Phiscultura presents not just Katsuba's own work, color photographs of contemporary Russian athletes posed in Speedos and piled into gymnastic pyramids, but his inspiration, K. Bulla's late nineteenth and early twentieth century photographs of earlier generations of athletes, from the St. Petersburg's State Archive. The juxtaposition enhances the characteristics of Russia's past and future.
“Outstanding... Yakovleva perfectly balances evoking the terror of living in a police state with her whodunit plotline. Fans will hope to see much more of Zaitsev.” --Publishers Weekly (starred review) The debut of the ultimate noir detective series: set in Stalinist Russia, riddled with corruption, informers, and purges that takes paranoia to the next level Perfect for readers of John Banville, Philip Kerr, and Lara Prescott's The Secrets We Kept, and for fans of the international Netflix sensation Babylon Berlin MURDER 1930s Leningrad. Stalin is tightening his grip on the Soviet Union, and a mood of fear cloaks the city. Detective Vasily Zaitsev is tasked with investigating a series of bizarre and seemingly motiveless homicides. MAYHEM As the curious deaths continue, precious Old Master paintings start to disappear from the Hermitage collection. Could the crimes be connected? MISTRUST When Zaitsev sets about his investigations, he meets with obstruction at every turn. Soon even he comes under suspicion from the Soviet secret police. The resolute detective must battle an increasingly dangerous political situation in his dogged quest to find the murderer―and stay alive. “Leads the hero (as well as the reader) through every circle of soviet hell, to a bright finale.” --Medusa
Russia in 1938 is a place of great terror. Joseph Stalin is in charge. His Secret Police are everywhere, searching for anyone who might be his enemy. People have no idea who they can trust. Seven-year-old Shura doesn't know about any of this. He's happy in his little home in Leningrad going to school in the mornings, playing with his best friend in the afternoon, fighting with his big sister, spending time with his Mama, Papa and baby brother Bobka. Until one day everything changes. Mama and Papa and Bobka disappear without a trace. The whispers of their neighbours are that Mama and Papa were spies, enemies of Stalin and so they have now been taken by something mysterious called The Raven. Desperate to reunite his family, Shura decides to hunt down The Raven, finding help in the most unexpected places but facing more danger than he has ever known . . .
While the topic of queer sexuality in imperial Russia and the Soviet Union has been investigated for decades by scholars working in the fields of sociology, history, literary studies, and musicology, it has yet to be studied in any comprehensive or systematic way by those working in the visual arts. Queer(ing) Russian Art: Realism, Revolution, Performance is meant to address this lacuna by providing a platform for new scholarship that connects "Russian" art with queerness in a variety of ways. Situated at the intersection of Visual Studies and Queer Studies and working from different theoretical and disciplinary perspectives, the contributors expose and explore the queer imagery and sensibilities in works of visual art produced in pre-Soviet, Soviet and post-Soviet contexts and beneath the surface of conventional histories of Russian and Soviet art.
Tiré du site de Nieves: "Issue #7 of THE international with Rita Ackermann, featuring drawings, collages, photographs and new paintings that were inspired by and created during Rita Ackermann's stay in Texas; the dry air of Texas, drawings of girls, crashed cars, and the story of a local cowboy."
