Urban Culture in Tehran

Urban Culture in Tehran

Author: Seyed Hossein Iradj Moeini

Publisher: Springer

Published: 2017-11-27

Total Pages: 188

ISBN-13: 3319655000

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This book studies the production of urban culture in Tehran after 1979. It analyzes urban resistance and urban processes in underground cultural spaces: bookshops, cafes and art galleries. The intended audience is architects and urban planners interested in socio-political aspects of bottom-up space formation, but also those in humanities and particularly cultural studies. The idea of the book reflects architectural criticism and bottom-up processes of space formation. It analyzes alternative, non-official ways of forming cultural spaces in Tehran and the way they resist formally endorsed culture. Cafés, bookshops and galleries, each take various and different sets of strategies to constitute their territory and their communities within the city. From temporarily occupying street corners (booksellers) to constitution of an underground network of unfixed meeting points, to using the modern paradigms of ownership and the idea of private property, primarily as a political tool for management, to claim a safe alternative sphere of art, and finally to semiotic spatial codifications of spaces to make them as a safe gathering places taking food as a means. All these three cultural spaces deal with various conditions to form specific forms of resistance practices, throughout processes that leave their spatial traces on the city.


The Rite of Urban Passage

The Rite of Urban Passage

Author: Reza Masoudi

Publisher: Berghahn Books

Published: 2018-08-17

Total Pages: 198

ISBN-13: 178533977X

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The Iranian city experienced a major transformation when the Pahlavi Dynasty initiated a project of modernization in the 1920s. The Rite of Urban Passage investigates this process by focusing on the spatial dynamics of Muharram processions, a ritual that commemorates the tragic massacre of Hussein and his companions in 680 CE. In doing so, this volume offers not only an alternative approach to understanding the process of urban transformation, but also a spatial genealogy of Muharram rituals that provides a platform for developing a fresh spatial approach to ritual studies.


The History and Culture of Iran and Central Asia

The History and Culture of Iran and Central Asia

Author: D. G. Tor

Publisher: University of Notre Dame Pess

Published: 2022-04-15

Total Pages: 398

ISBN-13: 0268202087

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This volume examines the major cultural, religious, political, and urban changes that took place in the Iranian world of Inner and Central Asia in the transition from the pre-Islamic to the Islamic periods. One of the major civilizations of the first millennium was that of the Iranian linguistic and cultural world, which stretched from today’s Iraq to what is now the Xinjiang Autonomous Region of China. No other region of the world underwent such radical transformation, which fundamentally altered the course of world history, as this area did during the centuries of transition from the pre-Islamic to the Islamic period. This transformation included the religious victory of Islam over Buddhism, Nestorian Christianity, and the other religions of the area; the military and political wresting of Inner Asia from the Chinese to the Islamic sphere of primary cultural influence; and the shifting of Central Asia from a culturally and demographically Iranian civilization to a Turkic one. This book contains essays by many of the preeminent scholars working in the fields of archeology, history, linguistics, and literature of both the pre-Islamic and the Islamic-era Iranian world, shedding light on some of the most significant aspects of the major changes that this important portion of the Asian continent underwent during this tumultuous era in its history. This collection of cutting-edge research will be read by scholars of Middle Eastern, Central Asian, Iranian, and Islamic studies and archaeology. Contributors: D. G. Tor, Frantz Grenet, Nicholas Sims-Williams, Etsuko Kageyama, Yutaka Yoshida, Michael Shenkar, Minoru Inaba, Rocco Rante, Arezou Azad, Sören Stark, Louise Marlow, Gabrielle van den Berg, and Dilnoza Duturaeva.


The Book of Tehran

The Book of Tehran

Author: Fereshteh Ahmadi

Publisher: Comma Press

Published: 2019-04-25

Total Pages: 203

ISBN-13: 1912697181

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A city of stories – short, fragmented, amorphous, and at times contradictory – Tehran is an impossible tale to tell. For the capital city of one of the most powerful nations in the Middle East, its literary output is rarely acknowledged in the West. This unique celebration of its writing brings together ten stories exploring the tensions and pressures that make the city what it is: tensions between the public and the private, pressures from without – judgemental neighbours, the expectations of religion and society – and from within – family feuds, thwarted ambitions, destructive relationships. The psychological impact of these pressures manifests in different ways: a man wakes up to find a stranger relaxing in his living room and starts to wonder if this is his house at all; a struggling writer decides only when his girlfriend breaks his heart will his work have depth... In all cases, coping with these pressures leads us, the readers, into an unexpected trove of cultural treasures – like the burglar, in one story, descending into the basement of a mysterious antique collector’s house – treasures of which we, in the West, are almost wholly ignorant. Translated by: Sara Khalili, Sholeh Wolpé, Alireza Abiz, Caroline Croskery, Farzaneh Doosti, Shahab Vaezzadeh, Niloufar Talebi, Lida Nosrati, Susan Niazi and Poupeh Missaghi. Foreword by Orkideh Behrouzan. Developed in partnership with Visiting Arts. 'The aesthetic sensibility of Iranian culture appears, to the West, as mainly pre-modern, if not actually anti-modern... The fiction showcased in The Book of Tehran is a welcome corrective to this tendency... These stories feel decidedly contemporary in style and subject matter alike, with their protagonists' inner lives and interpersonal relationships at the fore.' - The Times Literary Supplement 'Fiction exploring the interior life of contemporary Iranians is not well represented in translations readily available in the West. The Book of Tehran aims to begin to redress the shortage...' - Asian Review of Books


City of Knowledge in Twentieth Century Iran

City of Knowledge in Twentieth Century Iran

Author: Setrag Manoukian

Publisher: Routledge

Published: 2012-03-12

Total Pages: 273

ISBN-13: 1136627170

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This book presents a cultural history of modern Iran through the perspective of the city. Addressing the relationship between history, poetry and politics in Iran, the author demonstrates that the question of knowledge is crucial to an understanding of the political and existential dimensions of life in Iran today.


Urban and Visual Culture in Contemporary Iran

Urban and Visual Culture in Contemporary Iran

Author: Pedram Dibazar

Publisher: Bloomsbury Publishing

Published: 2020-12-10

Total Pages: 224

ISBN-13: 1350195316

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In Urban and Visual Culture in Contemporary Iran, Pedram Dibazar argues that everyday life in Iran is a rich domain of social existence and cultural production. Regular patterns of day-to-day practice in Iran are imbued with forms of expressivity that are unmarked and inconspicuous, but have remarkable critical value for a cultural study of contemporary society. Blended into the rhythms of everyday life are nonconformist modes of presence, subtle in their visibility and non-confrontational in their resistance to the established societal norms and structures. This volume is about such everyday tactics and creativity as lived in space, visualised in cultural forms and communicated through media. Through its analysis of familiar everyday experiences, Urban and Visual Culture in Contemporary Iran covers a wide range of ordinary practices-such as walking, driving, shopping and doing or watching sports-and spatial conditions-such as streets, cars, rooftops, shopping centres and stadiums. It also explores a variety of cultural formations, including film, photography, architecture, literature, visual arts, television and digital media. This book offers new ways of thinking about visual and urban cultures by highlighting a politics of everyday life that is conditioned on concerns over visibility and presence.


Contemporary Architecture and Urbanism in Iran

Contemporary Architecture and Urbanism in Iran

Author: M. Reza Shirazi

Publisher: Springer

Published: 2018-01-02

Total Pages: 200

ISBN-13: 3319721852

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This book presents an in-depth critical analysis of the internationally recognized, place-specific works of three Iranian architects (Nader Ardalan, Kamran Diba and Hossein Amanat) during the 60s and 70s, and their significant contribution to the emerging anti-modernist discourse.It argues that from the mid-19th century onwards architecture and urban design in Iran has been oscillated between two extremes of modernity and tradition. Drawing on the theory of ‘critical regionalism’ (Kenneth Frampton), the book critically analyses writings and works of the above-mentioned architects and contends that they created a ‘space-in-between’ which unified two extremes of tradition and modernity in a creative way (Khalq-i Jadid: New Creation). The book also contains three in-depth interviews with architects to discuss their singular narrative of the creation of ‘in-between’. A concluding chapter addresses the promises of critical regionalist architecture and urban design in post-Revolutionary Iran as well as the Middle East, where the dichotomy of tradition and modernity is yet a valid account.


Public Urban Space, Gender and Segregation

Public Urban Space, Gender and Segregation

Author: Reza Arjmand

Publisher: Taylor & Francis

Published: 2016-09-13

Total Pages: 191

ISBN-13: 1317073274

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Public spaces are the renditions of the power symmetry within the social setting it resides in, and is both controlling and confining of power. In an ideologically-laden context, urban design encompasses values and meanings and is utilized as a means to construct the identity and perpetuate visible and invisible boundaries. Hence, gendered spatial dichotomy based on a biological division of sexes is often employed systematically to evade the transgression of women into the public spaces. The production of modern urban space in the Middle East is formed in the interplay between modernity, tradition and religion. Examining women in public spaces and patterns of interaction with gender -segregated and -mixed space, this book argues that gendered spaces are far from a static physical spatial division and produce a complex and dynamic dichotomy of men/public and women/private. Taking the example of Iran, normative and ideologically-laden gender segregated public spaces have been used as a tool for the Islamization of everyday life. The most recent government effort includes women-only parks, purportedly designed and administered through women’s contributions, as well as to accommodate their needs and provide space for social interaction and activities. Combining research approaches from urban planning and social sciences, this book analyses both technical and social aspects of women-only parks. Addressing the relationships between ideology, urban planning and gender, the book interprets power relations and how they are used to define and plan public and semi-public urban spaces. Lack of communication across disciplinary boundaries as result of complexities of urban life has been one of the major hindrances in studying urban spaces in the Middle East. Addressing the concern, the cross-disciplinary approach employed in this volume is an amalgamation of methods informed by urban planning and social sciences, which includes an in-depth analysis of the morphological, perceptual, social, visual, functional, and temporal dimensions of the public space, the women-only parks in Iran. Based on critical ethnography, this volume uses a phenomenological approach to understating women in gendered spaces. Interaction of women in women-only parks in Iran, a gendered space which is growing in popularity across the Muslim world is discussed thoroughly and compared vis-à-vis gender-neutral public spaces. The book targets scholars and students within a wide range of academic disciplines including urban studies, urban planning, gender studies, political science, Middle Eastern studies, cultural studies, urban anthropology, urban sociology, Iranian studies and Islamic studies.


Citizens' Participation in Urban Planning and Development in Iran

Citizens' Participation in Urban Planning and Development in Iran

Author: Hans-Liudger Dienel

Publisher: Taylor & Francis

Published: 2017-05-12

Total Pages: 357

ISBN-13: 1317165888

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During recent years, the topic of participation has increasingly been gaining importance in Iran – in the scientific field, in practice and rhetoric. However, in current scientific literature – and especially in English literature – there is little knowledge on the conditions, legal background, perceptions, experiences and processes of citizens’ participation in Iran. This book aims to shed light on the paradoxical question of participation in Iran: it is old and new, dysfunctioning and functioning, disappointing and promising. This slippery status of participation convinces scholars to suggest contradictory interpretations and understandings about the existence, functionality, and potentiality of this concept. The book therefore shows the different perspectives, interpretations, historical developments and case studies of participation in Iran, thus giving the reader a kaleidoscope view on the question of participation in Iran.


The Cultural Politics of Art in Iran

The Cultural Politics of Art in Iran

Author: Katrin Nahidi

Publisher: Cambridge University Press

Published: 2023-08-31

Total Pages: 303

ISBN-13: 1009361414

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Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity. In this book, Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.