Useful Objects

Useful Objects

Author: Reed Gochberg

Publisher: Oxford University Press

Published: 2021-08-18

Total Pages: 266

ISBN-13: 0197553508

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Useful Objects examines the history of American museums during the nineteenth century through the eyes of visitors, writers, and collectors. Museums of this period included a wide range of objects, from botanical and zoological specimens to antiquarian artifacts and technological models. Intended to promote "useful knowledge," these collections generated broader discussions about how objects were selected, preserved, and classified. In guidebooks and periodicals, visitors described their experiences within museum galleries and marveled at the objects they encountered. In fiction, essays, and poems, writers embraced the imaginative possibilities represented by collections and proposed alternative systems of arrangement. These conversations interrogated many aspects of American culture, raising deep questions about how objects are interpreted--and who gets to decide their value. Combining literary criticism, the history of science, and museum studies, Useful Objects examines the dynamic and often fraught debates that emerged during a crucial period in the history of museums by drawing on a wide range of archival materials and accounts in fiction, guidebooks, and periodicals. As museums gradually transformed from encyclopedic cabinets to more specialized public institutions, many writers, including J. Hector St. John de Crèvecoeur, Jane Johnston Schoolcraft, William Wells Brown, Walt Whitman, and Henry David Thoreau, questioned who would have access to collections and the authority to interpret them. Throughout this period, they considered loss and preservation, raised concerns about the place of new ideas, and resisted increasingly fixed categories. Their reflections shaped broader debates about the scope and purpose of museums in American culture that continue to resonate today.


Useful Objects

Useful Objects

Author: Reed Gochberg

Publisher: Oxford University Press

Published: 2021

Total Pages: 273

ISBN-13: 0197553486

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'Useful Objects' examines the cultural history of nineteenth-century American museums through the eyes of writers, visitors, and collectors. Throughout this period, museums gradually transformed from encyclopedic cabinets to more specialized public institutions. These changes prompted wider debates about how museums determine what objects to select, preserve, and display-and who gets to decide. Drawing on a wide range of archival materials and accounts in fiction, guidebooks, and periodicals, this text shows how the challenges facing nineteenth-century museums continue to resonate in debates about their role in American culture today.


Fewer, Better Things

Fewer, Better Things

Author: Glenn Adamson

Publisher: Bloomsbury Publishing USA

Published: 2018-08-07

Total Pages: 273

ISBN-13: 1632869667

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From the former director of the Museum of Arts and Design in New York, a timely and passionate case for the role of the well-designed object in the digital age. Curator and scholar Glenn Adamson opens Fewer, Better Things by contrasting his beloved childhood teddy bear to the smartphones and digital tablets children have today. He laments that many children and adults are losing touch with the material objects that have nurtured human development for thousands of years. The objects are still here, but we seem to care less and know less about them. In his presentations to groups, he often asks an audience member what he or she knows about the chair the person is sitting in. Few people know much more than whether it's made of wood, plastic, or metal. If we know little about how things are made, it's hard to remain connected to the world around us. Fewer, Better Things explores the history of craft in its many forms, explaining how raw materials, tools, design, and technique come together to produce beauty and utility in handmade or manufactured items. Whether describing the implements used in a traditional Japanese tea ceremony, the use of woodworking tools, or the use of new fabrication technologies, Adamson writes expertly and lovingly about the aesthetics of objects, and the care and attention that goes into producing them. Reading this wise and elegant book is a truly transformative experience.


Objects of Design from the Museum of Modern Art

Objects of Design from the Museum of Modern Art

Author: Paola Antonelli

Publisher: The Museum of Modern Art

Published: 2003

Total Pages: 296

ISBN-13: 9780870706967

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Table of Contents Foreword 6 Preface 7 Acknowledgments 9 Objects of Design 10 Plates 23 1 Turning Points 24 2 Machine Art 46 3 A Modern Ideal 70 4 Useful Objects 94 5 Modern Nature 122 6 Mind over Matter 150 7 Good Design 186 8 Good Design for Industry 218 9 The Object Transformed 248 Photograph Credits 283 Index 285 Trustees of The Museum of Modern Art 288.


A History of the World in 100 Objects

A History of the World in 100 Objects

Author: Neil MacGregor

Publisher: Penguin UK

Published: 2011-10-06

Total Pages: 564

ISBN-13: 0141966831

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This book takes a dramatically original approach to the history of humanity, using objects which previous civilisations have left behind them, often accidentally, as prisms through which we can explore past worlds and the lives of the men and women who lived in them. The book's range is enormous. It begins with one of the earliest surviving objects made by human hands, a chopping tool from the Olduvai gorge in Africa, and ends with an object from the 21st century which represents the world we live in today. Neil MacGregor's aim is not simply to describe these remarkable things, but to show us their significance - how a stone pillar tells us about a great Indian emperor preaching tolerance to his people, how Spanish pieces of eight tell us about the beginning of a global currency or how an early Victorian tea-set tells us about the impact of empire. Each chapter immerses the reader in a past civilisation accompanied by an exceptionally well-informed guide. Seen through this lens, history is a kaleidoscope - shifting, interconnected, constantly surprising, and shaping our world today in ways that most of us have never imagined. An intellectual and visual feast, it is one of the most engrossing and unusual history books published in years.


Everyday Political Objects

Everyday Political Objects

Author: Christopher Fletcher

Publisher: Routledge

Published: 2021-06-10

Total Pages: 302

ISBN-13: 1000397033

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Everyday Political Objects examines a series of historical case studies across a very broad timescale, using objects as a means to develop different approaches to understanding politics where both internal and external definitions of the political prove inadequate. Materiality and objects have gradually made their way into the historian’s toolbox in recent years, but the distinctive contribution that a set of methods developed for the study of objects can make to our understanding of politics has yet to be explored. This book shows how everyday objects play a certain role in politics, which is specific to material things. It provides case studies which re-orientate the view of the political in a way that is distinct from, but complementary to, the study of political institutions, the social history of politics and the analysis of discourse. Each chapter shows, in a distinctive and innovative way, how historians might change their approach to politics by incorporating objects into their methodology. Analysing case studies from France, the Congo, Burkina Faso, Romania and Britain between the early Middle Ages and the present day makes this study the perfect tool for students and scholars in the disciplines of history, art history, political science, anthropology and archaeology. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781003147428


Objects and Meaning

Objects and Meaning

Author: M. Anna Fariello

Publisher: Scarecrow Press

Published: 2005

Total Pages: 248

ISBN-13: 9780810857018

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Throughout the 20th century, there were increasing numbers of artists who chose to work within a fine art aesthetic (i.e., expressive, communicative, innovative, unique) while simultaneously embracing qualities associated with craft production (i.e., intimacy, materiality, labor, ritual). At the periphery of their world loomed issues of status, gender, community, and economics. This fluid situation made for an exciting mix of ideas that helped perpetuate an ongoing debate within an art world no longer as monothematic as it appeared in print. Objects and Meaning expands upon a national conversation questioning how various academic disciplines and cultural institutions approach and assign meaning to artist-made objects in postmodern North America. Although most of the discourse since the mid 20th century revolved around the split between art and craft, the contributors to this collection of essays take a broader view, examining the historical, cultural, and theoretical perspectives that defined the parameters of that conversation. Their focus is on issues concerning works that appeared to 'cross over' from mainstream art to an amorphous and pluralistic aesthetic milieu that has yet to be defined. The essays collected for this volume, loosely organized into three groupings_Historical Contexts, Cultural Systems, and Theoretical Frames_contribute to a deeper understanding of the meaning of objects and how that meaning comes to be defined. Although the style of writing in this collection ranges from passionate conviction to cool observation with points of view from different professional backgrounds, each essay reflects original ideas introduced into the cultural dialogue during this period.


Monuments as Cultural and Critical Objects

Monuments as Cultural and Critical Objects

Author: Thomas Houlton

Publisher: Routledge

Published: 2021-11-25

Total Pages: 238

ISBN-13: 0429588828

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Monuments as Cultural and Critical Objects explores monuments as political, psychical, social, and mystical objects. Incorporating autoethnography, psychoanalysis, deconstruction, postcolonialism, and queer ecology, Houlton argues for a radical, interdisciplinary approach to our monument-culture. Tracing historical developments in monuments alongside contemporary movements such as Rhodes Must Fall and Black Lives Matter, Houlton provides an in-depth critique of monument sites, as well as new critical and conceptual methodologies for thinking across the field. Alongside analysis of monuments to the Holocaust, colonial figures, and LGBTQIA+ subjects, this book provides new critical engagements with the work of D.W. Winnicott, Marion Milner, Jacques Derrida, Edward Said, Eve Sedgwick, and others. Houlton traces the potential for monuments to exert great influence over our sense of self, nation, community, sexuality, and place in the world. Exploring the psychic and physical spaces these objects occupy—their aesthetics, affects, politics, and powers—this book considers how monuments can challenge our identities, beliefs, and our very notions of remembrance. The interdisciplinary nature of Monuments as Cultural and Critical Objects means that it is ideally placed to intervene across several critical fields, particularly museum and heritage studies. It will also prove invaluable to those engaged in the study of monuments, psychoanalytic object relations, decolonization, queer ecology, radical death studies, and affect theory.