This book brings anthropologists and critical theorists together in order to investigate utopian visions of the future in the neoliberal cities of India and Sri Lanka. Arguing for the priority of materiality in any analysis of contemporary ideology, the authors explore urban construction projects, special economic zones, fashion ramps, films, archaeological excavations, and various queer spaces. In the process, they reveal how diverse co-existing utopian visions are entangled with local politics and global capital, and show how these utopian visions are at once driven by visions of excess and by increasing expulsions. It’s a dystopia already in the making – one marred by land grabs and forced evictions, rising inequality, and the loss of urbanity and civility.
Utopia tends to generate a bad press - regarded as impracticable, perhaps nostalgic, or contradictory when visions of a perfect world cannot accommodate the change that is necessary to a free and self-organizing society. But people from diverse backgrounds are currently building a new society within the old, balancing literal and metaphorical utopianism, and demonstrating plural possibilities for alternative futures and types of settlement. Thousands of such places exist around the world, including intentional communities, eco-villages, permaculture plots, religious and secular retreats, co-housing projects, self-build schemes, projects for low-impact housing, and activist squats in urban and rural sites. This experience suggests, however, that when planning and design are not integral to alternative social formations, the modern dream to engineer a new society cannot be realized. The book is structured in four parts. In part one, literary and theoretical utopias from the early modern period to the nineteenth-century are reconsidered. Part two investigates twentieth-century urban utopianism and contemporary alternative settlements focusing on social and environmental issues, activism and eco-village living. Part three looks to wider horizons in recent practices in the non-affluent world, and Part four reviews a range of cases from the author’s visits to specific sites. This is followed by a short conclusion in which a discussion of key issues is resumed. This book brings together insights from literary, theoretical and practical utopias, drawing out the characteristics of groups and places that are part of a new society. It links today’s utopian experiments to historical and literary utopias, and to theoretical problems in utopian thought.
The utopian vision of spatial urbanism--an avant-garde architectural phenomenon that blended technology, leisure, and culture--examined as a reaction to modernism and official government building and planning in the embattled cultural context of 1960s France.
A noted urban historian traces the story of the suburb from its origins in nineteenth-century London to its twentieth-century demise in decentralized cities like Los Angeles.
"Dystopian Decibels: The Illusion of Urban Utopia and the Peculiar Allure of Chaos" invites readers into a thought-provoking exploration of a world where the urban landscape teeters on the brink of dystopia. This gripping narrative serves as a cautionary tale, unraveling the seemingly enchanting façade of a metropolis to expose the discordant symphony that echoes within its walls. The book delves into the heart of a society that has succumbed to the allure of chaos, where the relentless cacophony of urban life masks the underlying disquiet. As the narrative unfolds, the illusion of an idealized urban existence is peeled away, revealing the underbelly of societal discord. The city, once envisioned as a haven of progress and prosperity, becomes a battleground for the clash of ideologies, the struggle for power, and the inherent chaos that arises from the pursuit of unchecked desires. The metaphorical "decibels" symbolize not just the literal noise but also the societal uproar, the political discord, and the psychological tumult that characterizes this disconcerting world. The book prompts readers to question their own perceptions of urbanity, inviting reflection on the trade-offs between progress and the potential pitfalls of unchecked ambition. "Dystopian Decibels" is not merely a work of fiction; it serves as a mirror to contemporary society, urging readers to scrutinise the choices and compromises made in the pursuit of an idealised urban utopia. Through its pages, readers embark on a journey that challenges assumptions, navigates the complexities of societal structures, and forces a reconsideration of the boundaries between order and chaos. Intricately woven and richly detailed, "Dystopian Decibels" stands as a cautionary tale that reverberates with relevance, encouraging readers to question the true cost of an urban utopia built on the peculiar allure of chaos
The utopian visions of three of urban planning’s greatest visionaries. Ebenezer Howard, Frank Lloyd Wright and Le Corbusier, hated the cities of their time with an overwhelming passion. The metropolis was the counter-image of their ideal cities, the hell that inspired their heavens. In this book Robert Fishman examines the utopian visions of three of urban planning’s greatest visionaries. Howard created the concept of the “garden city” where shops and cottages formed the center of a geometric pattern with farmland surrounding; Wright conceived of “Broadacre City,” the ultimate suburb, where the automobile was king; and Le Corbusier imagined “Ville Radieuse,” the city of cruciform skyscrapers set down in open parkland.
“Utopia” is a word not often associated with the city of Bangkok, which is better known for its disorderly sprawl, overburdened roads, and stifling levels of pollution. Yet as early as 1782, when the city was officially founded on the banks of the Chao Phraya river as the home of the Chakri dynasty, its orientation was based on material and rhetorical considerations that alluded to ideal times and spaces. The construction of palaces, monastic complexes, walls, forts, and canals created a defensive network while symbolically locating the terrestrial realm of the king within the Theravada Buddhist cosmos. Into the twentieth century, pictorial, narrative, and built representations of utopia were critical to Bangkok’s transformation into a national capital and commercial entrepôt. But as older representations of the universe encountered modern architecture, building technologies, and urban planning, new images of an ideal society attempted to reconcile urban-based understandings of Buddhist liberation and felicitous states like nirvana with worldly models of political community like the nation-state. Bangkok Utopia outlines an alternative genealogy of both utopia and modernism in a part of the world that has often been overlooked by researchers of both. It examines representations of utopia that developed in the city—as expressed in built forms as well as architectural drawings, building manuals, novels, poetry, and ecclesiastical murals—from its first general strike of migrant laborers in 1910 to the overthrow of the military dictatorship in 1973. Using Thai- and Chinese-language archival sources, the book demonstrates how the new spaces of the city became arenas for modern subject formation, utopian desires, political hegemony, and social unrest, arguing that the modern city was a space of antinomy—one able not only to sustain heterogeneous temporalities, but also to support conflicting world views within the urban landscape. By underscoring the paradoxical character of utopias and their formal narrative expressions of both hope and hegemony, Bangkok Utopia provides an innovative way to conceptualize the uneven economic development and fractured political conditions of contemporary global cities.
Rosemary Wakeman provides a sweeping history of "new towns"--those created by fiat rather than out of geographic or economic logic and often intended to break with the tendencies of past development. Heralded throughout the twentieth century as solutions to congestion, environmental threats, architectural malaise, and cultural anomie, today they are often seen as sad, pernicious, or merely suburban. Wakeman shows that hundreds of such towns sprang from templates and designs not only in North America and across Europe but around the world, revealing how different cultures dreamed of (re)organizing themselves. Wakeman also illuminates the missteps and unanticipated results of the initial optimistic choices and impulses.
'Young-Old' examines contemporary architectural and urban mutations that have emerged as a consequence of one of the key demographic transformations of our time: population aging. Distinguishing between different phases of old age, it identifies the group known as the "Young-Old" as a remarkable petri dish for experimental forms of subjectivity, collectivity, and environment. In investigating this field of latent urban and architectural novelty, 'Young-Old' asserts both the escapist and emancipatory dimensions of these practices. Richly illustrated with drawings, maps, and photographs, the volume documents phenomena ranging from the continuous, golf cart accessible urban landscapes of the world's largest retirement community in Florida and the mono-national urbanizaciones of "the retirement home of Europe" on Costa del Sol, to the Dutch-themed residential community at Huis Ten Bosch in the south of Japan. AUTHOR: Deane Simpson is an architect and urbanist teaching at the Royal Danish Academy School of Architecture Copenhagen and at BAS Bergen, where he is professor of architecture and urbanism. 250 illustrations
