The 99 Critical Shots in Pool
The 99 Critical Shots in Pool

Author: Ray Martin

Publisher: Random House Puzzles & Games

Published: 1993-10-05

Total Pages: 242

ISBN-13: 0812922417

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World Champion Pool Player Ray "Cool Cat" Martin shares his secrets for playing winner's pool in this classic book, which includes an introduction by the author. Written with co-author Rosser Reeves, The 99 Critical Shots in Pool remains one of the most authoritative guides to the game ever written. Over 200 illustrations show the proper form, technique, and approach to shots such as: • The Center Ball Cheat-the-Pocket • The Hook Shot • The Seven Ball Stop Shot • The Jump Shot • The Frozen Kiss Shot • The Nudge Shot • The Side Pocket By-Pass Shot Ray Martin, a Billiards Congress of America Hall of Fame inductee, is one of only seven players in the twentieth century to win three or more world 14.1 titles. He co-wrote this book with Rosser Reeves in 1976.

Train the Brave
Train the Brave

Author: Margie Warrell

Publisher: John Wiley & Sons

Published: 2019-03-18

Total Pages: 294

ISBN-13: 0730369439

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What would you do today if you were being brave? Courage begets courage. It's a habit. Doing something brave everyday - no matter how small - unlocks new possibilities, opportunities and pathways to thrive in your work, relationships and life. Drawing on her background in business, psychology and coaching, best-selling author Margie Warrell guides you past the fears that keep you from making the changes to create your ideal life. In today's uncertain times, fear can unconsciously direct our lives. Start small, dare big, and begin today to live with greater purpose, courage and success. Originally published in 2015 as Brave, this book has been reviewed and redesigned to become part of the Wiley Be Your Best series - aimed at helping readers acheive professional and personal success.

Train Shots
Train Shots

Author: Vanessa Blakeslee

Publisher:

Published: 2014-03

Total Pages: 0

ISBN-13: 9780984953844

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A single mother rents a fundamentalist preacher's carriage house. A pop star contemplates suicide in the hotel where Janis Joplin died. And in the title story, a train engineer, after running over a young girl on his tracks, grapples with the pervasive question-what propels a life toward such a disastrous end?

New Documentary
New Documentary

Author: Stella Bruzzi

Publisher: Routledge

Published: 2002-01-04

Total Pages: 216

ISBN-13: 1134739443

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New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series * documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series * the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson * the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking * movies based on historical events, such as 'JFK' and 'Nixon' * faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog * gender identity, queer theory, performance, 'race' and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.

The Brighton School and the Birth of British Film
The Brighton School and the Birth of British Film

Author: Frank Gray

Publisher: Springer

Published: 2019-07-16

Total Pages: 311

ISBN-13: 3030175057

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This study is devoted to the work of two early British filmmakers, George Albert Smith and James Williamson, and the films that they made around 1900. Internationally, they are known collectively as the ‘Brighton School’ and are positioned as being at the forefront of Britain’s contribution to the birth of film. The book focuses on the years 1896 to 1903, as it was during this short period that film emerged as a new technology, a new enterprise and a new form of entertainment. Beginning with a historiography of the Brighton School, the study goes on to examine the arrival of the first 35mm films in Britain, the first film exhibitions in Brighton and the first projection of film in Brighton. Both Smith and Williamson’s work features a progression from the production of single shot unedited films to multi-shot edited films. Their subject matter was inspired by a knowledge of contemporary pantomime, humour, literature, theatre, mesmerism, the magic lantern and current affairs and their practices were underpinned by active involvement in the new film trade. Through the exploration of how these filmmakers cultivated a new way of understanding film and its commercial potential, this book establishes them as key figures in the development of British film culture.

Southern Reporter
Southern Reporter

Author:

Publisher:

Published: 1917

Total Pages: 1168

ISBN-13:

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Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.

Hitchcock Nonetheless
Hitchcock Nonetheless

Author: Marc Raymond Strauss

Publisher: McFarland

Published: 2006-11-15

Total Pages: 225

ISBN-13: 0786428090

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Alfred Hitchcock made many great films, but he also made many that critics and audiences largely dismissed. These least celebrated films, despite their admitted flaws and relative obscurity, offer much to reward the open-minded viewer. This critical study examines and reappraises fifteen such films generally overlooked by scholars and Hitchcock aficionados: Juno and the Paycock, The Skin Game, Waltzes from Vienna, Jamaica Inn, The Paradine Case, Under Capricorn, I Confess, Torn Curtain, Number Seventeen, Rich and Strange, Secret Agent, Mr. and Mrs. Smith, Stage Fright, The Wrong Man, and Topaz. Each film is discussed and analyzed in detail, revealing the master's touch in many previously unheralded ways. Brief assessments of the films from popular review compendia introduce each one, and excerpted highlights of numerous works of scholarship are liberally sprinkled throughout the text. In addition, wonderful rare still photographs from each film are included. Readers will come away with a richer sense of the director's talents in these films, adding to their appreciation of his work in unexpected ways.

The Films of Alain Robbe-Grillet
The Films of Alain Robbe-Grillet

Author: Roy Armes

Publisher: John Benjamins Publishing

Published: 1981-01-01

Total Pages: 228

ISBN-13: 9027280754

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Alain Robbe-Grillet (1922 –2008) was a French writer and filmmaker. His first involvement with the cinema was in the early 1960’s; scripting one of the most controversial films of the decade, L’Année dernière à Marienbad , directed by Alain Resnais. In this study the focus lies on the cinema of Robbe-Grillet . Each chapters deals with a specific film and a specific aspect of his work.

Propaganda Documentaries in France
Propaganda Documentaries in France

Author: Jean-Pierre Bertin-Maghit

Publisher: Rowman & Littlefield

Published: 2016-11-09

Total Pages: 289

ISBN-13: 1442261021

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In occupied France, the Nazis pursued aggressive, tightly orchestrated measures designed to monopolize the French market and foster agitation against Americans, Jews, Communists, and others. The documentary film was one instrument of propaganda employed by the Nazi occupiers, as well as the Vichy government and collaborationists. Nearly two hundred of those documentaries have been restored by the French Film Archives. Jean-Pierre Bertin-Maghit’s Propaganda Documentaries in France: 1940–1944 is the first volume specifically devoted to nonfiction propaganda films distributed in France during the “dark years” of the German Occupation. This book provides a concise overview of Vichy and German film policies, including the purchase of an extensive network of movie houses, many of which were expropriated from Jewish owners. In addition, popular prewar American and French feature films were banned, while theaters were flooded with propagandist titles. Bertin-Maghit also illustrates how ideological priorities and political negotiations played out in both topical documentaries and weekly newsreels, juxtaposing Vichy’s integrationist propaganda with German-sponsored documentaries of agitation and exclusion. While documentaries are the primary focus of this work, the author also addresses other forms of propaganda, such as newsreels and posters. Appearing in English for the first time—and featuring a filmography of 178 restored works—Propaganda Documentaries in France: 1940–1944 is a provocative and wide-ranging work of history and cinema that will be of interest to film scholars and historians as well as sociologists and political scientists.