Twentieth-century piano classics

Twentieth-century piano classics

Author: Robert Rimm

Publisher: University of Michigan Press

Published: 1999

Total Pages: 186

ISBN-13: 9780486406237

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Includes Stravinsky's 3 Movements from Petrushka, Rag Time, Piano-Rag-Music, more; Schoenberg's Symphony, Op. 9, 3 Piano Pieces, Op. 11, more; and Hindemith's 1922: Suite for Piano, Op. 26. Authoritative editions.


Music of the Twentieth Century

Music of the Twentieth Century

Author: Ton de Leeuw

Publisher: Amsterdam University Press

Published: 2005

Total Pages: 223

ISBN-13: 9053567658

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Ton de Leeuw was a truly groundbreaking composer. As evidenced by his pioneering study of compositional methods that melded Eastern traditional music with Western musical theory, he had a profound understanding of the complex and often divisive history of twentieth-century music. Now his renowned chronicle Music of the Twentieth Century is offered here in a newly revised English-language edition. Music of the Twentieth Century goes beyond a historical survey with its lucid and impassioned discussion of the elements, structures, compositional principles, and terminologies of twentieth-century music. De Leeuw draws on his experience as a composer, teacher, and music scholar of non-European music traditions, including Indian, Indonesian, and Japanese music, to examine how musical innovations that developed during the twentieth century transformed musical theory, composition, and scholarly thought around the globe.


The Classic Piano Course: Book 2

The Classic Piano Course: Book 2

Author: Carol Barratt

Publisher: Chester Music

Published: 2011-01-07

Total Pages: 83

ISBN-13: 0857123823

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Book 2 Building Your Skills covers choosing and owning a piano, the major scale, tied quavers, metronome marks, triplets, plus over twenty pieces including The Entertainer and The Blue Danube. Also includes fascinating items of musical history and biography, an easy-to-follow introduction to the theory of music, and suggested listening to enhance your musical appreciation.


Australian Piano Music of the Twentieth Century

Australian Piano Music of the Twentieth Century

Author: Larry Sitsky

Publisher: Praeger

Published: 2005-04-30

Total Pages: 364

ISBN-13:

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This volume provides invaluable information for those interested in the rich heritage of Australian modernist piano music that stretches over the whole of the 20th century.


Anthology of 20th century piano music

Anthology of 20th century piano music

Author: Maurice Hinson

Publisher: Alfred Music Publishing

Published: 2003

Total Pages: 212

ISBN-13: 9780739032992

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The early 20th century was a period of dramatic changes, when composers were venturing in new directions and seeking new sounds. The pairing of the Anthology of 20th Century Piano Music with the Piano Practices in Early 20th Century Piano Music DVD provides pianists with a unique opportunity to hear informed performances of the music they are studying. On the DVD, Dr. Hinson shares historical anecdotes about the composers represented, using examples by Bartk, Debussy, Joplin, Grainger, Hindemith, MacDowell, Coleridge-Taylor, Satie and Schoenberg from the Anthology.


Music and Technology in the Twentieth Century

Music and Technology in the Twentieth Century

Author: Hans-Joachim Braun

Publisher: JHU Press

Published: 2002-09-16

Total Pages: 268

ISBN-13: 9780801868856

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Braun (Universitat der Bundeswehr) presents 13 contributions by scholars in two fields of history--musicology and technology. Topics include the role of Yamaha in Japan's musical development, the social construction of the synthesizer, the player piano as a precursor of computer music, the musical role of airplanes and locomotives, the origins of the 45-RPM record, violin vibrato and the phonograph, Jimi Hendrix, the aesthetic challenge of sound sampling, and others. Originally published in 2000 as I Sing the Body Electric: Music and Technology in the 20th Century. Annotation copyrighted by Book News, Inc., Portland, OR.


The Rest Is Noise

The Rest Is Noise

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 706

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.


British Organ Music of the Twentieth Century

British Organ Music of the Twentieth Century

Author: Peter Hardwick

Publisher: Scarecrow Press

Published: 2003

Total Pages: 440

ISBN-13: 9780810844483

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This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.


Twentieth-Century Organ Music

Twentieth-Century Organ Music

Author: Christopher S. Anderson

Publisher: Routledge

Published: 2013-06-17

Total Pages: 436

ISBN-13: 1136497897

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This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.


Theories and Analyses of Twentieth-century Music

Theories and Analyses of Twentieth-century Music

Author: James Kent Williams

Publisher: Cengage Learning

Published: 1997

Total Pages: 376

ISBN-13:

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This introduction to the theories and analytical approaches of contemporary Western art music focuses primarily on pitch, but also treats rhythm and meter, texture, and form. Analyses of three songs exemplifying distinct modes of pitch organization (functional tonality, atonality, and neotonality) engage students, helping them understand the implications of what they have learned. Williams covers the fundamentals of set theory, and then expands on these fundamentals in chapters on diatonicism, symmetrical sets, neotonality, free atonality, and serialism. The author also explores more recent compositional techniques, such as chance and indeterminacy, minimalism, and eclecticism.