Treasury of Mini Comics Volume Two

Treasury of Mini Comics Volume Two

Author: Michael Dowers

Publisher: Fantagraphics Books

Published: 2015-01-18

Total Pages: 849

ISBN-13: 1606998072

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Treasury of Mini Comics Vol. 2 is a historical survey and collection of several decades’ worth of some of the best that DIY comics has to offer, from some of the medium’s most talented independent creators. Previously only seen in limited-run pamphlets, these comics are startling, visionary, hilarious, profane, and profound.


Treasury of Mini Comics Volume One

Treasury of Mini Comics Volume One

Author: Michael Dowers

Publisher: Fantagraphics Books

Published: 2013-10-18

Total Pages: 849

ISBN-13: 1606996576

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The Treasury of Mini Comics charts the evolution of the art of mini comics over four decades of deliberate cartoon rebellion. This volume will reproduce some of the best mini comics ever produced by some of the most creative DIY creators in the world (many of whom, of course, have gone on to become familiar names among contemporary comics connoisseurs): Leonard Rifas, Justin Green, Gary Arlington, Mark Connery, Jim Siergey, Larry Rippee, Richard Krauss, Bob Vojtko, Par Holman & Clark Dissmeyer, Matt Feazell, Matt Howarth, Steve Willis, Ronald Russell Roach, Edd Vick, Bruce Chrislip, Brad Johnson, Tim Corrigan, Macedonio Garcia, David Miller, Colin Upton, Robert Pasternak, David Lee Ingersoll, Roberta Gregory, John Porcellino, Dylan Williams, Eric Reynolds, Molly Keily, Blair Wilson, Jim Blanchard, Chris Cilla, David Lasky & Jim Woodring, Marc Bell, Ron Rege Jr., Leela Corman, David Heatley, Laura Wady, Fiona Smyth, Karl Wills, Onsmith, Travis Millard, Mark Campos, Nate Beaty, Peter Thompson, Carrie McNinch, Mark Todd, Esther Pearl Watson, Andy Singer, Noah Van Sciver, Kelly Froh, Aaron Norhanian, Max Clotfelter, and Marc J. Palm. In a do-it-yourself world, anything goes…boundaries are crossed, envelopes pushed, wounds opened. From the silliest fart or boob jokes to the most deeply felt “EMO” style poetry, mini comics creators have been uninhibited in their efforts to strive for something fresh, raw, and vital.


Korean War Comic Books

Korean War Comic Books

Author: Leonard Rifas

Publisher: McFarland

Published: 2021-05-11

Total Pages: 346

ISBN-13: 1476640483

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Comic books have presented fictional and fact-based stories of the Korean War, as it was being fought and afterward. Comparing these comics with events that inspired them offers a deeper understanding of the comics industry, America's "forgotten war," and the anti-comics movement, championed by psychiatrist Fredric Wertham, who criticized their brutalization of the imagination. Comics--both newsstand offerings and government propaganda--used fictions to justify the unpopular war as necessary and moral. This book examines the dramatization of events and issues, including the war's origins, germ warfare, brainwashing, Cold War espionage, the nuclear threat, African Americans in the military, mistreatment of POWs, and atrocities.


The Official Teenage Mutant Ninja Turtles Treasury

The Official Teenage Mutant Ninja Turtles Treasury

Author: Stanley Wiater

Publisher: Villard

Published: 1991-03-13

Total Pages: 145

ISBN-13: 0679734848

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With over 600 licensed Teenage Mutant Ninja Turtles products available today, how is the aspiring collector to know what in this green sea of Turtleabilia is a true find? What are the whimsical items unique to the Turtles? How is a collector to discern the “must haves” from the merely interesting, or worse, the fakes? Easy. Use The Official Teenage Mutant Ninja Turtle Treasury, the ultimate collector’s guide for all those afflicted with “Turtle fever.” Lavishly illustrated with photos of the many products included, Turtle creators Peter Laird and Kevin Eastman, together with input from their marketing experts, have compiled a true treasury of what they believe will be the most valuable and collectible items of all the Turtles merchandise being produced. They have added personal comments on their own favorite products, plus the story of how the Turtles and their world began. The Official Teenage Mutant Ninja Turtle Treasury has an in-depth section on the comic books that started the green tide, and tips on how to know when you have a possible gold mine—such as one of the first comic books in mint condition. It all adds up to give fans the real inside story of the incredible phenomenon of Turtlemania. Many of the items included herein can be collected for fun, and many are potentially worth quite a bit—but The Official Teenage Mutant Ninja Turtle Treasury puts them all in one place, to help both the Turtle lover and the serious collector alike.


The Other 1980s

The Other 1980s

Author: Brannon Costello

Publisher: LSU Press

Published: 2021-06-02

Total Pages: 364

ISBN-13: 0807175501

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Fans and scholars have long regarded the 1980s as a significant turning point in the history of comics in the United States, but most critical discussions of the period still focus on books from prominent creators such as Frank Miller, Alan Moore, and Art Spiegelman, eclipsing the work of others who also played a key role in shaping comics as we know them today. The Other 1980s offers a more complicated and multivalent picture of this robust era of ambitious comics publishing. The twenty essays in The Other 1980s illuminate many works hailed as innovative in their day that have nonetheless fallen from critical view, partly because they challenge the contours of conventional comics studies scholarship: open-ended serials that eschew the graphic-novel format beloved by literature departments; sprawling superhero narratives with no connection to corporate universes; offbeat and abandoned experiments by major publishers, including Marvel and DC; idiosyncratic and experimental independent comics; unusual genre exercises filtered through deeply personal sensibilities; and oft-neglected offshoots of the classic “underground” comics movement of the 1960s and 1970s. The collection also offers original examinations of the ways in which the fans and critics of the day engaged with creators and publishers, establishing the groundwork for much of the contemporary critical and academic discourse on comics. By uncovering creators and works long ignored by scholars, The Other 1980s revises standard histories of this major period and offers a more nuanced understanding of the context from which the iconic comics of the 1980s emerged.


We Told You So

We Told You So

Author: Tom Spurgeon

Publisher: Fantagraphics Books

Published: 2016-12-14

Total Pages: 698

ISBN-13: 1606999338

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In 1976, a fledgling magazine held forth the the idea that comics could be art. In 2016, comics intended for an adult readership are reviewed favorably in the New York Times, enjoy panels devoted to them at Book Expo America, and sell in bookstores comparable to prose efforts of similar weight and intent. We Told You So: Comics as Art is an oral history about Fantagraphics Books’ key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana. It includes appearances by Chris Ware, Art Spiegelman, Harlan Ellison, Stan Lee, Daniel Clowes, Frank Miller, and more.


The Best American Comics 2018

The Best American Comics 2018

Author: Phoebe Gloeckner

Publisher: Mariner Books

Published: 2018

Total Pages: 419

ISBN-13: 1328464601

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Phoebe Gloeckner, author of The Diary of a Teenage Girl, picks the best graphic pieces of the year.


Newave!

Newave!

Author: Michael Dowers

Publisher: Fantagraphics Books

Published: 2010-02-28

Total Pages: 894

ISBN-13: 1606993135

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Newave! is a gigantic collection of the best small press cartoonists to emerge in the 1970s after the first generation of underground cartoonists (such as R. Crumb, Gilbert Shelton, and Art Spiegelman) paved the way. These cartoon¬ists, inspired by the freewheeling creative energy of the underground commix movement, began drawing and printing their own comix. The most popular format was an 8 1/2” x 11” sheet, folded twice, and printed at local, pre-Kinkos print shops on letter-size paper; because of the small size, they were dubbed “mini comix.” As they evolved many different artists, one by one, became interested in this do-it-yourself phenomenon. By the 1980’s they became known as Newave Comix, a term taken from England’s Newave rock ’n’ roll movement. An explosion of do-it-yourself artists emerged. Many talented artists went onto bigger and better things, others have disappeared into the fog never to be heard from again. Inspired by the creative freedom of their underground predecessors and unrestrained by commercial boundaries or editorial edicts, their work was particularly innovative and experimental. Here you will find a group of artists who could not get any attention from the mainstream, who were driven by the inner need to express themselves. This group was a pioneering force that still leaves a wake and an imprint on the alternative comix scene today.