The year is 1072. The Normans have captured England. The Turks have captured a Norman knight. And in order to free him, a soldier named Vallon must capture four rare hawks. On a heart-stopping journey to the far ends of the earth, braving Arctic seas, Viking warlords, and the blood-drenched battlefields, Vallon and his comrades must track down their quarry one by one in a relentless race against time. The scale is huge. The journey is incredible. The history is real. This is Hawk Quest.
Lost in a dark wood like Dante, Nicholas Hagger tells the story of his search for meaning, purpose and truth that took him to Iraq and Japan, and encounters with Zen and China’s Cultural Revolution, which he was the first to discover. In Libya, then a Cold-War battleground, he began four years’ service and a double life as an undercover British intelligence agent (here revealed for the first time). He witnessed Gaddafi’s Egyptian/Soviet-backed coup, and its terrifying aftermath tore into his personal life, plunged him into a Dark Night of the Soul and faced him with execution. He went on to serve in London as Prime Minister Edward Heath’s “unofficial Ambassador” to the African liberation movements at the height of Soviet and Chinese expansion in Africa during the Cold War. Despite being routinely followed by surveillance squads he found Reality on a ‘Mystic Way’ of loss, purgation and illumination. He now perceived the universe as a unity, and had 16 experiences of the metaphysical Light.
Excerpts include stories from Canterbury Tales and The Decameron as well as works by St. Augustine, Boethius, Marie de France, and others; plus selections from such anonymous works as Beowulf and Everyman.
Between 1979 and 1982 Nicholas Hagger wrote three letters to the eminent literary critic Christopher Ricks about his poetic identity, and Ricks agreed with his final view that his verse blends the Romantic and Classical traditions within the Baroque tradition. In 1979 and again in 1982 Ricks asked him to select 30 poems. Forty years later A Baroque Vision presents a selection that shows his Baroque roots. Part One presents 30 poems written before 1979, and Part Two adds 70 verse selections written between 1979 and 2019. A Baroque Vision presents 100 verse selections drawn from 50 volumes of his poems, verse plays and masques. The Baroque style, which can be found in all European countries, combines the spiritual and the sensual, and features movement, transformation, the Mystic Way, the mysterious Light, the transcending of death, the divine soul and Heaven, as illustrated in Rubens' The Apotheosis of James I (shown on the front cover); and blends the Romantic and Classical traditions. In his Preface Hagger shows very clearly that his Baroque vision was behind, and grew into, his Universalism, his philosophy and worldview of the unity of the universe whose development can be traced in his Selected Letters and Collected Prefaces, and in the companion volume to this work The Essentials of Universalism (all published by O-Books). These 100 verse selections confirm that his Baroque vision is inspired by the 17th century (by the Metaphysical poets, Milton and Dryden), but also by the 18th and 19th centuries (by Pope, Wordsworth and Tennyson).
AN EPIC HISTORICAL QUEST SET AT THE DAWN OF THE AGE OF GUNPOWDER. In the world after 1066, vast empires clamor for dominance. From the Normans in the north to the Byzantines in the south, battles rage across Europe and around its fringes. But in the east, an empire still mightier stirs, wielding a weapon to rule the world: gunpowder. Seeking the destructive might of this 'fire drug,' the mercenary Vallon -- a man made of grit and earth as much as of flesh and blood -- is sent by the defeated Byzantine emperor on a secret and near-impossible quest to the far off land of Song Dynasty China. Alongside a squadron of highly trained soldiers, Vallon is accompanied by the learned physician Hero, hermit-like tracker Wayland and a young, ego-driven upstart named Lucas. All have their own reasons for going, all have secrets. It's a quest that will lead them across treacherous seas and arid desserts and into an uncharted land of mountains and plains beyond the Silk Road. Many will die. . .but the rewards could be extraordinary.
Upon its publication, George Seldes's The Great Thoughts instantly took its place as a classic--a treasure house of the seminal ideas that have shaped the intellectual history of the world down through the ages. Seldes, a pivotal figure in the history of American journalism and a tireless researcher, spent the better part of his extraordinary lifetime compiling the thoughts that rule the world, casting his net widely and wisely through the essential works of philosophy, poetry, psychology, economics, politics, memoirs, and letters from the ancient Greeks to the modern Americans. Now Seldes's splendid and important work has been revised and updated to include the great thoughts that have changed our world in the decade since the book's first appearance. Quotations from leaders as varied as Nelson Mandela, Lech Walesa, Yitzak Rabin, Newt Gingrich, and Jesse Jackson reflect the radical shifts in the world political scene. Toni Morrison and Cornel West speak out on the enduring vitality of African-American culture. Alvin Toffler and Arthur C. Clarke give us a glimpse into the future. Gloria Steinem and Monique Wittig define the motives and the goals of late twentieth-century feminism. Rachel Carson, Aldo Leopold, and Wallace Stegner ponder the meaning of wilderness in an increasingly populated and industrialized world. These and scores of other thinkers in all major disciplines have added their voices to this new edition of The Great Thoughts. USA Today praised the first edition of The Great Thoughts as "a browser's delight." The work of a lifetime, brought up-to-date to reflect the global upheaval of the past decade, The Great Thoughts stands alone as an enduring achievement and an invaluable resource.
This book examines descriptions of the natural world in a wide range of Old English poetry. Jennifer Neville describes the physical conditions experienced by the Anglo-Saxons - the animals, diseases, landscapes, seas and weather with which they had to contend. She argues that poetic descriptions of these elements were not a reflection of the existing physical conditions but a literary device used by Anglo-Saxons to define more important issues: the state of humanity, the creation and maintenance of society, the power of individuals, the relationship between God and creation and the power of writing to control information. Examples of contemporary literature in other languages are used to provide a sense of Old English poetry's particular approach, which incorporated elements from Germanic, Christian and classical sources. The result of this approach was not a consistent cosmological scheme but a rather contradictory vision which reveals much about how the Anglo-Saxons viewed themselves.
My essay is the result of an attempt to re-examine certain cruces of Beowulf, some textual, some interpretative, some both, under the now widely accepted belief that Tolkien and Miss Whitelock are correct in their assertions that the poem is a meaningful work of art and that it was addressed to a Christian audience by a Christian poet. - Introduction.
