The Artist Formerly Known As Death Waits christens his new public persona with the release of 'a series of theatrical proposals to be repeated, discarded, performed simultaneously and/or recombined in any and all possible combinations - all vaguely relating to the topic of the author's moral ambivalence.'
SHORTLISTED FOR THE 2023 COLE FOUNDATION PRIZE FOR TRANSLATION A nuanced, feminist, and deeply personal take on beauty culture and YouTube consumerism, in the tradition of Maggie Nelson’s Bluets As Daphné B. obsessively watches YouTube makeup tutorials and haunts Sephora’s website, she’s increasingly troubled by the ways in which this obsession contradicts her anti-capitalist and intersectional feminist politics. In this poetic treatise, she rejects the false binaries of traditional beauty standards and delves into the celebrities and influencers, from Kylie to Grimes, and the poets and philosophers, from Anne Boyer to Audre Lorde, who have shaped the reflection she sees in the mirror. At once confessional and essayistic, Made-Up is a meditation on the makeup that colours, that obscures, that highlights who we are and who we wish we could be. The original French-language edition was a cult hit in Quebec. Translated by Alex Manley—like Daphné, a Montreal poet and essayist—the book’s English-language text crackles with life, retaining the flair and verve of the original, and ensuring that a book on beauty is no less beautiful than its subject matter. “The most radical book of 2020 talks about makeup. Radical in the intransigence with which Daphne B hunts down the parts of her imagination that capitalism has phagocytized. Radical also in its rejection of false binaries (the authentic and the fake, the futile and the essential) through the lens of which such a subject is generally considered. With the help of a heady combination of pop cultural criticism and autobiography, a poet scrutinizes her contradictions. They are also ours.” —Dominic Tardif, Le Devoir “[Made-Up] is a delight. I read it in one go. And when, out of necessity, I had to put it down, it was with regret and with the feeling that I was giving up what could save me from a catastrophe.” —Laurence Fournier, Lettres Québécoises, five stars "Made-Up is a radiant, shimmering blend of memoir and cultural criticism that uses beauty culture as an entry point to interrogating the ugly contradictions of late capitalism. In short, urgent chapters laced with humor and wide-ranging references, Daphné B. plumbs the depths of a rich topic that’s typically dismissed as shallow. I imagine her writing it in eye pencil, using makeup to tell the story of her life, as so many women do." —Amy Berkowitz, author of Tender Points "A companion through the thicket of late stage capitalism, a lucid and poetic mirror for anyone whose image exists on a screen." —Rachel Kauder Nalebuff "Made-Up is anything but—committed to the grit of our current realities, Daphné B directs her piercing eye on capitalism in an intimate portrayal of what it means to love, and how to paint ourselves in the process. Alex Manley has gifted English audiences with a nuanced translation of a critical feminist text, exploring love and make-up as a transformative social tool." —Sruti Islam "The book will leave you both laughing in recognition and wincing at the reality of the beauty world’s impact on our collective psyche." —Chatelaine "[Made-Up] examines the intersection of beauty culture and consumer culture... Aided by the work of writers like Anne Carson, Anne Boyer, Amanda Hess, and Arabelle Sicardi... B. makes sharp observations about the ideologies behind both beauty [...] and consumerism." —Bitch Media "Made‑Up: A True Story of Beauty Culture under Late Capitalism is well worth reading." —Literary Review of Canada "[Made-Up], newly translated by writer/poet Alex Manley from its original French, puts an intersectional, feminist lens on the author’s personal fascination with the makeup industry; it also reckons with the cultural dominance of this fascination as she aims to square anti-capitalist principles with beauty-product obsession." —BitchReads: 11 Books Feminists Should Read in September
A dance instructor sees Reflections of herself in a talented student—and of the love she can embrace with the student’s father—in this passionate novel from #1 New York Times bestselling author Nora Roberts. Lindsay Dunne has devoted her whole life to ballet, pushing herself and her students to achieve the perfect beauty the craft requires. She loves her career, helping ballerinas grace the stage, and has never found her lack of a loving relationship to be a sacrifice. Until she meets Seth Bannion, the guardian of Lindsay’s most gifted protégé. An architect with his own ideas of the girl’s potential, Seth challenges Lindsay’s tutoring, opening her eyes to the possibilities of a future beyond dance—and opening her heart to the possibilities of love.
Nothing. No One. Nowhere. Startling issue number 3! Featuring poetry by Howie Good, Aaron A. Cotton, Rosemary Iwasa, Amelia Hoff, Dr. A.V. Koshy, Julie Ellinger Hunt (MORE!); fiction by Mario E. Martinez, Joshua Ritter; interview and art spread with artist Justin Jackley; photography by Duncan Hill. Jam packed issue!
Born in Sydney, Australia, the son of an American sailor and an Australian school teacher, I was raised and educated in the United States, my childhood spent on a small farm in the Midwest and my adolescence in the suburbs of Los Angeles. I worked in the Post Office in San Francisco for five years and then taught French and English in a small country town in New South Wales, Australia, during the seventies. The character of its people, the austere beauty and the sense of space of this continent left a deep impression upon me and can be seen in my poems. I began experimenting with poetry in the early eighties, and this became a genuine passion in l984 when I was selected as one of fifteen Washington, D.C. area poets for the Jenny McKean Moore Poetry Workshop at The George Washington University taught by Julia Alvarez. My short stories have appeared inContempa, an Australian literary review, and my poetry in a number of U.S. reviews including Visions, The Birmingham Poetry Review, The George Mason Review, The Atlanta Review and others. My work appears in two anthologies: Hungry As We Are, (Washington Writers' Publishing House, l995) and Free State : A Harvest of Maryland Poets (A Scop Publications anthology, l989). My first collection of poems, Painting at Night was published in 1994. I was a French and English teacher in Prince George's County and now live in Annapolis, Maryland. I am a member of the Washington Writer's Center and have participated in readings and writing workshops there and at various locations throughout the Washington-Baltimore area. My other passions are travel, dogs, and jazz, all of which enrich my poetry.
The rest of the story that began in "Love Unscripted." When an A-list movie star ducked into her pub to escape his screaming fans, never did Taryn Mitchell think her life was about to change. But now, eight months later, after a whirlwind romance, Taryn wakes up in a Hollywood hotel room to find a diamond ring and her face on a glossy magazine.