Originally published in 1929. Author: W. Teignmouth Shore Language: English Keywords: Social Sciences / Legal History Notable British Trials Series. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Obscure Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In 1909, Oscar Slater, a German Jew, was convicted and sentenced to death for the brutal murder of Marion Gilchrist, an elderly Glasweigan spinster. His trial is known to have been one of the most scandalous miscarriages of justice in the annals of legal history. This book is provides an account of this infamous case.
“A wonderfully vivid portrait of the man behind Sherlock Holmes . . . Like all the best historical true crime books, it’s about so much more than crime.”—Tana French, author of In the Woods A sensational Edwardian murder. A scandalous wrongful conviction. Sir Arthur Conan Doyle to the rescue—a true story. After a wealthy woman was brutally murdered in her Glasgow home in 1908, the police found a convenient suspect in Oscar Slater, an immigrant Jewish cardsharp. Though he was known to be innocent, Slater was tried, convicted, and consigned to life at hard labor. Outraged by this injustice, Arthur Conan Doyle, already world renowned as the creator of Sherlock Holmes, used the methods of his most famous character to reinvestigate the case, ultimately winning Slater’s freedom. With “an eye for the telling detail, a forensic sense of evidence and a relish for research” (The Wall Street Journal), Margalit Fox immerses readers in the science of Edwardian crime detection and illuminates a watershed moment in its history, when reflexive prejudice began to be replaced by reason and the scientific method. Praise for Conan Doyle for the Defense “Artful and compelling . . . [Fox’s] narrative momentum never flags. . . . Conan Doyle for the Defense will captivate almost any reader while being pure catnip for the devotee of true-crime writing.”—The Washington Post “Developed with brio . . . [Fox] is excellent in linking the 19th-century creation of policing and detection with the development of both detective fiction and the science of forensics—ballistics, fingerprints, toxicology and serology—as well as the quasi science of ‘criminal anthropology.’”—The New York Times Book Review “[Fox] has an eye for the telling detail, a forensic sense of evidence and a relish for research.”—The Wall Street Journal “Gripping . . . The book works on two levels, much like a good Holmes case. First, it is a fluid story of a crime. . . . Second, and more pertinently, it is a deeper story of how prejudice against a class of people, the covering up of sloppy police work and a poisonous political atmosphere can doom an innocent. We should all heed Holmes’s salutary lesson: rationally follow the facts to find the truth.”—Time
"This report of the trial of Oscar Slater has been prepared from the official shorthand writers' notes taken in Court, the evidence of all the principal witnesses being printed verbatim" --pref.
Paul Mathry, a student about to graduate and embark upon a teaching career, finds out that his father was convicted for murder, a secret that his mother had hidden from him since his childhood. Driven by an intense desire to see his father, Paul sets out to visit him in prison, only to find out that visitors are never allowed there. From there, he meets the primary witnesses in the case that convicted his father, not all of whom are supportive to Paul's cause. He encounters several dead ends but he persists, with the help of a store girl named Lena and a news reporter. His persistent campaign finally bears fruit. Rees Mathry, Paul's father, goes on appeal and is vindicated. The novel ends with Paul's father, a hardened, cynical man, seeing a fleeting hope for self-renewal and a purposeful life. In the magnificent narrative tradition of The Citadel, The Stars Look Down and Cronin’s other classic novels, Beyond This Place is a great book by a much-loved author.
Dorothy Sayers called William Roughead "the best showman who ever stood before the door of the chamber of horrors," and his true crime stories, written in the early 1900s, are among the glories of the genre. Displaying a meticulous command of evidence and unerring dramatic flair, Roughead brings to life some of the most notorious crimes and extraordinary trials of eighteenth- and nineteenth-century England and Scotland. Utterly engrossing, these accounts of pre-meditated mayhem and miscarried justice also cast a powerful light on the evil that human beings, and human institutions, find both tempting to contemplate and all too easy to do.
