The Romantic Movement in French Literature

The Romantic Movement in French Literature

Author: H. F. Stewart

Publisher: Cambridge University Press

Published: 2013-03-21

Total Pages: 263

ISBN-13: 110764710X

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This 1913 second edition of a 1910 original contains a series of extracts from French Romantic texts, together with short introductory essays. Extracts were selected with the intention of revealing the importance of Romanticism for French literature at a time when the movement was being widely denigrated.


The French Romantics

The French Romantics

Author: David F. Wakefield

Publisher: Chaucer Press

Published: 2007

Total Pages: 248

ISBN-13:

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Fresh insight into the interdependent relationships between writers and artists in the Romantic movement


The Artist as Animal in Nineteenth-Century French Literature

The Artist as Animal in Nineteenth-Century French Literature

Author: Claire Nettleton

Publisher: Springer

Published: 2019-08-08

Total Pages: 241

ISBN-13: 3030193454

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The Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.


Translation and the Arts in Modern France

Translation and the Arts in Modern France

Author: Sonya Stephens

Publisher: Indiana University Press

Published: 2017-07-10

Total Pages: 287

ISBN-13: 0253026547

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Translation and the Arts in Modern France sits at the intersection of transposition, translation, and ekphrasis, finding resonances in these areas across periods, places, and forms. Within these contributions, questions of colonization, subjugation, migration, and exile connect Benin to Brittany, and political philosophy to the sentimental novel and to film. Focusing on cultural production from 1830 to the present and privileging French culture, the contributors explore interactions with other cultures, countries, and continents, often explicitly equating intercultural permeability with representational exchange. In doing so, the book exposes the extent to which moving between media and codes—the very process of translation and transposition—is a defining aspect of creativity across time, space, and disciplines.


Petrarch and the Literary Culture of Nineteenth-century France

Petrarch and the Literary Culture of Nineteenth-century France

Author: Jennifer Rushworth

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 335

ISBN-13: 1843844567

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A consideration of Petrarch's influence on, and appearance in, French texts - and in particular, his appropriation by the Avignonese. Was Petrarch French? This book explores the various answers to that bold question offered by French readers and translators of Petrarch working in a period of less well-known but equally rich Petrarchism: the nineteenth century. It considers both translations and rewritings: the former comprise not only Petrarch's celebrated Italian poetry but also his often neglected Latin works; the latter explore Petrarch's influence on and presence in French novels aswell as poetry of the period, both in and out of the canon. Nineteenth-century French Petrarchism has its roots in the later part of the previous century, with formative contributions from Voltaire, Rousseau, and, in particular, the abbé de Sade. To these literary catalysts must be added the unification of Avignon with France at the Revolution, as well as anniversary commemorations of Petrarch's birth and death celebrated in Avignon and Fontaine-de-Vaucluse across the period (1804-1874-1904). Situated at the crossroads of reception history, medievalism, and translation studies, this investigation uncovers tensions between the competing construction of a national, French Petrarch and a local, Avignonese or Provençal poet. Taking Petrarch as its litmus test, this book also asks probing questions about the bases of nationality, identity, and belonging. Jennifer Rushworth is a Junior Research Fellowat St John's College, Oxford.