Willmott (English, Queen's U., Canada) has undertaken a study of modern English-language Canadian novels, breaking them down into unifying components to allow their consideration as a distinct literary genre. Among the authors whose novels are discussed are Bertram Brooker, Sinclair Ross, Frederick Philip Grove, Martha Ostenso, Ethel Wilson, Thomas Raddall, Ernest Buckler, and Alice Jones. Themes include the nation as youth, post-colonialism, post- modernism, imperialist ideology, and economic class distinctions. Annotation copyrighted by Book News, Inc., Portland, OR
Introduction: Fantastic Bullets -- I Am Nubia: Superhero Comics and the Paradigm of the Fantasy-Act -- Can the Black Superhero Be? -- Erotic Fantasy-Acts: The Art of Desire -- Conclusion: On Becoming Fantastical.
“Essential.” —Margaret Atwood An urgent call to action and a field guide to spotting the insidious patterns and mechanisms of the populist wave sweeping the globe from an award-winning journalist and acclaimed political thinker. How to Lose a Country is a warning to the world that populism and nationalism don’t march fully-formed into government; they creep. Award-winning author and journalist Ece Temelkuran identifies the early warning signs of this phenomenon, sprouting up across the world from Eastern Europe to South America, in order to arm the reader with the tools to recognise it and take action. Weaving memoir, history and clear-sighted argument, Temelkuran proposes alternative answers to the pressing—and too often paralysing—political questions of our time. How to Lose a Country is an exploration of the insidious ideas at the core of these movements and an urgent, eloquent defence of democracy. This 2024 edition includes a new foreword by the author.
Culture, Northern Ireland, and the Second World War presents a new cultural history of Northern Ireland during and after the Second World War, examining the often-neglected period before the onset of the Troubles and exploring work by the generation of artists and writers that preceded Seamus Heaney and his contemporaries.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
In When Nationalism Began to Hate, Brian Porter offers a challenging new explanation for the emergence of xenophobic, authoritarian nationalism in Europe. He begins by examining the common assumption that nationalist movements by nature draw lines of inclusion and exclusion around social groups, establishing authority and hierarchy among "one's own" and antagonism towards "others." Porter argues instead that the penetration of communal hatred and social discipline into the rhetoric of nationalism must be explained, not merely assumed. Porter focuses on nineteenth-century Poland, tracing the transformation of revolutionary patriotism into a violent anti-Semitic ideology. Instead of deterministically attributing this change to the "forces of modernization," Porter demonstrates that the language of hatred and discipline was central to the way "modernity" itself was perceived by fin-de-siècle intellectuals. The book is based on a wide variety of sources, including political speeches and posters, newspaper articles and editorials, underground brochures, published and unpublished memoirs, personal letters, and nineteenth-century books on history, sociology, and politics. It embeds nationalism within a much broader framework, showing how the concept of "the nation" played a role in liberal, conservative, socialist, and populist thought. When Nationalism Began to Hate is not only a detailed history of Polish nationalism but also an ambitious study of how the term "nation" functioned within the political imagination of "modernity." It will prove an important text for a wide range of students and researchers of European history and politics.
Exploring narrative mapping in a wide range of literary works, ranging from medieval romance to postmodern science fiction, this volume argues for the significance of spatiality in comparative literary studies. Contributors demonstrate how a variety of narratives represent the changing social spaces of their world.
