Skye Fargo's on a mission of mercy to Nebraska—and straight into hell... Hired to locate the grave of a woman's son, Skye Fargo leads her through the Nebraska territory towards Chimney Rock. But the dim-witted Lacy brothers are not far behind, reckoning they'll be led to some hidden loot. And, as the Trailsman closes in on his quarry, he must decide if he's aiding a grieving mother or abetting a cunning con woman. With time running short, Fargo has no one to trust, except the irons strapped to his legs.
Skye Fargo faces a bloodthirsty butcher in the Sierra Nevadas! A savage beast appears to be on the loose in the wilds of the Sierras. But the Trailsman is about to discover that the deadliest predator on earth is still man...
When land tycoon Clay Franklin bullies his way into Spanish Bend, buying up businesses and beating those who refuse to sell. Skye Fargo steps in. He's going to make the tycoon tyrant pay. The trails man has a mind to send Clay Franklin to new territory, where the real estate is redhot -- a little place called hell...
At his death in 1994, Ralph Ellison left behind several thousand pages of his unfinished second novel, which he had spent nearly four decades writing. Five years later, Random House published Juneteenth, drawn from the central narrative of Ellison’s epic work in progress. Three Days Before the Shooting . . . gathers in one volume all the parts of that planned opus, including three major sequences never before published. Set in the frame of a deathbed vigil, the story is a gripping multigenerational saga centered on the assassination of a controversial, race-baiting U.S. senator who’s being tended to by an elderly black jazz musician turned preacher. Presented in their unexpurgated, provisional state, the narrative sequences brim with humor and tension, composed in Ellison’s magical jazz-inspired prose style. Beyond its compelling narratives, Three Days Before the Shooting . . . is perhaps most notable for its extraordinary insight into the creative process of one of this country’s greatest writers, and an essential, fascinating piece of Ralph Ellison’s legacy.
"So Black and Blue is the best work we have on Ellison in his combined roles of writer, critic, and intellectual. By locating him in the precarious cultural transition between Jim Crow and the era of promised civil rights, Warren has produced a thoroughly engaging and compelling book, original in its treatment of Ellison and his part in shaping the history of ideas in the twentieth century."—Eric J. Sundquist, University of California, Los Angeles What would it mean to read Invisible Man as a document of Jim Crow America? Using Ralph Ellison's classic novel and many of his essays as starting points, Kenneth W. Warren illuminates the peculiar interrelation of politics, culture, and social scientific inquiry that arose during the post-Reconstruction era and persisted through the Civil Rights movement. Warren argues that Ellison's novel expresses the problem of who or what could represent and speak for the Negro in an age of limited political representation. So Black and Blue shows that Ellison's successful transformation of these limits into possibilities has also, paradoxically, cast a shadow on the postsegregation world. What can be the direction of African American culture once the limits that have shaped it are stricken down? Here Warren takes up the recent, ongoing, and often contradictory veneration of Ellison's artistry by black writers and intellectuals to reveal the impoverished terms often used in discussions about the political and cultural future of African Americans. Ultimately, by showing what it would mean to take seriously the idea of American novels as creatures of their moment, Warren questions whether there can be anything that deserves the label of classic American literature.
