What would you do: - If you are thrown out of your house with three young daughters in the middle of the night? - If the light of your life is extinguished in a freak moment? Does one give up? What helps you cope? 14 Women, 14 Lives. They are all ordinary women who walk amongst us. These heroines are from different states, income classes, age and social status levels. What struck us in our face-to-face interviews with these protagonists is their fortitude when faced with extreme challenges. We, as authors, were drawn to this conviction. We had to chronicle their battles. 14 ordinary women, 14 unique footprints. What would you do?
What would you do: – If you are thrown out of your house with three young daughters in the middle of the night? – If the light of your life is extinguished in a freak moment? Does one give up? What helps you cope? 14 Women, 14 Lives. They are all ordinary women who walk amongst us. These heroines are from different states, income classes, age and social status levels. What struck us in our face-to-face interviews with these protagonists is their fortitude when faced with extreme challenges. We, as authors, were drawn to this conviction. We had to chronicle their battles. 14 ordinary women, 14 unique footprints. What would you do?
"Reading Frank O'Connor's "Man of the House" and "My Oedipus Complex," Frank McCourt's "Angela's Ashes" and Edna O'Brien's "The Country Girls" side-by-side, one sees a vivid illustration of the changing depictions of the mother character within Irish literature. The portrayal of mother characters in these works is significant to the literary representation of the social development of several generations of women within the Republic of Ireland. The depictions of the mother as see in the works of O'Connor, McCourt and O'Brien are also vital to the development of the female presence in literature bot as completely developed characters and as narrators, beginning with the see-but-rarely-heard mother, transitioning to the mother as family-advocate-and-constant, and ending with the sexually-driven-but-repressed mother teaching her daughter to evolve beyond tradition." from abstract
A modern, magical twist on the Gothic Romance and Girl Detective genres, this book will appeal to fans of both Beautiful Creatures and the Mortal Instruments series. Reviewers have praised the take-charge heroine and the spellbinding romance. Bound together. Worlds apart. Kami Glass is in love with someone she's never met—a boy she's talked to in her head since she was born. This has made her an outsider in the sleepy English town of Sorry-in-the-Vale, but she has learned ways to turn that to her advantage. Her life seems to be in order, until disturbing events begin to occur. There has been screaming in the woods and the manor overlooking the town has lit up for the first time in 10 years. . . . The Lynburn family, who ruled the town a generation ago and who all left without warning, have returned. Now Kami can see that the town she has known and loved all her life is hiding a multitude of secrets—and a murderer. The key to it all just might be the boy in her head. The boy she thought was imaginary is real, and definitely and deliciously dangerous. "A sparkling fantasy that will make you laugh and break your heart." --Cassandra Clare, New York Times bestselling author "A darkly funny, deliciously thrilling Gothic." --Kelley Armstrong, New York Times bestselling author "Readers will laugh, shiver, and maybe even swoon over this modern Gothic novel." --Melissa Marr, New York Times bestselling author "Breathtaking--a compulsive, rocketing read."--Tamora Pierce, New York Times bestselling author "Captures the reader with true magic."--Esther Friesner, author of Nobody's Princess "A laugh-out-loud delight." --Publishers Weekly
This book explores how the next generation of teen and young adult heroines in popular culture are creating a new feminist ideal for the 21st century. Representations of a teenage girl who is unique or special occur again and again in coming-of-age stories. It's an irresistible concept: the heroine who seems just like every other, but under the surface, she has the potential to change the world. This book examines the cultural significance of teen and young adult female characters—the New Heroines—in popular culture. The book addresses a wide range of examples primarily from the past two decades, with several chapters focusing on a specific heroic figure in popular culture. In addition, the author offers a comparative analysis between the "New Woman" figure from the late 19th and early 20th century and the New Heroine in the 21st century. Readers will understand how representations of teenage girls in fiction and nonfiction are positioned as heroic because of their ability to find out about themselves by connecting with other people, their environment, and technology.
This book investigates various forms of women’s resistance to male domination, as represented in Kuwaiti women’s fiction. Drawing on Marxist-feminist literary theory, it closely analyses selected texts (published between 1953 and 2000), which reflect the effects of patriarchal culture and tradition on race, class, and gender relations in Kuwait and the Arabian Gulf region in general. It argues that the selected texts portray the pre-oil generations of Kuwaiti/Arabian Gulf women—born before or in the first half of the twentieth century—as resistant and/or revolutionary figures, contrary to the common notion of their stereotypical passivity and submissiveness. This book demonstrates how Kuwaiti women writers have used literature to work for, and contribute to, social change.
A. K. Larkwood's The Unspoken Name is a stunning debut fantasy about a young priestess sentenced to die, who at the last minute escapes her fate; only to become an assassin for the wizard who saved her. What if you knew how and when you will die? Csorwe does—she will climb the mountain, enter the Shrine of the Unspoken, and gain the most honored title: sacrifice. But on the day of her foretold death, a powerful mage offers her a new fate. Leave with him, and live. Turn away from her destiny and her god to become a thief, a spy, an assassin—the wizard's loyal sword. Topple an empire, and help him reclaim his seat of power. But Csorwe will soon learn—gods remember, and if you live long enough, all debts come due. “In the vein of Le Guin's magnificent Tombs of Atuan—if Arha the Eaten One got to grow up to be a swordswoman mercenary in thrall to her dubious wizard mentor. I love this book so much."—Arkady Martine, author of A Memory Called Empire "I cannot recommend it enough." -- Tamsyn Muir, author of Gideon the Ninth At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
