Trope Chicago is a highly curated collection of photographic images from an active community of urban photographers who have passionately captured their city like never before.
In Mood and Trope, John Brenkman introduces two provocative propositions to affect theory: that human emotion is intimately connected to persuasion and figurative language; and that literature, especially poetry, lends precision to studying affect because it resides there not in speaking about feelings, but in the way of speaking itself. Engaging a quartet of modern philosophers—Kant, Nietzsche, Heidegger, and Deleuze—Brenkman explores how they all approach the question of affect primarily through literature and art. He draws on the differences and dialogues among them, arguing that the vocation of criticism is incapable of systematicity and instead must be attuned to the singularity and plurality of literary and artistic creations. In addition, he confronts these four philosophers and their essential concepts with a wide array of authors and artists, including Pinter and Poe, Baudelaire, Jorie Graham and Li-Young Lee, Shakespeare, Tino Sehgal, and Francis Bacon. Filled with surprising insights, Mood and Trope provides a rich archive for rethinking the nature of affect and its aesthetic and rhetorical stakes.
Award-winning photographer Tobi Shonibare - Tobi Shinobi to his followers - pushes the boundaries of symmetry and balance in his first book, Equilibrium. From his native London to his current Chicago home, and in far-flung locales around the world, Tobi's photographs explore and deconstruct architecture and nature until they appear as optical illusions. His vertigo-inducing perspectives turn familiar vistas into abstractions, reality into a fantasyland of line and shape. More than 164,000 followers on Instagram experience Tobi's obsessive attention to detail and fascination with the geometry of our world.
Hollywood is placeless, timeless, and iconic, a key fabricator and forger of American cultural myths and stories. How, then, will the history of Hollywood be written?
Trope London, the second volume in the Trope City Editions series highlighting the world's most architecturally compelling cities, is a highly curated collection of photographic images from an active community of urban photographers who have passionately captured their city like never before.
John Hollander, poet and scholar, was a master whose work joined luminous learning and imaginative risk. This book, based on the unpublished Clark Lectures Hollander delivered in 1999 at Cambridge University, witnesses his power to shift the horizons of our thinking, as he traces the history of shadow in British and American poetry from the Renaissance to the end of the twentieth century. Shadow shows itself here in myriad literary identities, revealing its force as a way of seeing and a form of knowing, as material for fable and parable. Taking up a vast range of texts—from the Bible, Dante, Shakespeare, and Milton to Poe, Dickinson, Eliot, and Stevens—Hollander describes how metaphors of shadow influence our ideas of dreaming, desire, doubt, and death. These shadows of poetry and prose fiction point to unknown, often fearful domains of human experience, showing us concealed shapes of truth and possibility. Crucially, Hollander explores how shadows in poetic history become things with a strange substance and life of their own: they acquire the power to console, haunt, stalk, wander, threaten, command, and destroy. Shadow speaks, even sings, revealing to us the lost as much as the hidden self. An extraordinary blend of literary analysis and speculative thought, Hollander’s account of the substance of shadow lays bare the substance of poetry itself.
Lives are on the line at Engine 6 … and so are hearts. Running an engine crew in the Chicago Fire Department is my dream job, and between that, my awesome kid, and my nosy sister, I lead a pretty great life. Bruised and burned by my marriage, I don’t have time for dating or drama, but I always have time for pie. And when I share a slice of cherry with a sweet redhead, followed by the hottest, dirtiest, most pulse-pounding kiss of my life, I start to rethink the possibilities. Until that woman walks into my firehouse and upends my well-ordered world. Abby Sullivan is now a rookie firefighter on my crew and a threat to my self-control more dangerous than a five-alarm blaze. My job is to watch her six when all I want is to watch her fall into my bed. Lust has no place in the firehouse, and a distraction like Abby with her electric blue eyes, waves of flame-red hair, and freckles I want to map with my tongue, is one I can ill afford. Because one wrong move … and it could all go up in smoke. Up in Smoke is the first in the brand new Hot in Chicago Rookies series about firefighters navigating the trials of new jobs and sizzling romances as they find their place in the world and the love of a lifetime. Firefighters; firemen; firefighter romance; hot in chicago; workplace romance; forbidden romance; boss-employee romance; single dad; single father
THE INSTANT NEW YORK TIMES BESTSELLER The alternate history first contact adventure Axiom's End is an extraordinary debut from Hugo finalist and video essayist Lindsay Ellis. Truth is a human right. It’s fall 2007. A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn’t spoken to him in years, his celebrity has caught the attention of the press, the Internet, the paparazzi, and the government—and with him in hiding, that attention is on her. She neither knows nor cares whether her father’s leaks are a hoax, and wants nothing to do with him—until she learns just how deeply entrenched her family is in the cover-up, and that an extraterrestrial presence has been on Earth for decades. Realizing the extent to which both she and the public have been lied to, she sets out to gather as much information as she can, and finds that the best way for her to uncover the truth is not as a whistleblower, but as an intermediary. The alien presence has been completely uncommunicative until she convinces one of them that she can act as their interpreter, becoming the first and only human vessel of communication. Their otherworldly connection will change everything she thought she knew about being human—and could unleash a force more sinister than she ever imagined.