Two Centuries of Costume in America
Author: Alice Morse Earle
Publisher:
Published: 1903
Total Pages: 1078
ISBN-13:
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Eighteenth-Century French Fashion Plates in Full Color
Author: Stella Blum
Publisher: Courier Dover Publications
Published: 2016-09-21
Total Pages: 81
ISBN-13: 0486163245
DOWNLOAD EBOOKThe Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the 18th century." Here are 64 of the finest plates, reproduced by costume historian Stella Blum.
Two Centuries of Costume in America, MDCXX-MDCCCXX
Author: Alice Morse Earle
Publisher:
Published: 1903
Total Pages: 590
ISBN-13:
DOWNLOAD EBOOKFrench Fashion, Women & the First World War
Author: Maude Bass-Krueger
Publisher:
Published: 2019
Total Pages: 0
ISBN-13: 9780300247985
DOWNLOAD EBOOK"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Two Centuries of Costume in America, Volume 1 (1620-1820)
Author: Alice Morse Earle
Publisher: Good Press
Published: 2023-08-12
Total Pages: 417
ISBN-13:
DOWNLOAD EBOOKAlice Morse Earle's 'Two Centuries of Costume in America, Volume 1 (1620-1820)' provides a comprehensive and detailed examination of the evolution of fashion in early America. Focusing on the period from 1620 to 1820, Earle meticulously describes the clothing styles, fabrics, and accessories worn by men, women, and children during this time. The book is filled with rich historical references, illustrations, and primary source materials, offering a valuable insight into the social and cultural significance of fashion in colonial and early America. Earle's writing style is engaging and informative, making this book a must-read for anyone interested in the history of fashion in America. Alice Morse Earle, a renowned historian and author, drew on her extensive knowledge of American history and material culture to write 'Two Centuries of Costume in America.' Her passion for preserving and documenting historical customs and traditions shines through in this work, making it a valuable resource for scholars, students, and history enthusiasts alike. I highly recommend this book to anyone interested in gaining a deeper understanding of the role of fashion in shaping American identity and culture.
History of World Dress and Fashion, Second Edition
Author: Daniel Delis Hill
Publisher: Daniel Delis Hill
Published: 2022-01-13
Total Pages: 820
ISBN-13: 0986425494
DOWNLOAD EBOOKThe History of World Dress and Fashion presents a comprehensive survey of dress from around the world including China, Japan, India, Africa, the Islamic Empire, and the Ancient Americas. This extensive study features descriptions and analysis of men’s, women’s and children’s clothing, accessories, and cultural styles from prehistory into the twenty-first century. Lavishly illustrated in color throughout, it features more than 1600 images - and is a valuable resource for fashion designers, theater costumers, textile researchers, costume collectors and curators, and anyone interest in clothing and style customs of the world.
Paris Fashion and World War Two
Author: Lou Taylor
Publisher: Bloomsbury Publishing
Published: 2020-01-09
Total Pages: 629
ISBN-13: 1350000299
DOWNLOAD EBOOKWinner of the Association of Dress Historians Book of the Year Award, 2021 In 1939, fashion became an economic and symbolic sphere of great importance in France. Invasive textile legislation, rationing and threats from German and American couturiers were pushing the design and trade of Parisian style to its limits. It is widely accepted that French fashion was severely curtailed as a result, isolated from former foreign clients and deposed of its crown as global queen of fashion. This pioneering book offers a different story. Arguing that Paris retained its hold on the international haute couture industry right throughout WWII, eminent dress historians and curators come together to show that, amid political, economic and cultural traumas, Paris fashion remained very much alive under the Nazi occupation – and on an international level. Bringing exciting perspectives to challenge a familiar story and introducing new overseas trade links out of occupied France, this book takes us from the salons of renowned couturiers such as Edward Molyneux and Robert Piguet, French Vogue and Le Jardin des Modes and luxury Lyon silk factories, to Rio de Janeiro, Denmark and Switzerland, and the great American department stores of New York. Also comparing extravagant Paris occupation styles to austerity fashions of the UK and USA, parallel industrial and design developments highlight the unresolvable tension between luxury fashion and the everyday realities of wartime life. Showing that Paris strove to maintain world dominance as leader of couture through fashion journalism, photography and exported fashion forecasting, Paris Fashion and World War Two makes a significant contribution to the cultural history of fashion.
Fashion and Its Social Agendas
Author: Diana Crane
Publisher: University of Chicago Press
Published: 2000
Total Pages: 356
ISBN-13: 9780226117997
DOWNLOAD EBOOKIt has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
Books and Pamphlets, Including Serials and Contributions to Periodicals
Author: Library of Congress. Copyright Office
Publisher:
Published: 1949
Total Pages: 1142
ISBN-13:
DOWNLOAD EBOOKParis to New York
Author: Véronique Pouillard
Publisher: Harvard University Press
Published: 2021-05-04
Total Pages: 337
ISBN-13: 0674237404
DOWNLOAD EBOOKAn innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
