In Gilded Age America, rampant inequality gave rise to a new form of Christianity, one that sought to ease the sufferings of the poor not simply by saving their souls, but by transforming society. In Union Made, Heath W. Carter advances a bold new interpretation of the origins of American Social Christianity. While historians have often attributed the rise of the Social Gospel to middle-class ministers, seminary professors, and social reformers, this book places working people at the very center of the story. The major characters--blacksmiths, glove makers, teamsters, printers, and the like--have been mostly forgotten, but as Carter convincingly argues, their collective contribution to American Social Christianity was no less significant than that of Walter Rauschenbusch or Jane Addams. Leading readers into the thick of late-19th-century Chicago's tumultuous history, Carter shows that countless working-class believers participated in the heated debates over the implications of Christianity for industrializing society, often with as much fervor as they did in other contests over wages and the length of the workday. The city's trade unionists, socialists, and anarchists advanced theological critiques of laissez faire capitalism and protested "scab ministers" who cozied up to the business elite. Their criticisms compounded church leaders' anxieties about losing the poor, such that by the turn-of-the-century many leading Christians were arguing that the only way to salvage hopes of a Christian America was for the churches to soften their position on "the labor question." As denomination after denomination did just that, it became apparent that the Social Gospel was, indeed, ascendant--from below. At a time when the fate of the labor movement and rising economic inequality are once more pressing social concerns, Union Made opens the door for a new way forward--by changing the way we think about the past.
This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
The central document of the Second Vatican Council, Lumen Gentium was promulgated by Pope Paul VI on November 21, 1964. This document is "the keystone" of the Councils whole Magisterium. It focuses on the whole Church as a communion of charity. With it, according to John Paul II, the Second Vatican Council wished to shed light on the Churchs reality: a wonderful but complex reality consisting of human and divine elements, visible and invisible.
In Russia, legislation on the separation of church and state in early 1918 marginalized religious faith and raised pressing questions about what was to be done with church buildings. While associated with suspect beliefs, they were also regarded as structures with potential practical uses, and some were considered works of art. This engaging study draws on religious anthropology, sociology, cultural studies, and history to explore the fate of these "socialist churches," showing how attitudes and practices related to them were shaped both by laws on the preservation of monuments and anti-religious measures. Advocates of preservation, while sincere in their desire to save the buildings, were indifferent, if not hostile, to their religious purpose. Believers, on the other hand, regarded preservation laws as irritants, except when they provided leverage for use of the buildings by church communities. The situation was eased by the growing rapprochement of the Orthodox Church and Soviet state organizations after 1943, but not fully resolved until the Soviet Union fell apart. Based on abundant archival documentation, Catriona Kelly's powerful narrative portrays the human tragedies and compromises, but also the remarkable achievements, of those who fought to preserve these important buildings over the course of seven decades of state atheism. Socialist Churches will appeal to specialists, students, and general readers interested in church history, the history of architecture, and Russian art, history, and cultural studies.
Sharp controversies -- about biblical authority, the ordination of women, evangelical "worship styles," and the struggle for homosexual "inclusion" -- have rocked the Lutheran church in recent decades. In Changing Churches two men who once communed at the same Lutheran Eucharistic table explain their similar but different decisions to leave the Lutheran faith tradition -- one for Orthodoxy, the other for Roman Catholicism. Here Mickey L. Mattox and A. G. Roeber address the most difficult questions Protestants face when considering such a conversion, including views on justification, grace, divinization, the church and its authority, women and ministry, papal infallibility, the role of Mary, and homosexuality. They also discuss the long-standing ecumenical division between Rome and the Orthodox patriarchates, acknowledging the difficult issues that still confront those traditions from within and divide them from one another.
An insider’s account of the Eastern Orthodox Church, from its beginning in the era of Jesus and the Apostles to the modern age In this short, accessible account of the Eastern Orthodox Church, John McGuckin begins by tackling the question “What is the Church?” His answer is a clear, historically and theologically rooted portrait of what the Church is for Orthodox Christianity and how it differs from Western Christians’ expectations. McGuckin explores the lived faith of generations, including sketches of some of the most important theological themes and individual personalities of the ancient and modern Church. He interweaves a personal approach throughout, offering to readers the experience of what it is like to enter an Orthodox church and witness its liturgy. In this astute and insightful book, he grapples with the reasons why many Western historians and societies have overlooked Orthodox Christianity and provides an important introduction to the Orthodox Church and the Eastern Christian World.
In the first comprehensive treatment of the role of churches in the processes that led to the American Civil War, C.C. Goen suggests that when Presbyterian, Methodist, and Baptist churches divided along lines of North and South in the antebellum controversy over slavery, they severed an important bond of national union. The forebodings of church leaders and other contemporary observers about the probability of disastrous political consequences were well-founded. The denominational schisms, as irreversible steps along the nation's tortuous course to violence, were both portent and catalyst to the imminent national tragedy. Caught in a quagmire of conflicting purposes, church leadership failed and Christian community broke down, presaging in a scenario of secession and conflict the impending crisis of the Union. As the churches chose sides over the supremely transcendent moral issue of slavery, so did the nation. Professor Goen, an eminent historian of American religion, does not seek in these pages the "causes" of the Civil War. Rather, he establishes evangelical Christianity as "a major bond of national unity" in antebellum America. His careful analysis and critical interpretation demonstrate that antebellum American churches -- committed to institutional growth, swayed by sectional interests, and silent about racial prejudice -- could neither contain nor redirect the awesome forces of national dissension. Their failure sealed the nation's fate. - Publisher.