Dance Theory

Dance Theory

Author: Tilden Russell

Publisher: Oxford University Press

Published: 2020-03-02

Total Pages: 321

ISBN-13: 0190059788

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The history of dance theory has never been told. Writers in every age have theorized prescriptively, according to their own needs and ideals, and theorists themselves having continually asserted the lack of any pre-existing dance theory. Dance Theory: Source Readings from Two Millenia of Western Dance revives and reintegrates dance theory as a field of historical dance studies, presenting a coherent reading of the interaction of theory and practice during two millennia of dance history. In fifty-five selected readings with explanatory text, this book follows the various constructions of dance theories as they have morphed and evolved in time, from ancient Greece to the twenty-first century. Dance Theory is a collection of source readings that, commensurate with current teaching practice, foregrounds dance and performance theory in its presentation of western dance forms. Divided into nine chapters organized chronologically by historical era and predominant intellectual and artistic currents, the book presents a history of an idea from one generation to another. Each chapter contains introductions that not only provide context and significance for the individual source readings, but also create narrative threads that link different chapters and time periods. Based entirely on primary sources, the book makes no claim to cite every source, but rather, in connecting the dots between significant high points, it attempts to trace a coherent and fair narrative of the evolution of dance theory as a concept in Western culture.


Theory and Practice in Eighteenth-Century Dance

Theory and Practice in Eighteenth-Century Dance

Author: Tilden Russell

Publisher: Rutgers University Press

Published: 2017-11-10

Total Pages: 166

ISBN-13: 1644530236

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This book is about the intersection of two evolving dance-historical realms—theory and practice—during the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines consequences in Germany of this asymmetrical confrontation of dance perspectives. Between 1703 and 1717 in Germany, a coherent theory of dance was postulated that called itself dance theory, comprehended why it was a theory, and clearly, rationally distinguished itself from practice. This flowering of dance-theoretical writing was contemporaneous with the appearance of Beauchamps-Feuillet notation in the Chorégraphie of Raoul Auger Feuillet (Paris, 1700, 1701). Beauchamps-Feuillet notation was the ideal written representation of the dance style known as la belle danse and practiced in both the ballroom and the theater. Its publication enabled the spread of belle danse to the French provinces and internationally. This spread encouraged the publication of new practical works (manuals, choreographies, recueils) on how to make steps and how to dance current dances, as well as of new dance treatises, in different languages. The Rechtschaffener Tantzmeister, by Gottfried Taubert (Leipzig, 1717), includes a translated edition of Feuillet’s Chorégraphie. Theory and Practice in Eighteenth-Century Dance addresses how Taubert and his contemporary German authors of dance treatises (Samuel Rudolph Behr, Johann Pasch, Louis Bonin) became familiar with Beauchamps-Feuillet notation and acknowledged the Chorégraphie in their own work, and how Taubert’s translation of the Chorégraphie spread its influence northward and eastward in Europe. This book also examines the personal and literary interrelationships between the German writers on dance between 1703 and 1717 and their invention of a theoria of dance as a counterbalance to dance praxis, comparing their dance-theoretical ideas with those of John Weaver in England, and assimilating them all in a cohesive and inclusive description of dance theory in Europe by 1721. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.


The Dance (by An Antiquary). Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D

The Dance (by An Antiquary). Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D

Author: Anonymous

Publisher: Good Press

Published: 2023-08-22

Total Pages: 60

ISBN-13:

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In 'The Dance (by An Antiquary): Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D.', Anonymous delves into the rich history of dance through a collection of historic illustrations spanning over 5000 years. The book meticulously showcases the evolution of dance from ancient civilizations to more contemporary societies, providing a comprehensive look at the cultural significance of dance throughout history. Anonymous' writing style is scholarly and informative, making this book a valuable resource for anyone interested in the art of dance and its historical context. The detailed illustrations included in the book further enhance the reader's understanding of how dance has evolved over time. This book is a must-read for dance enthusiasts and historians alike. The author's dedication to compiling such a diverse and thorough collection of illustrations speaks to their expertise in the field of dance history, making this book an essential addition to any library.


Apollo's Angels

Apollo's Angels

Author: Jennifer Homans

Publisher: Random House

Published: 2010-11-02

Total Pages: 640

ISBN-13: 0679603905

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NEW YORK TIMES BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW, LOS ANGELES TIMES, SAN FRANCISCO CHRONICLE, AND PUBLISHERS WEEKLY For more than four hundred years, the art of ballet has stood at the center of Western civilization. Its traditions serve as a record of our past. Lavishly illustrated and beautifully told, Apollo’s Angels—the first cultural history of ballet ever written—is a groundbreaking work. From ballet’s origins in the Renaissance and the codification of its basic steps and positions under France’s Louis XIV (himself an avid dancer), the art form wound its way through the courts of Europe, from Paris and Milan to Vienna and St. Petersburg. In the twentieth century, émigré dancers taught their art to a generation in the United States and in Western Europe, setting off a new and radical transformation of dance. Jennifer Homans, a historian, critic, and former professional ballerina, wields a knowledge of dance born of dedicated practice. Her admiration and love for the ballet, as Entertainment Weekly notes, brings “a dancer’s grace and sure-footed agility to the page.”


The Oxford Dictionary of Dance

The Oxford Dictionary of Dance

Author: Debra Craine

Publisher: Oxford University Press, USA

Published: 2010-08-19

Total Pages: 512

ISBN-13: 0199563446

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This comprehensive and up-to-date dictionary provides all the information necessary for dance fans to navigate the diverse dance scene of the 21st century. It includes entries ranging from classical ballet to the cutting edge of modern dance.


Sur quel pied danser?

Sur quel pied danser?

Author:

Publisher: BRILL

Published: 2005-01-01

Total Pages: 330

ISBN-13: 9401201145

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La danse a inspiré la littérature, et la littérature a inspiré la danse. Mais comment fonctionne exactement l’articulation entre les deux, et quelles sont les conséquences de leur réciprocité ? Cet ouvrage analyse ce lien depuis la Renaissance jusqu’à l’époque moderne, de d’Aubigné à Francis Ponge, de la danse macabre à la théorie de Laban. La relation entre danse et littérature est variable : parfois elle se fonde sur un principe esthétique, parfois sur un principe thématique, ou bien sociologique. Quelque soit la nature de ce rapport, ce livre démontre qu’il est durable et riche de sens. Les moyens d’expression de la danse et de la littérature sont radicalement différents, aussi éloignés les uns des autres que l’on puisse imaginer. Entre l’abstraction du langage et la matérialité du corps, le fossé paraît infranchissable. Ceci n’est qu’apparence. Mots et mouvements se complètent, les uns aidant à la compréhension des autres. Ce livre relate le désir à travers les siècles d’explorer cette inspiration mutuelle.