“OVER THE HILLS AND FAR AWAY.” “No; I am not tired of life. Who could be on such a day? I am weary simply of this way of living. I want to get away—away from this stagnant hole. It is the same dull story over and over again, day after day, world without end, amen!” “Would you be a bit more contented in any other spot?” “I think so. I cannot believe that mankind in general is so selfish, so hypocritical, and, worst crime of all, so hopelessly stupid as it is here. The world is 25,000 miles in circumference. Why spend all one’s days in this split in the mountains?” “But, tell me, what is your ambition, then? Have you one?”
In this sparkling new work, Benedict Anderson provides a radical recasting of themes from Imagined Communities, his classic book on nationalism, through an exploration of fin-de-siecle politics and culture that spans the Caribbean, Imperial Europe and the South China Sea. A jewelled pomegranate packed with nitroglycerine is primed to blow away Manila's 19th-century colonial elite at the climax of El Filibusterismo, whose author, the great political novelist Jose Rizal, was executed in 1896 by the Spanish authorities in the Philippines at the age of 35. Anderson explores the impact of avant-garde European literature and politics on Rizal and his contemporary, the pioneering folklorist Isabelo de los Reyes, who was imprisoned in Manila after the violent uprisings of 1896 and later incarcerated, together with Catalan anarchists, in the prison fortress of Montjuich in Barcelona. On his return to the Philippines, by now under American occupation, Isabelo formed the first militant trade unions under the influence of Malatesta and Bakunin. Anderson considers the complex intellectual interactions of these young Filipinos with the new "science" of anthropology in Germany and Austro-Hungary, and with post-Communard experimentalists in Paris, against a background of militant anarchism in Spain, France, Italy and the Americas, Jose Marti's armed uprising in Cuba and anti-imperialist protests in China and Japan. In doing so, he depicts the dense intertwining of anarchist internationalism and radical anti-colonialism. Under Three Flags is a brilliantly original work on the explosive history of national independence and global politics.
Three kids get caught up in an adventure of historic proportions!Anna, José, and Henry are complete strangers with more in common than they realize. Snowed in together at a chaotic Washington D.C. airport, they encounter a mysterious tattooed man, a flamboyant politician, and a rambunctious poodle named for an ancient king. Even stranger, news stations everywhere have announced that the famous flag that inspired "The Star-Spangled Banner" has been stolen! Anna, certain that the culprits must be snowed in too, recruits Henry and José to help catch the thieves and bring them to justice. But when accusations start flying, they soon realize there's more than justice at stake. As the snow starts clearing, Anna, José, and Henry find themselves in a race against time (and the weather!) to prevent the loss of an American treasure.
Under Three Flags: A Story of Mystery, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Hazel and Daisy step into the spotlight to find the stage is set for murder in this thrilling seventh novel of the Murder Most Unladylike Mystery series. Hazel Wong and Daisy Wells return to London to face an entirely new challenge: acting. Danger has a nasty habit of catching up with the Detective Society though, and it soon becomes clear that there is trouble waiting in the wings at the Rue. And when one of the cast members is found dead, the friends and investigative partners must work together to untangle the web of jealousy and threats that surround them to catch the culprit before the curtains rise on opening night…and the murderer returns for an encore.
Much has been written recently about the important changes in understandings of authorship and literary labour in the late Nineteenth and early Twentieth centuries. Collaborators in Literary America, 1870-1920 argues that the collaborative novels of this period were instrumental to that reconstruction. More than just a gimmick, these novels (there were dozens published between The Gilded Age (1873) by Mark Twain and Charles Dudley Warner and The Sturdy Oak (1917) by Mary Austin, Kathleen Norris, Dorothy Canfield Fisher, Henry Kitchell Webster, et. al. ) were a serious attempt to work through the anxieties authors faced in an ever more competitive and business-like market. By examining the issues surrounding collaborative production of writers such as Henry James, Mark Twain, and William Dean Howells, Ashton demonstrates that in union there was strength.
