Unseemly Pictures

Unseemly Pictures

Author: Helen Pierce

Publisher: Yale University Press

Published: 2008

Total Pages: 234

ISBN-13:

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This engaging book is the first full study of the satirical print in seventeenth-century England from the rule of James I to the Regicide. It considers graphic satire both as a particular pictorial category within the wider medium of print and as a vehicle for political agitation, criticism, and debate. Helen Pierce demonstrates that graphic satire formed an integral part of a wider culture of political propaganda and critique during this period, and she presents many witty and satirical prints in the context of such related media as manuscript verses, ballads, pamphlets, and plays. She also challenges the commonly held notion that a visual iconography of politics and satire in England originated during the 1640s, tracing the roots of this iconography back into native and European graphic cultures and traditions. Published for the Paul Mellon Centre for Studies in British Art


Printed Images in Early Modern Britain

Printed Images in Early Modern Britain

Author: Michael Hunter

Publisher: Routledge

Published: 2016-12-05

Total Pages: 409

ISBN-13: 1351908863

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Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest interest. This volume helps remedy this state of affairs. Complementing the online digital library of British Printed Images to 1700 (www.bpi1700.org.uk), it offers a series of essays which exemplify the many ways in which such visual material can throw light on the history of the period. Ranging from religion to politics, polemic to satire, natural science to consumer culture, the collection explores how printed images need to be read in terms of the visual syntax understood by contemporaries, their full meaning often only becoming clear when they are located in the context in which they were produced and deployed. The result is not only to illustrate the sheer richness of material of this kind, but also to underline the importance of the messages which it conveys, which often come across more strongly in visual form than through textual commentaries. With contributions from many leading exponents of the cultural history of early modern Britain, including experts on religion, politics, science and art, the book's appeal will be equally wide, demonstrating how every facet of British culture in the period can be illuminated through the study of printed images.


Images of Purgatory

Images of Purgatory

Author: Tomáš Malý

Publisher: Viella Libreria Editrice

Published: 2022-02-10T17:38:00+01:00

Total Pages: 262

ISBN-13: 8833139646

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On the example of the Czech lands, the book discusses the transformation of the representation of Purgatory in the period between the late Reformation debates at the end of the sixteenth century and partial rejection of Purgatory by the so-called reform Catholicism of the late eighteenth century. The authors, moving permanently in-between history and art history, gradually analyse theology, iconography, practice, and reception of Purgatory. They address the questions of space and time in Purgatory, of emotions and the early modern "affects", treatment of images in religious practice, circulation and diffusion of meditative texts and images, or the problem of revenant souls. The book offers a comprehensive consideration of the development of a fascinating cultural phenomenon in a crucial period of significant changes in people’s thoughts and behaviour.


Romanticism and Caricature

Romanticism and Caricature

Author: Ian Haywood

Publisher: Cambridge University Press

Published: 2013-10-24

Total Pages: 241

ISBN-13: 1107513316

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Ian Haywood explores the 'Golden Age' of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the 'revolution debate' of the 1790s, the impact of Thomas Paine's 'infidel' Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.


New Approaches to Religion and the Enlightenment

New Approaches to Religion and the Enlightenment

Author: Brett C. McInelly

Publisher: Rowman & Littlefield

Published: 2018-11-09

Total Pages: 414

ISBN-13: 1683931629

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The Enlightenment, an eighteenth-century philosophical and cultural movement that swept through Western Europe, has often been characterized as a mostly secular phenomenon that ultimately undermined religious authority and belief, and eventually gave way to the secularization of Western society and to modernity. To whatever extent the Enlightenment can be credited with giving birth to modern Western culture, historians in more recent years have aptly demonstrated that the Enlightenment hardly singled the death knell of religion. Not only did religion continue to occupy a central pace in political, social, and private life throughout the eighteenth century, but it shaped the Enlightenment project itself in significant and meaningful ways. The thinkers and philosophers normally associated with the Enlightenment, to be sure, challenged state-sponsored church authority and what they perceived as superstitious forms of belief and practice, but they did not mount a campaign to undermine religion generally. A more productive approach to understanding religion in the age of Enlightenment, then, is to examine the ways the Enlightenment informed religious belief and practice during the period as well as the ways religion influenced the Enlightenment and to do so from a range of disciplinary perspectives, which is the goal of this collection. The chapters document the intersections of religious and Enlightenment ideas in such areas as theology, the natural sciences, politics, the law, art, philosophy, and literature.


My First Exorcism

My First Exorcism

Author: Harold Ristau

Publisher: Wipf and Stock Publishers

Published: 2016-04-14

Total Pages: 181

ISBN-13: 1498225713

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What the scientific community dismisses as a mental disorder, Christians have often labeled "demon possession." While classifications may offer limited help in explanation, the Reverend Dr. Harold Ristau explores the nature and meaning of demonic activity by drawing from his own experiences with exorcism. Ristau shares life lessons, spiritual applications, and religious wisdom from his personal encounters with the dark realm. Primarily intended for clergy, his reflections offer a springboard intended to stimulate critical thinking, challenge metaphysical presuppositions, and inspire a belated conversation on a topic that has traditionally been avoided, not because of a lack of empirical evidence, but due to the fear that it incites inside of us. Yet if the claims of the historic Church are true--that demons do in fact exist and seek our destruction--then an honest examination of the phenomenon, and its impact on the ways in which we live and reason, is an essential endeavor for any practitioner of the ministry of deliverance.


Fashion and Popular Print in Early Modern England

Fashion and Popular Print in Early Modern England

Author: Clare Backhouse

Publisher: Bloomsbury Publishing

Published: 2017-07-30

Total Pages: 345

ISBN-13: 1786721961

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Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.