Two young girls are taken captive by barbarian and forced to fend for their lives. They are slaughtered after a long battle and their souls find refuge in a mystical forest. Soon after they enter the forest, they are met by a series of demons who threaten their very souls.
Vampires . . . they ache, they love, they thirst for the forbidden. They are your friends and lovers, and your worst fears. “A major new voice in horror fiction . . . an electric style and no shortage of nerve.”—Booklist At a club in Missing Mile, N.C., the children of the night gather, dressed in black, look for acceptance. Among them are Ghost, who sees what others do not; Ann, longing for love; and Jason, whose real name is Nothing, newly awakened to an ancient, deathless truth about his father, and himself. Others are coming to Missing Mile tonight. Three beautiful, hip vagabonds—Molochai, Twig, and the seductive Zillah, whose eyes are as green as limes—are on their own lost journey, slaking their ancient thirst for blood, looking for supple young flesh. They find it in Nothing and Ann, leading them on a mad, illicit road trip south to New Orleans. Over miles of dark highway, Ghost pursues, his powers guiding him on a journey to reach his destiny, to save Ann from her new companions, to save Nothing from himself. . . . “An important and original work . . . a gritty, highly literate blend of brutality and sentiment, hope and despair.”—Science Fiction Chronicle
A beautifully illustrated meditation on the fullness of life for readers of all ages by by Nobel Prize-winning novelist Olga Tokarczuk. "Olga Tokarczuk’s The Lost Soul, an experimental fable illustrated by Joanna Concejo and translated by Antonia Lloyd-Jones, resonates with our current moment. . . . What a striking, and lovely, material object it is." —New York Times "The Lost Soul, by Olga Tokarczuk and illustrator Joanna Concejo, is a quiet meditation on happiness, following a busy man who loses his soul. . . It pours a childlike sense of wonder into a once-upon-a-time tale that is already resonating with adults around the world." —The Guardian The Lost Soul is a deeply moving reflection on our capacity to live in peace with ourselves, to remain patient, attentive to the world. It is a story that beautifully weaves together the voice of the Nobel Prize-winning Polish novelist Olga Tokarczuk and the finely detailed pen-and-ink drawings of illustrator Joanna Concejo, who together create a parallel narrative universe full of secrets, evocative of another time. Here a man has forgotten what makes his heart feel full. He moves to a house away from all that is familiar to him to wait for his soul to return. "Once upon a time there was a man who worked very hard and very quickly, and who had left his soul far behind him long ago. In fact his life was all right without his soul—he slept, ate, worked, drove a car and even played tennis. But sometimes he felt as if the world around him were flat, as if he were moving across a smooth page in a math book that was covered in evenly spaced squares... " —from The Lost Soul The Lost Soul is a sublime album, a rare delicacy that will delight readers young and old. "You must find a place of your own, sit there quietly and wait for your soul." Winner of the Bologna Ragazzi Award, Special Mention 2018, Prix de l'Union Internationale pour les Livres de Jeunesse (IBBY), The White Raven (IJB Munich), and the Łódź Design Festival Award.
The second in Seth Patrick's genre-bending trilogy, Lost Souls delivers chilling twists as a forensic detective revives the dead to exhume a world changing conspiracy. JONAH MILLER, REVIVER. Able to wake the recently dead for testimony that is accepted in courts worldwide, the use of revivers has become a routine part of police investigation. Despite his troubled past, Jonah Miller is one of the best. But while reviving the victim of a brutal murder, he encounters a terrifying presence. Something is watching. Waiting. When long-hidden secrets are uncovered, Jonah is forced to come to a chilling conclusion: An ancient evil is coming - and Jonah may be all that stands in its way...
The first new translation of Balzac’s 1847 novel Splendeurs et misères des courtisanes in half a century, fully annotated and with an extensive introduction In Lost Souls, Honoré de Balzac’s brilliant evocation of nineteenth-century Paris, we enter a world of glittering wealth and grinding poverty, teeming with strivers, poseurs, and pleasure seekers along with those who struggle merely to survive. Between the heights of Parisian society and the criminal world lurking underneath, fate is about to catch up with Lucien de Rubempré, last seen in Lost Illusions, as his literary aspirations, his love for the courtesan Esther van Gobseck, and his scheme to marry the wealthy Clotilde become entangled in the cunning and ultimately disastrous ambitions of the Abbé Herrera, a villain for the ages. An extraordinary volume in Balzac’s vast Human Comedy (in which he endeavored to capture all of society), Lost Souls appears here in its first new English translation in half a century. Keenly attuned to the acerbic charm and subtleties of Balzac’s prose, this edition also includes an introduction presenting thorough biographical, literary, and historical context, as well as extensive notes throughout the text—an invaluable resource for today’s readers as they navigate Balzac’s copious allusions to classical and contemporaneous politics and literature.
"A vivid historical account…Thompson shines in giving a sense of what it means to love a place that's been designated a 'sacrifice zone.'" —PUBLISHERS WEEKLY Award–winning investigative environmental journalist Jonathan P. Thompson digs into the science, politics, and greed behind the 2015 Gold King Mine disaster, and unearths a litany of impacts wrought by a century and a half of mining, energy development, and fracking in southwestern Colorado. Amid these harsh realities, Thompson explores how a new generation is setting out to make amends. JONATHAN THOMPSON is a native Westerner with deep roots in southwestern Colorado. He has been an environmental journalist focusing on the American West since he signed on as reporter and photographer at the Silverton Standard & the Miner newspaper in 1996. He has worked and written for High Country News for over a decade, serving as editor–in–chief from 2007 to 2010. He was a Ted Scripps fellow in environmental journalism at the University of Colorado in Boulder, and in 2016 he was awarded the Society of Environmental Journalists' Outstanding Beat Reporting, Small Market. He currently lives in Bulgaria with his wife Wendy and daughters Lydia and Elena.
These captivating short stories portray three major periods in modern Korean history: the forces of colonial modernity during the late 1930s; the postcolonial struggle to rebuild society after four decades of oppression, emasculation, and cultural exile (1945 to 1950); and the attempt to reconstruct a shattered land and a traumatized nation after the Korean War. Lost Souls echoes the exceptional work of China's Shen Congwen and Japan's Kawabata Yasunari. Modernist narratives set in the metropolises of Tokyo and Pyongyang alternate with starkly realistic portraits of rural life. Surrealist tales suggest the unsettling sensation of colonial domination, while stories of the outcast embody the thrill and terror of independence and survival in a land dominated by tradition and devastated by war. Written during the chaos of 1945, "Booze" recounts a fight between Koreans for control of a former Japanese-owned distillery. "Toad" relates the suffering created by hundreds of thousands of returning refugees, and stories from the 1950s confront the catastrophes of the Korean War and the problematic desire for autonomy. Visceral and versatile, Lost Souls is a classic work on the possibilities of transition that showcases the innovation and craftsmanship of a consummate--and widely celebrated--storyteller.
These days it is no longer just adolescents who feel that the universe is falling apart. In Lost Souls, Niles Goldstein writes of the chaos and fear so many of us experience in our public and private lives and makes it clear that we are not--nor have we ever been--alone in our angst. To illustrate the different stages we often encounter when we feel lost--whether the trigger for our disorientation and despair is the loss of a loved one or a job, or the result of an injury or depression--Goldstein interweaves contemporary stories of men and women he has met through his work as a rabbi and a law enforcement chaplain with those of biblical figures such as Cain, David and Bathsheba, Samson, Tamar, and several of the prophets. As in his last book, God at the Edge, Goldstein explores the "shadow" side of the human condition. His accounts are often disturbing, but his insights are always inspiring. What he brings us is a message of particular relevance today, namely, that a journey through the wilderness--be it emotional, existential, or geographical--is a transformative and strengthening process, even though it may not seem so at the time. In chronicling the stories of survivors who have traveled through perilous and at times unexplored territory, Goldstein not only shows us how to face the challenges of being human, he also delivers a promise of meaning, direction, and hope in our lives.