Drawing from the poetry of generations of esteemed writers Gary Bouchard shows how poems often express the longings of the human heart as a kind of prayer. Emily Dickinson, Rev. Rowan Williams, Pope John Paul II, Christina Rossetti, Robert Frost, and Fr. Kilian McDonnell, OSB, among others, offer readers an inspiring path to reflect upon and pray with poetic verse. Arranged under six engaging themes, each selection uses the words of poets as vehicles to prompt “heaven in ordinary” or to praise like “exalted manna”; to find the right “paraphrase” for your own soul or maybe sense your “soul’s blood”; to muster up from your grief or anger “reversed thunder” or dare to articulate from your own personal anguish “Christ-side-piercing spear.”
This extraordinary celebration of the poet's craft opens the attentive reader's heart to the world of the spirit. Author/compilers Judith Valente and Charles Reynard, noted poets themselves, share elected poems that probe the classic themes of the spiritual life.
This major new poetry collection from bestselling poet and priest Malcolm Guite features more than seventy new and previously unpublished works. At the heart of this collection is a sequence of twenty seven sonnets written in response to George Herbert’s exquisite sonnet 'Prayer', each one describing prayer in an arresting metaphor such as ‘the church's banquet’, ‘reversed thunder’, ‘the Milky Way’, ‘the bird of paradise’ and ‘something understood’. In conversation with each of these, Malcolm’s sonnets offer profound insights into the nature of communion with God in all circumstances and conditions. Recognising that all poetry is a pursuit of prayer, After Prayer also includes forty five more widely ranging new poems, including a sonnet sequence on the seven heavens.
Against the backdrop of Isla Negra — the sea and wind, the white sand with its scattering of delicate wild flowers, the hot sun and salty smells of the Pacific — Nobel laureate Pablo Neruda sets these joyfully sensual poems in celebration of his love. The subject of that love: Matilde Urrutia de Neruda, the poet's "beloved wife." As popular in the Hispanic world as the poet's renowned Twenty Love Poems and a Song of Despair,One Hundred Love Sonnets has never before been published in its entirety in English translation. The reason for this astonishing neglect may lie in the historical circumstances that surrounded Neruda's "discovery " by English-speaking readers. In the United States he came to popularity during the turmoil of the sixties, when Americans needed a politically committed poet, and much of Neruda's canon answered that need. But, in his native Chile and throughout Latin America, Neruda has always been cherished as dearly for the earthly sensuality and eroticism of his love poetry as for his statements of political belief. To know this work, then is to understand the poet's art more thoroughly.
During the European Middle Ages, diagrams provided a critical tool of analysis in cosmological and theological debates. In addition to drawing relationships among diverse areas of human knowledge and experience, diagrams themselves generated such knowledge in the first place. In Diagramming Devotion, Jeffrey F. Hamburger examines two monumental works that are diagrammatic to their core: a famous set of picture poems of unrivaled complexity by the Carolingian monk Hrabanus Maurus, devoted to the praise of the cross, and a virtually unknown commentary on Hrabanus’s work composed almost five hundred years later by the Dominican friar Berthold of Nuremberg. Berthold’s profusely illustrated elaboration of Hrabnus translated his predecessor’s poems into a series of almost one hundred diagrams. By examining Berthold of Nuremberg’s transformation of a Carolingian classic, Hamburger brings modern and medieval visual culture into dialogue, traces important changes in medieval visual culture, and introduces new ways of thinking about diagrams as an enduring visual and conceptual model.
Contemporary American poetry has plenty to offer new readers, and plenty more for those who already follow it. Yet its difficulty—and sheer variety—leaves many readers puzzled or overwhelmed. The critic, scholar, and poet Stephanie Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, Burt canvasses American poetry of the past four decades, from the headline-making urgency of Claudia Rankine’s Citizen to the stark pathos of Louise Glück, the limitless energy of Juan Felipe Herrera, and the erotic provocations of D. A. Powell. The Poem Is You: Sixty Contemporary American Poems and How to Read Them is a guide to the diverse magnificences of American poetry today. It presents a wide range of poems selected by Burt for this volume, each accompanied by an original essay explaining how a given poem works, why it matters, and how the poem speaks to other parts of art and culture. Included here are some classroom classics (by Ashbery, Komunyakaa, Hass), less famous poems by very famous poets (Glück, Kay Ryan), and poems by prizewinning poets near the start of their careers (such as Brandon Som), and by others who are not—or not yet—well known. The Poem Is You will appeal to poets, teachers, and students, but it is intended especially for readers who want to learn more about contemporary American poetry but who have not known where or how to start. It describes what American poets have fashioned for one another, and what they can give us today.
Some poets begin very early to write great poetry. Arthur Rimbaud wrote one of his best poems at 15, Percy Shelley published his first book of poetry at 18. But Kilian McDonnell, O.S.B., did not start until he was 75, after decades of writing as a professional theologian. Now 82 he gives us Swift, Lord, You Are Not, poems of the struggle to find God - waiting for the silence of God to break. He does not write pious verse, or inspirational poetry, but of wrestling with the illusive God. His themes are mostly biblical and monastic. He closes with an essay Poet: Can You Start at Seventy-Five?" in which he describes the literary decisions he makes within the monastic context - decisions he needs to make with some dispatch. At 75 he does not have decades to mature. He writes with a new language. Autographed copies of this book are available upon request. Please indicate in the comment box when ordering if you would like an autographed copy. Kilian McDonnell, OSB, STD, is a priest and monk of St. John's Abbey, Collegeville, Minnesota. He is author of John Calvin, The Church, and the Eucharist (Princeton and Oxford University Presses) and The Baptism of Jesus in the Jordan, and the forthcoming The Other Hand of God: The Holy Spirit as the Universal Touch and Goal, published by Liturgical Press. He served as the Consultor to the Vatican Pontifical Council for Promoting Christian Unity, and is the founder and president of the Institute for Ecumenical and Cultural Research in Collegeville, Minnesota. He is the recipient of the John Courtney Murray Award for Significant Contributions to Theology, given by the Catholic Theological Society of America, the James Fitzgerald Award for Ecumenism, and was the recipient of the papal award for ecumenism from Pope John Paul II: Pro Pontifice et Eccelesia. "
