The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
The heroes, villains, and monsters portrayed in such popular science fiction television series as Heroes, Lost, Battlestar Galactica, Caprica, Doctor Who, and Torchwood, as well as Joss Whedon's many series, illustrate a shift from traditional, clearly defined characterizations toward much murkier definitions. Traditional heroes give way to "gray" heroes who must become more like the villains or monsters they face if they are going to successfully save society. This book examines the ambiguous heroes and villains, focusing on these characters' different perspectives on morality and their roles within society. Appendices include production details for each series, descriptions and summaries of pivotal episodes, and a list of selected texts for classroom use. Instructors considering this book for use in a course may request an examination copy here.
Translating Culture Specific References on Television provides a model for investigating the problems posed by culture specific references in translation, drawing on case studies that explore the translational norms of contemporary Italian dubbing practices. This monograph makes a distinctive contribution to the study of audiovisual translation and culture specific references in its focus on dubbing as opposed to subtitling, and on contemporary television series, rather than cinema. Irene Ranzato’s research involves detailed analysis of three TV series dubbed into Italian, drawing on a corpus of 95 hours that includes nearly 3,000 CSR translations. Ranzato proposes a new taxonomy of strategies for the translation of CSRs and explores the sociocultural, pragmatic and ideological implications of audiovisual translation for the small screen.
What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In this book, the first in-depth study of how post-classical societies use the creatures from ancient myth, Liz Gloyn reveals the trends behind how we have used monsters since the 1950s to the present day, and considers why they have remained such a powerful presence in our shared cultural imagination. She presents a new model for interpreting the extraordinary vitality that classical monsters have shown, and their enormous adaptability in finding places to dwell in popular culture without sacrificing their connection to the ancient world. Her argument takes her readers through a comprehensive tour of monsters on film and television, from the much-loved creations of Ray Harryhausen in Clash of the Titans to the monster of the week in Hercules: The Legendary Journeys, before looking in detail at the afterlives of the Medusa and the Minotaur. She develops a broad theory of the ancient monster and its life after antiquity, investigating its relation to gender, genre and space to offer a bold and novel exploration of what keeps drawing us back to these mythical beasts. From the siren to the centaur, all monster lovers will find something to enjoy in this stimulating and accessible book.
Born in South Baltimore City in March of 1942, my mother moved my two sisters and me to a new housing development for military families in Baltimore County when I was three. My youthful years were spent fishing, crabbing, tree climbing, catching snakes and other forms of small wildlife in Turner Station, Maryland. In my late teenage years, I was a feared gangbanger-without a gun. As my interests and curiosity about life matured, I wanted to comprehend the tenets of manhood. I chose the teachings of Elijah Muhammad rather than opting into the military where many young men around me headed for their manhood classes. During my childhood fling with wildlife, I had a serious desire to study the laws of nature. I had no access to technology or even conventional equipment like a magnifying glass, but I would do such things as use a piece of glass to study a blade of grass and everything around that blade. I would sit for hours on the water’s edge, and as I followed the motions of the waters, I would travel all around the world. ( I was afraid of the sensation of doing it in a boat or even in the water.) In my adult years, I wanted to further the development of my whole self. I attended meetings: • The Theosophical Society which provided an array of spiritual studies. • Initiation into the Moorish Science Temple of America. • Continuing education classes on the science of meditation and yoga • Read and studied the works of Joseph Murphy, Ernest Holmes, Noble Drew, Ali Edgar Casey, et. al. • Several Orders of the Masonic Society. • Spiritual and physical training in the nation of Islam. I wanted to see further than the rituals that people practice. I wanted to go behind the veil. I wanted to connect my findings to my mind’s eye. The Mentoring Clinic will allow me to share some of these techniques that nature has provided to gain access into one’s own mind. For this I am grateful. Arthur O. Burrell
This New York Times bestselling novel from acclaimed author Walter Dean Myers tells the story of Steve Harmon, a teenage boy in juvenile detention and on trial. Presented as a screenplay of Steve's own imagination, and peppered with journal entries, the book shows how one single decision can change our whole lives. Monster is a multi-award-winning, provocative coming-of-age story that was the first-ever Michael L. Printz Award recipient, an ALA Best Book, a Coretta Scott King Honor selection, and a National Book Award finalist. Monster is now a major motion picture called All Rise and starring Jennifer Hudson, Kelvin Harrison, Jr., Nas, and A$AP Rocky. The late Walter Dean Myers was a National Ambassador for Young People’s Literature, who was known for his commitment to realistically depicting kids from his hometown of Harlem.
How did Liberace's costumes kill him? Which lesbian comedian spent her high school years as 'the best white cheerleader in Detroit'? For these answers and many more, fans can dip into this book. Drawn from the fascinating online encyclopaedia of queer arts and culture - www.glbtq.com - this is the only reference book in which RuPaul and Jean Cocteau jostle for space. From the porn industry to the Sisters of Perpetual Indulgence, from body building to Dorothy Arzner, this is an indispensable guide: readable, authoritative and concise.
An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.
In October 1957, Screen Gems made numerous horror movies available to local television stations around the country as part of a package of films called Shock Theater. These movies became a huge sensation with TV viewers, as did the horror hosts who introduced the films and offered insight--often humorous--into the plots, the actors, and the directors. This history of hosted horror walks readers through the best TV horror films, beginning with the 1930s black-and-white classics from Universal Studios and ending with the grislier color films of the early 1970s. It also covers and explores the horror hosts who presented them, some of whom faded into obscurity while others became iconic within the genre.