Challenging, contentious and highly original perspectives of the major controversies in Irish history. Kennedy confronts historical focal points such as the Ulster Plantation, the Great Famine, and the War of Independence with previously untold scrutiny.
Something is profoundly wrong with the way we think about how we should live today. In Ill Fares The Land, Tony Judt, one of our leading historians and thinkers, reveals how we have arrived at our present dangerously confused moment. Judt masterfully crystallizes what we've all been feeling into a way to think our way into, and thus out of, our great collective dis-ease about the current state of things. As the economic collapse of 2008 made clear, the social contract that defined postwar life in Europe and America - the guarantee of a basal level of security, stability and fairness -- is no longer guaranteed; in fact, it's no longer part of the common discourse. Judt offers the language we need to address our common needs, rejecting the nihilistic individualism of the far right and the debunked socialism of the past. To find a way forward, we must look to our not so distant past and to social democracy in action: to re-enshrining fairness over mere efficiency. Distinctly absent from our national dialogue, social democrats believe that the state can play an enhanced role in our lives without threatening our liberties. Instead of placing blind faith in the market-as we have to our detriment for the past thirty years-social democrats entrust their fellow citizens and the state itself. Ill Fares the Land challenges us to confront our societal ills and to shoulder responsibility for the world we live in. For hope remains. In reintroducing alternatives to the status quo, Judt reinvigorates our political conversation, providing the tools necessary to imagine a new form of governance, a new way of life.
'Beasts of a Little Land is a stunning achievement’ TLS 'Spectacular' Lisa See, author of The Island of Sea Women 'I loved it' Brandon Hobson, author of The Removed 'Unforgettable' Nguyễn Phan Quế Mai, author of The Mountains Sing An epic story of love and war, set during the turbulent decades of Korea's fight for independence It is 1917, and Korea is under Japanese occupation; the country is yet to be divided into north and south. With the threat of famine looming, a young girl named Jade is sold by her family to Miss Silver's courtesan school in cosmopolitan Pyongyang, an act of desperation that will cement her place in the lowest social class. But the city's days as a haven are numbered. Jade flees to Seoul where she forms a deep friendship with an orphan boy called JungHo, who scrapes together a living begging on the streets. As Jade becomes a sought-after performer with unexpected romantic prospects, JungHo is swept up in the revolutionary fight for independence. Soon, Jade must decide between following her own ambitions or risking everyone for the one she loves. From the perfumed chambers of the courtesan school to the glamorous cafés of a modernising Seoul, the unforgettable characters of Beasts of a Little Land unveil a world where friends become enemies and enemies become saviours, where heroes are persecuted and beasts take many shapes.
INSTANT NEW YORK TIMES BESTSELLER! “If you liked Where the Crawdads Sing, you’ll love This Tender Land...This story is as big-hearted as they come.” —Parade The unforgettable story of four orphans who travel the Mississippi River on a life-changing odyssey during the Great Depression. In the summer of 1932, on the banks of Minnesota’s Gilead River, Odie O’Banion is an orphan confined to the Lincoln Indian Training School, a pitiless place where his lively nature earns him the superintendent’s wrath. Forced to flee after committing a terrible crime, he and his brother, Albert, their best friend, Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own. Over the course of one summer, these four orphans journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds. With the feel of a modern classic, This Tender Land is an enthralling, big-hearted epic that shows how the magnificent American landscape connects us all, haunts our dreams, and makes us whole.
"Explains how the American middle class ballooned at mid-century until it dominated the nation, showing who benefited and what brought the expansion to an end"--
What if somebody finally wrote to his high school alumni bulletin and told...the truth! Home Land is a brilliant work from novelist Sam Lipsyte, whom Jeffrey Eugenides calls "original, devious, and very funny" and of whose first novel Chuck Palahniuk wrote, "I laughed out loud--and I never laugh out loud." The Eastern Valley High School Alumni newsletter, Catamount Notes, is bursting with tales of success: former students include a bankable politician and a famous baseball star, not to mention a major-label recording artist. Then there is the appalling, yet utterly lovable, Lewis Miner, class of '89--a.k.a Teabag--who did not pan out. Home Land is his confession in all its bitter, lovelorn glory. Winner of the Believer Book Award New York Times Notable Book of the Year
A beautiful and heartbreaking novel from an award-winning author about a girl who gets swept up into an adventure involving forgotten toys, perfect for fans of Lauren Wolk and Kelly Barnhill. "A delicate, funny, poignant exploration of grief, love and memory that has the welcoming warmth of an instant classic."--The Guardian Emily and her sister, Holly, were as close as sisters could be. They did everything together. But Holly died three months ago, and Emily's world is shattered. Amid a sea of changes--her best friend is acting distant, she's just started at a new school, and she's been cast as the lead in the school play--Emily is surprised to find that she misses Holly's teddy bear, Bluey, almost as much as she misses Holly herself. But Bluey was buried with Holly, and there's no getting either of them back. Then one night, Emily dreams of talking toys, who tell her they have come from the toy world with a message from Bluey. Emily is convinced she can be reunited with him. But there's something strange about the barrier between the toy world and the real world. Not just strange, but dangerous--magic is spilling out, and it's wreaking havoc on Emily's world. Now she must decide whether finding Bluey is worth risking the lives of those she loves. "Deeply moving and highly imaginative."--The Daily Mail "Written from the heart and can't fail to make yours sing."--The Times, Book of the Week "One of the wittiest books of the year."--The Sunday Times "Suffused with longing and dappled with humor, this novel explores the limits of grief and the lasting power of storytelling."--Wall Street Journal "From whimsical comicality to impending danger...a standalone title, in which the topic of loss is dealt with deftly. For readers willing to let their imagination soar, this fantasy may be just what they are looking for, especially if they have experienced grief."--School Library Journal "An imaginative, magical story ideal for kids experiencing loss."--Kirkus Reviews "Wise in the ways of loss as Emily discovers that the route through grief lies not in escaping to Smockeroon but in engaging with the hard world, in the passage of time, in friendship, memory, and, above all, storytelling."--The Horn Book, Starred Review "A refreshing take on the classic theme of toys coming to life, with the residents of Smockeroon amusingly sassy and self involved. There is still plenty of warmth...while the magical elements cushion the heftier themes...A pleasing blend of sentiment and humor."--Bulletin "Saunders combines the hard reality of loss and the soft comfort of fantasy surprisingly well, offering unexpected humor in Smockeroon as well as sharp insights into human characters."--Booklist
“Why are you so unhappy?” That’s the question that Zeke Pappas, a thirty-three-year-old scholar, asks almost everybody he meets as part of an obsessive project, “The Inventory of American Unhappiness.” The answers he receives—a mix of true sadness and absurd complaint—create a collage of woe. Zeke, meanwhile, remains delightfully oblivious to the increasingly harsh realities that threaten his daily routine, opting instead to focus his energy on finding the perfect mate so that he can gain custody of his orphaned nieces. Following steps outlined in a women’s magazine, the ever-optimistic Zeke identifies some “prospects”: a newly divorced neighbor, a coffeehouse barista, his administrative assistant, and Sofia Coppola (“Why not aim high?”). A clairvoyant when it comes to the Starbucks orders of strangers, a quixotic renegade when it comes to the federal bureaucracy, and a devoted believer in the afternoon cocktail and the evening binge, Zeke has an irreverent voice that is a marvel of lacerating wit and heart-on-sleeve emotion, underscored by a creeping paranoia and made more urgent by the hope that if he can only find a wife, he might have a second chance at life.
The five cousins are still trapped in the Secret Country, and must play their parts. When the King is poisoned, Ted-Prince Edward-must take the throne, even though he has no idea how to rule a country, battle magic, or inspire followers. Soon enough he will have to do all three because the Country is on the verge of war with the treacherous Dragon King.
Since its publication in 1996, George Saunders’s debut collection has grown in esteem from a cherished cult classic to a masterpiece of the form, inspiring an entire generation of writers along the way. In six stories and a novella, Saunders hatches an unforgettable cast of characters, each struggling to survive in an increasingly haywire world. With a new introduction by Joshua Ferris and a new author’s note by Saunders himself, this edition is essential reading for those seeking to discover or revisit a virtuosic, disturbingly prescient voice. Praise for George Saunders and CivilWarLand in Bad Decline “It’s no exaggeration to say that short story master George Saunders helped change the trajectory of American fiction.”—The Wall Street Journal “Saunders’s satiric vision of America is dark and demented; it’s also ferocious and very funny.”—Michiko Kakutani, The New York Times “George Saunders is a writer of arresting brilliance and originality, with a sure sense of his material and apparently inexhaustible resources of voice. [CivilWarLand in Bad Decline] is scary, hilarious, and unforgettable.”—Tobias Wolff “Saunders makes the all-but-impossible look effortless.”—Jonathan Franzen “Not since Twain has America produced a satirist this funny.”—Zadie Smith “An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.”—Thomas Pynchon