ages. The evolution of vampires in literature, film and television is comprehensively covered, from the iconic Dracula tale, Stephen King's Salem's Lot to Stephenie Meyer's 'Twilight' series; Nosferatu, the first Hollywood take on vampires and modern films such as the Blade trilogy and New Moon; and popular TV shows including The Twilight Zone, True Blood and The Vampire Diaries.
Discover the secrets to drawing, painting, and illustrating immortals of the night in How to Draw Vampires. Over the years, vampires have earned a permanent place in pop culture. Numerous movies, TV shows, and book series have only upped the demand for these mythological beings. And now anyone can learn to draw and paint vampires with this in-depth handbook. How to Draw Vampires covers everything from rendering sharp fangs and glowing eyes to creating stylish immortal fashion. The book also contains 15 step-by-step projects featuring a mix of pencil, paint, and digital image-editing instruction, allowing artists to replicate each scene in graphic detail. Discover how to capture the vampire in a variety of illustration styles, from realistic to anime. Evil vampires, handsome vampires, gothic lairs, and the forbidden love between human and vampire merely scratch the surface of subjects in this must-have title.
The Pacific Northwest . . . home to lush forests and constant rain, to lumberjacks and computer geeks, especially those of the vampire kind. Sophia, beautiful and deadly, has spent the last hundred years dancing her way through the balmy nights and hot-blooded men of South America. But when her Sire sends an urgent summons, Sophia rushes home to Vancouver only to find he has disappeared, leaving nothing behind but three dead vampires and a letter with Sophia's name on it. Colin Murphy, a former Navy SEAL, came to the Northwest seeking a quiet place to heal the scars earned in more than a decade at war. But when someone starts killing local vampires and torturing their mates, Colin takes on the mantle of a warrior once again as he sets out to find the killers and do whatever it takes to stop them, even if that means hunting with vampires. Following her Sire's trail of death to a small town in northern Washington, Sophia unexpectedly discovers the heat of a South American night in Colin's arms. But too soon, Sophia and Colin find themselves in a race to uncover the killers before the next dead vampire becomes Sophia herself.
Vampires have Evolved and They are Here! Kelley Armstrong, Tanya Huff and twenty-two other Canadian dark fantasy and horror writers re-imagine the future of vampires in this new collection of all-original short fiction. One of the most unusual and original vampire anthologies ever compiled. “The intriguing Vampires appearing in Evolve all share a common link to the iconic character Dracula” - Dacre Stoker EVOLVE includes works by: Kelley Armstrong, Tanya Huff, Claude Lalumière. Mary E. Choo, Sandra Kasturi, Bradley Somer, Kevin Cockle, Rebecca Bradley, Heather Clitheroe, Colleen Anderson, Sandra Wickham, Rhea Rose, Ronald Hore, Bev Vincent, Jennifer Greylyn, Steve Vernon, Michael Skeet, Kevin Nunn, Victoria Fisher, Rio Youers, Gemma Files, Natasha Beaulieu, Claude Bolduc, and Jerome Stueart. About the Editor: Award-winning author Nancy Kilpatrick has published eighteen novels, over one hundred and ninety short stories, five collections of stories, and has edited nine other anthologies. Much of her body of work involves vampires. Nancy writes dark fantasy, horror, mysteries and erotic horror, under her own name, her nom de plume Amarantha Knight, and her newest pen name Desirée Knight (Amarantha’s younger sister!) Besides writing novels and short stories, and editing anthologies, she has scripted four issues of VampErotic comics. As well, she’s penned radio scripts, a stage-play, and the non-fiction book The Goth Bible: A Compendium for the Darkly Inclined (St. Martin’s Press — October 2004). Nancy won the Arthur Ellis Award for best mystery story, is a three times Bram Stoker finalist and a five times finalist for the Aurora Award. About the Cover Artist: Ex-gravedigger John Kaiine, self trained professional artist/photographer, is also the author of the critically acclaimed metaphysical thriller Fossil Circus and various short stories, including the short film feature Dolly Sodom. He lives in a house by the sea with his wife, Tanith Lee, and two black and white cats. Praise: “The intriguing Vampires appearing in Evolve all share a common link to the iconic character Dracula” -- Dacre Stoker "Vampire fans-this is a must read" -- Parajunkie, Blog with Bite “With stories from genre veterans Kelley Armstrong and Tanya Huff, as well as a slew of newcomers, EVOLVE: VAMPIRE STORIES OF THE NEW UNDEAD is a worthy anthology for vampire lovers.” — Quill and Quire Books in this series: Evolve: Vampire Stories of the New Undead Evolve Two: Vampire Stories of the Future Undead
At the turn of the 20th century, printing and photographic technologies evolved rapidly, leading to the birth of mass media and the rise of the amateur photographer. Demonstrating how this development happened symbiotically with great changes in the shape of British literature, Writing, Authorship and Photography in British Literary Culture, 1880-1920 explores this co-evolution, showing that as both writing and photography became tools of mass dissemination, literary writers were forced to re-evaluate their professional and personal identities. Focusing on four key authors-Thomas Hardy, Bram Stoker, Joseph Conrad and Virginia Woolf-each of which had their own private and professional connections to photographs, this book offers valuable historical contexts for contemporary cultural developments and anxieties. At first establishing the authors' response to developing technologies through their non-fiction, personal correspondences and working drafts, Ennis moves on to examine how their perceptions of photography extend into their major works of fiction: A Laodicean, Dracula, The Secret Agent, The Inheritors and The Voyage Out. Reflecting on the first 'graphic revolution' in a world where text and image are now reproduced digitally and circulated en masse and online, Ennis redirects our attention to when image and text appeared alongside each other for the first time and the crises this sparked for authors: how they would respond to increasingly photographic depictions of everyday life, and in turn, how their writing adapted to a distinctly visual mass media.
