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John Lewis Burckhardt (1784-1817), the son of a Swiss Colonel undertook the journey to Mekkah in 1814. A master of the Arabic language and the Islamic religion, he assumed the guise of an Arab using the name of Sheikh Ibrahim in his travels, which he began in 1809 under the sponsorship of Sir Joseph Banks and the African Association. Burckhardt's description of the Hedjaz was the first accurate one to reach Europe. According to Leake in his preface ..." Burckhardt transmitted to the Association the most accurate and complete account of the Hedjaz, including the cities of Mekka and Medina, which has ever been received in Europe." His journals are invaluable for their observations on the Arab people and for his important geographical discoveries, including the site of Petra, Apameia, and the general structure of the peninsula of Mount Sinai. His knowledge of the Arabic language, and of Mohammedan manners, had enabled him to assumne the Muselman character with such success, that he resided in Mekka during the whole time of the pilgrimage, and passed through the various ceremonies of the occasion, without the slightest suspicion having arisen as to his real character. The folding plans include Makkah, Madinah, Wady Muna and Arafat.
Islamic art is justly famed for its technological sophistication, varied approaches to ornament, and innovative employment of the written word. But what do we know about the skilled artisans who spent their lives designing and creating the paintings, objects and buildings that are so admired today? This anthology of written sources (dating from the seventh to the twentieth centuries) explores numerous aspects of the crafts of the Middle East from the processing of raw materials to the manufacture of finished artefacts. You will learn about: the legal and ethical dimensions of the arts and crafts, the organisation of labour in urban and rural contexts, the everyday lives of artisans, the gendered dimensions of making things, and the impact of industrialisation upon traditional methods of manufacture. Each chapter begins with an introduction providing a wider context for the primary sources. There are also suggestions for further reading.