Trickster Theatre

Trickster Theatre

Author: Jesse Weaver Shipley

Publisher: Indiana University Press

Published: 2015-06-22

Total Pages: 309

ISBN-13: 0253016592

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Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban identity to rural origins and to Pan-African liberation politics. Contradictions emerge, however, when the ideal Ghanaian citizen is a mythic hustler who stands at the crossroads between personal desires and collective obligations. Shipley examines the interplay between on-stage action and off-stage events to show how trickster theatre shapes an evolving urban world.


Tilly the Trickster

Tilly the Trickster

Author: Molly Shannon

Publisher: Harry N. Abrams

Published: 2011-09-01

Total Pages: 0

ISBN-13: 9781419700309

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Tilly loves to play pranks on everyone around her, but when her family decides to turn the tables Tilly needs to decide if she should change.


Troubling Tricksters

Troubling Tricksters

Author: Deanna Reder

Publisher: Wilfrid Laurier Univ. Press

Published: 2010-02-10

Total Pages: 349

ISBN-13: 1554582059

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Troubling Tricksters is a collection of theoretical essays, creative pieces, and critical ruminations that provides a re-visioning of trickster criticism in light of recent backlash against it. The complaints of some Indigenous writers, the critique from Indigenous nationalist critics, and the changing of academic fashion have resulted in few new studies on the trickster. For example, The Cambridge Companion to Native American Literature (2005), includes only a brief mention of the trickster, with skeptical commentary. And, in 2007, Anishinaabe scholar Niigonwedom Sinclair (a contributor to this volume) called for a moratorium on studies of the trickster irrelevant to the specific experiences and interests of Indigenous nations. One of the objectives of this anthology is, then, to encourage scholarship that is mindful of the critic’s responsibility to communities, and to focus discussions on incarnations of tricksters in their particular national contexts. The contribution of Troubling Tricksters, therefore, is twofold: to offer a timely counterbalance to this growing critical lacuna, and to propose new approaches to trickster studies, approaches that have been clearly influenced by the nationalists’ call for cultural and historical specificity.


Physical Theatres

Physical Theatres

Author: Simon Murray

Publisher: Routledge

Published: 2016-03-17

Total Pages: 423

ISBN-13: 131737939X

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This new edition of Physical Theatres: A Critical Introduction continues to provide an unparalleled overview of non-text-based theatre, from experimental dance to traditional mime. It synthesizes the history, theory and practice of physical theatres for students and performers in what is both a core area of study and a dynamic and innovative aspect of theatrical practice. This comprehensive book: traces the roots of physical performance in classical and popular theatrical traditions looks at the Dance Theatre of DV8, Pina Bausch, Liz Aggiss and Jérôme Bel examines the contemporary practice of companies such as Théatre du Soleil, Complicite and Goat Island focuses on principles and practices in actor training, with reference to figures such as Jacques Lecoq, Lev Dodin, Philippe Gaulier, Monika Pagneux, Etienne Decroux, Anne Bogart and Joan Littlewood. Extensive cross references ensure that Physical Theatres: A Critical Introduction can be used as a standalone text or together with its companion volume, Physical Theatres: A Critical Reader, to provide an invaluable introduction to the physical in theatre and performance. New to this edition: a chapter on The Body and Technology, exploring the impact of digital technologies on the portrayal, perception and reading of the theatre body, spanning from onstage technology to virtual realities and motion capture; additional profiles of Jerzy Grotowski, Wrights and Sites, Punchdrunk and Mike Pearson; focus on circus and aerial performance, new training practices, immersive and site-specific theatres, and the latest developments in neuroscience, especially as these impact on the place and role of the spectator.


Postcolonial Plays

Postcolonial Plays

Author: Helen Gilbert

Publisher: Routledge

Published: 2013-09-13

Total Pages: 484

ISBN-13: 1136218173

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This collection of contemporary postcolonial plays demonstrates the extraordinary vitality of a body of work that is currently influencing the shape of contemporary world theatre. This anthology encompasses both internationally admired 'classics' and previously unpublished texts, all dealing with imperialism and its aftermath. It includes work from Canada, the Carribean, South and West Africa, Southeast Asia, India, New Zealand and Australia. A general introduction outlines major themes in postcolonial plays. Introductions to individual plays include information on authors as well as overviews of cultural contexts, major ideas and performance history. Dramaturgical techniques in the plays draw on Western theatre as well as local performance traditions and include agit-prop dialogue, musical routines, storytelling, ritual incantation, epic narration, dance, multimedia presentation and puppetry. The plays dramatize diverse issues, such as: *globalization * political corruption * race and class relations *slavery *gender and sexuality *media representation *nationalism


Practical Theatre

Practical Theatre

Author: Sally Mackey

Publisher: Nelson Thornes

Published: 1997

Total Pages: 404

ISBN-13: 9780748728572

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Practical Theatre meets the requirements of the A level theatre studies/performing arts syllabuses and GNVQ performing arts. It seeks to encourage practical quality work by providing a rigorous framework of knowledge.


Laughing with the Trickster

Laughing with the Trickster

Author: Tomson Highway

Publisher: House of Anansi

Published: 2022-09-27

Total Pages: 125

ISBN-13: 1487011245

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Brilliant, jubilant insights into the glory and anguish of life from one of the world’s most treasured Indigenous creators. Trickster is zany, ridiculous. The ultimate, over-the-top, madcap fool. Here to remind us that the reason for existence is to have a blast and to laugh ourselves silly. Celebrated author and playwright Tomson Highway brings his signature irreverence to an exploration of five themes central to the human condition: language, creation, sex and gender, humour, and death. A comparative analysis of Christian, classical, and Cree mythologies reveals their contributions to Western thought, life, and culture—and how North American Indigenous mythologies provide unique, timeless solutions to our modern problems. Highway also offers generous personal anecdotes, including accounts of his beloved accordion-playing, caribou-hunting father, and plentiful Trickster stories as curatives for the all-out unhappiness caused by today’s patriarchal, colonial systems. Laugh with the legendary Tomson Highway as he illuminates a healing, hilarious way forward.


Post-Colonial Drama

Post-Colonial Drama

Author: Helen Gilbert

Publisher: Routledge

Published: 2002-09-11

Total Pages: 565

ISBN-13: 1134876998

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Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.


Performing Identities

Performing Identities

Author: GeoffreyV. Davis

Publisher: Routledge

Published: 2017-07-05

Total Pages: 532

ISBN-13: 1351554611

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Performing Identities brings together essays by scholars, artists and activists engaged in understanding and conserving rapidly disappearing local knowledge forms of indigenous communities across continents. It depicts the imaginative transactions evident in the interface of identity and cultural transformation, raising the issue of cultural rights of these otherwise marginalized communities.