Science Fiction

Science Fiction

Author: Eric S. Rabkin

Publisher: Oxford [Oxfordshire] ; New York : Oxford University Press

Published: 1983-09-29

Total Pages: 548

ISBN-13: 9780195032727

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Presents a chronological survey of this genre from the beginnings of modern science and technology to the present.


The Cambridge Companion to Gulliver's Travels

The Cambridge Companion to Gulliver's Travels

Author: Daniel Cook

Publisher: Cambridge University Press

Published: 2023-10-31

Total Pages: 281

ISBN-13: 1108830196

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The definitive guide to Swift's controversial satirical masterpiece, Gulliver's Travels, demonstrating its complexity and enduring legacy.


Politics vs. Literature

Politics vs. Literature

Author: George Orwell

Publisher: Renard Press Ltd

Published: 2021-01-01

Total Pages: 30

ISBN-13: 1913724336

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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Politics vs. Literature, the fourth in the Orwell’s Essays series, is, at heart, a review of Jonathan Swift’s Gulliver’s Travels. Having been given a copy of the book on his eighth birthday, Orwell knows it inside out, and thinks highly of it; it is ‘pessimistic’, though, he says – ‘it descends into political partisanship of a narrow kind,’ designed to ‘humiliate man by reminding him that he is weak and ridiculous.’ Using the book as an example of enjoying a book whose author one cannot stand, Orwell goes on to say that he considers Gulliver’s Travels a work of art, leaving the reader to reconsider the books on their own shelves. 'A writer who can – and must – be rediscovered with every age.' — Irish Times


Gulliver's Travels

Gulliver's Travels

Author: John Condon Murray

Publisher: iUniverse

Published: 2001

Total Pages: 114

ISBN-13: 0595157564

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Gulliver's Travels explores the human need to create order out of chaos through an internal system of knowledge that affirms the subjective self. In this study, I examine how Gulliver integrates elements of knowledge from the native and the host-societies into an operative system of self-knowledge. Gulliver's self-knowledge threatens the status quo within these societies by placing him at the solipsistic center of the narrative, orchestrating his observations to maintain the subjective self. If Gulliver was successfully indoctrinated in England, then why does he exhibit such an imperfect understanding of the complexities that define the principles which shaped Western society? Furthermore, if Gulliver is brainwashed by his hosts, then by what authority does he continually transgress the rules of law that govern their societies? Specifically, why does he knowingly commit acts of disobedience and heresy if he has been successfully indoctrinated into their social systems? My study concludes Gulliver's empirical search for an answer to the question Who am I? fails because he is unable to harmonize subjective truths within the objective world.


Critical Companion to Jonathan Swift

Critical Companion to Jonathan Swift

Author: Paul J. DeGategno

Publisher: Infobase Publishing

Published: 2014-05-14

Total Pages: 481

ISBN-13: 1438108516

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Provides a comprehensive alphabetical reference to the life and work of Jonathan Swift.


The Boundaries of Genre

The Boundaries of Genre

Author: Gary Saul Morson

Publisher: Northwestern University Press

Published: 1988

Total Pages: 238

ISBN-13: 9780810108110

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Using Dostoevsky's most radical experiment in literary form as a springboard, Gary Saul Morson examines a number of key topics in contemporary literary theory, including the nature of literary genres and their relation to interpretation. He convincingly argues that genre is not a property of texts alone but arises from the interaction between texts and readers. Observing that changing conventions of interpretation and classifciation may alter the perception of particular works, Morson considers a number of problematic texts that have been read according to two contradictory sets of conventions - "boundary works"--And a futher group of texts - "threshold works" such as Dostoevsky's Diary of a writer - that were evidently designed by their authors to exploit this kind of hermeneutic ambivalence. Morson explores the nature of the literary utopia and its parodic form, the anti-utopia, and, returning to Dostoevsky's Diary as his example, a third form which exists as a sort of open dialogue of utopia and anti-utopia