Uncovered is the only memoir to tell of a gay woman leaving the hasidic fold. Told in understated, crystalline prose, Leah Lax begins her story as a young teen leaving her secular home to become a hasidic Jew, then plumbs the nuances of her arranged marriage, fundamentalist faith, and hasidic motherhood as, all the while, creative, sexual, and spiritual longings tremble beneath the surface.
A naïve lesbian teen in Texas is drawn into a group of Hassidic Jews with their offers of refuge from her troubled family and promises of eternal love. She becomes one of them, but ultimately, as a forty-something woman, comes to reject everything she has lived for three decades in order to be who she truly is.
In the vein of Prozac Nation and Girl, Interrupted, an electrifying memoir about a young woman's promiscuous and self-destructive spiral after being cast out of her ultra-Orthodox Jewish family Leah Vincent was born into the Yeshivish community, a fundamentalist sect of ultra-Orthodox Judaism. As the daughter of an influential rabbi, Leah and her ten siblings were raised to worship two things: God and the men who ruled their world. But the tradition-bound future Leah envisioned for herself was cut short when, at sixteen, she was caught exchanging letters with a male friend, a violation of religious law that forbids contact between members of the opposite sex. Leah's parents were unforgiving. Afraid, in part, that her behavior would affect the marriage prospects of their other children, they put her on a plane and cut off ties. Cast out in New York City, without a father or husband tethering her to the Orthodox community, Leah was unprepared to navigate the freedoms of secular life. She spent the next few years using her sexuality as a way of attracting the male approval she had been conditioned to seek out as a child, while becoming increasingly unfaithful to the religious dogma of her past. Fast-paced, mesmerizing, and brutally honest, Cut Me Loose tells the story of one woman's harrowing struggle to define herself as an individual. Through Leah's eyes, we confront not only the oppressive world of religious fundamentalism, but also the broader issues that face even the most secular young women as they grapple with sexuality and identity.
The author of the explosive New York Times bestselling memoir Unorthodox (now a Netflix limited series) chronicles her continuing journey as a single mother, an independent woman, and a religious refugee. In 2009, at the age of twenty-three, Deborah Feldman walked away from the rampant oppression, abuse, and isolation of her Satmar upbringing in Williamsburg, Brooklyn to forge a better life for herself and her young son. Since leaving, Feldman has navigated remarkable experiences: raising her son in the “real” world, finding solace and solitude in a writing career, and searching for love. Culminating in an unforgettable trip across Europe to retrace her grandmother’s life during the Holocaust, Exodus is a deeply moving exploration of the mysterious bonds that tie us to family and religion, the bonds we must sometimes break to find our true selves.
A heartfelt and inspiring personal account of a woman raised as a Lubavitcher Hasid who leaves that world without leaving the family that remains within it. Even as a child, Chaya Deitsch felt that she didn’t belong in the Hasidic world into which she’d been born. She spent her teenage years outwardly conforming to but secretly rebelling against the rules that tell you what and when to eat, how to dress, whom you can befriend, and what you must believe. Loving her parents, grandparents, and extended family, Chaya struggled to fit in but instead felt angry, stifled, and frustrated. Upon receiving permission from her bewildered but supportive parents to attend Barnard College, she discovered a wider world in which she could establish an independent identity and fulfill her dream of an unconfined life that would be filled with the secular knowledge and culture that were largely foreign to her friends and relatives in Crown Heights, Brooklyn. As she gradually shed the physical and spiritual trappings of Hasidic life, Chaya found herself torn between her desire to be honest with her parents about who she now was and her need to maintain a loving relationship with the family that she still very much wanted to be part of. Eventually, Chaya and her parents came to an understanding that was based on unqualified love and a hard-won but fragile form of acceptance. With honesty, sensitivity, and intelligence, Chaya Deitsch movingly shows us that lives lived differently do not have to be lives lived apart.
In recent years, many formerly ultra-Orthodox Jews have documented leaving their communities in published stories, films, and memoirs. This movement is often identified as "off the derech" (OTD), or off the path, with the idea that the "path" is paved by Jewish law, rituals, and practices found within their birth communities. This volume tells the powerful stories of people abandoning their religious communities and embarking on uncertain journeys toward new lives and identities within mainstream society. Off the Derech is divided into two parts: stories and analysis. The first includes original selections from contemporary American and global authors writing about their OTD experiences. The second features chapters by scholars representing such diverse fields as literature, history, sociology, psychology, anthropology, religion, and gender studies. The interdisciplinary lenses provide a range of methodologies by which readers can better understand this significant phenomenon within contemporary Jewish society.
The essay that forms the core of this book is an attempt to understand the developments that have occurred in Orthodox Jewry in America in the last seventy years, and to analyse their implications. The prime change is what is often described as ‘the swing to the right’, a marked increase in ritual stringency, a rupture in patterns of behaviour that has had major consequences not only for Jewish society but also for the nature of Jewish spirituality. For Haym Soloveitchik, the key feature at the root of this change is that, as a result of migration to the ‘New Worlds’ of England, the US, and Israel and acculturation to its new surroundings, American Jewry—indeed, much of the Jewish world— had to reconstruct religious practice from normative texts: observance could no longer be transmitted mimetically, on the basis of practices observed in home and street. In consequence, behaviour once governed by habit is now governed by rule. This new edition allows the author to deal with criticisms raised since the essay, long established as a classic in the field, was originally published, and enables readers to gain a fuller perspective on a topic central to today’s Jewish world and its development.
Next Generation Indie Book Awards Finalist in Regional Fiction, Religious Fiction, and Best Cover Design Named by BuzzFeed as one of Winter 2021's Most Anticipated Historical Fiction Books and Top 10 New Books To Add To Your Reading List! It’s hot, Texas, and the year 1977. Jimmy Carter is in office. The Walters are a good, churchgoing family who stand for holiness, purity, grace, and Christian love. Except when they don't. Family patriarch and fanatic preacher, Victor Black, knows many things for sure, including the fact that abortion is murder and should be punishable by death--a position he defends live in a televised debate. Black’s youngest granddaughter, Stephanie Walters, sits in the front row wearing her frilly Sunday dress, listening carefully to every word. But it doesn't take long for cracks to appear in the Walters upstanding family facade. Stephanie's mother, Lily, begins telling unsettling stories about having a baby who died, and her story keeps changing. It’s clear Lily has a secret--one that righteous Victor Black would kill her for if he knew. This family secret burns more than the lies . . . From the Moon I WatchedHer is a coming-of-age tale about the skeletons that lurk under church pews and the little girl who goes looking for and finds them. Amid the dark and quirky terrain of camp revivals, burning crosses, and public shunnings, one child from the Southern Churches of Christ cries out.
A moving and revealing exploration of ultra-Orthodox Judaism and one man's loss of faith Shulem Deen was raised to believe that questions are dangerous. As a member of the Skverers, one of the most insular Hasidic sects in the US, he knows little about the outside world—only that it is to be shunned. His marriage at eighteen is arranged and several children soon follow. Deen's first transgression—turning on the radio—is small, but his curiosity leads him to the library, and later the Internet. Soon he begins a feverish inquiry into the tenets of his religious beliefs, until, several years later, his faith unravels entirely. Now a heretic, he fears being discovered and ostracized from the only world he knows. His relationship with his family at stake, he is forced into a life of deception, and begins a long struggle to hold on to those he loves most: his five children. In All Who Go Do Not Return, Deen bravely traces his harrowing loss of faith, while offering an illuminating look at a highly secretive world.
A revealing memoir of a family and a “wrenching journey into deafness from the standpoint of a mother, a wife, a daughter, a philosopher, and a Jew” (Ilan Stavans, author of On Borrowed Words: A Memoir of Language). When her daughters were born deaf, Jennifer Rosner was stunned. Then she discovered a hidden history of deafness in her family, going back generations to the Jewish enclaves of Eastern Europe. Traveling back in time in her mind, she imagined her silent relatives, who showed surprising creativity in dealing with a world that preferred to ignore them. Here, in a “gentle meditation on sound and silence, love and family” Rosner shares her journey into the modern world of deafness, and the controversial decisions she and her husband made about hearing aids, cochlear implants and sign language (Publishers Weekly). Punctuated by memories of being unheard, Rosner’s imaginative odyssey of dealing with her daughters’ deafness is at its heart a story of whether she—a mother with perfect hearing—can ever truly hear her children.
