The evolution of tattoo art in America is spread before you in 265 impressive original tattoo flash sheets and insightful text written by a tattoo artist who has designed on his own since 1960. Military, religious, figural, animal, and nature themes are displayed among the many hundred designs. Changes in tattoo art over the years is shown as well as the trend today to return to earlier designs. Individual artists are listed, along with others who altered designs. This book will be an endless source of inspiration, for those who are passionate about tattoo art.
Vintage Tattoo Flash is a one-of-a-kind visual explorationof the history and evolution of tattooing in America. Aluscious, offset-printed, hardcover tome-a beautiful andserious addition to the understanding of one of the world'soldest and most popular art forms. Electric tattooing as we know it today was invented inNew York City at the turn of the 19th century. In the firstdays of American tattooing, tattoos were primarily wornby sailors and soldiers, outlaws and outsiders. The visuallanguage of what came to be known as "traditional tattooing"was developed in those early days on the Boweryand catered to the interests of the clientele. Commonimagery that soon became canon included sailing ships,women, hearts, roses, daggers, eagles, dragons, wolves,panthers, skulls, crosses, and popular cartoon charactersof the era. The first tattooists also figured out that usingbold outlines, complimented by solid color and smoothshading, was the proper technique for creating art on abody that would stand the test of time. In the over 100years since then, techniques and styles have evolved, andthe customer base has expanded, but the core subjectmatter and philosophy developed at the dawn of electrictattooing has persisted as perennial favorites through themodern era. While most tattoos are inherently ephemeral, transportedon skin until the death of the collector, a visual recordexists in the form of tattoo flash: the hand-painted sheetsof designs posted in tattoo shops for customers to selectfrom. Painted and repainted, stolen, traded, bought andsold, these sheets are passed between artists through onechannel or another, often having multiple useful lives in avariety of shops scattered across time and geography. Theutility of these original pieces of painted art has made itso that original examples can still be found in use or up forgrabs if you know where to look. Vintage Tattoo Flash draws from the personal collectionof Jonathan Shaw-renowned outlaw tattooist andauthor-and represents a selection of over 300 pieces offlash from one of the largest private collections in existence.Vintage Tattoo Flash spans the first roughly 75years of American tattooing from the 1900s Bowery, to50s Texas, through the Pike in the 60s and the developmentof the first black and grey, single-needle tattooingin LA in the 70s. The book lovingly reproduces entirelyunpublished sheets of original flash from the likes of BobShaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, EdSmith, Paul Rogers, the Moskowitz brothers, and many,many others relatively known and unknown.
Tattoos have been around for thousands of years. (The ancient Egyptians seemed to have favored geometric figures.) Regarded by many who wear them today as a form of personal identification, tattoo designs range from symbols of courage and patriotism to expressions of love and affection. This collection of colorable tattoos — all adapted from patterns created during the first half of the 20th century — lets colorists of all ages apply their own eye-catching hues to thirty pages of intriguing designs. From frightening figures and powerful beasts to good luck symbols, pretty girls, and pierced hearts, the traditional tattoos represent a unique form of body art — and a great source of coloring fun.
Between these pages are images of the original acetate rubbings from Charlie Wagner's turn of the 20th century tattoo shop, The Black Eye Barbershop, in the Bowery at Chatham Square in New York. This is the only known art that has survived from this shop, where Samuel J. O'Reilley's modern-day electric tattoo machine was born and patented. The imagery of this classic flash preserves the origins of American tattoos, when tattoo art was transferred to the client from these templates via an acetate stencil. Everything was done by hand until O'Reilley's electrified tattoo machine changed history. This rich heritage of folk art has more than 900 individual pieces of flash that provide commentary on the shop's clientele and reveal some of the social, economic, and political ideas of the time. Including nautical themes, Asian imagery, flowers, boxers, circus characters, and plenty of girls, this is an exciting collection of early American flash and a necessary book for the tattoo artist, aficionado, and student.
Tattoos have gone from badges of rebellion to fashion statements fully absorbed into mainstream culture. They are enjoying a renaissance, with graphic designers and artists creating specialty tattoos for a growing audience, unleashing a revival of interest in the bawdy vintage tattoo. Old school tattoos are being rediscovered (sometimes ironically, sometimes not) by a new generation. Originally embraced by rebels, sailors, and gangsters, these tattoos—broken hearts, naked girls, floral motifs, and maritime emblems—are now showing up on the fashion runway and in music videos. This book chronicles vintage motifs in thematic chapters interspersed with profiles of influential tattoo artists and their distinctive designs: Sailor Jerry Collins, Don Ed Hardy ("the Godfather of Tattoos"), Mike "Rollo Banks" Malone, Bert Grimm, Japan’s Horiyoshi III, and Shanghai’s Pinky Yun.
Legends is a compilation of vintage tattoo flash and photos of some of tattoo's legendary artists. It includes work by Sailor Jerry, Mike Malone, Cap Coleman, Bert Grimm, Bob Shaw and many others.
More of what people loved about the first volume! InVintage Tattoo Flash: Volume 2, Jonathan Shaw unearths more gems from his extensive and world-renowned collection of traditional American tattoo art. Comprised entirely of previously unseen and unpublished work,Volume 2picks up where the first volume left off-contributing a new and important body of work to the historical record of this outsider art form. Electric tattooing as we know it today was invented in New York City at the turn of the 20th century. In the first days of American tattooing, tattoos were primarily worn by sailors and soldiers, outlaws and outsiders. The visual language of what came to be known as "traditional tattooing" was developed in those early days on the Bowery and catered to the interests of the clientele. Common imagery that soon became canon included sailing ships, women, hearts, roses, daggers, eagles, dragons, wolves, panthers, skulls, crosses, and popular cartoon characters of the era. The first tattooists also figured out that using bold outlines, complimented by solid color and smooth shading, was the proper technique for creating art on a body that would stand the test of time. In the over 100 years since then, techniques and styles have evolved, and the customer base has expanded, but the core subject matter and philosophy developed at the dawn of electric tattooing has persisted as perennial favorites through the modern era. While most tattoos are inherently ephemeral, transported on skin until the death of the collector, a visual record exists in the form of tattoo flash: the hand-painted sheets of designs posted in tattoo shops for customers to select from.Vintage Tattoo Flash: Volume 2represents a selection of over 100 pieces of flash from one of the largest private collections in existence and spans the first roughly 75 years of American tattooing from the 1900s Bowery, to 50s Texas, through the Pike in the 60s and the development of the first black and grey, single-needle tattooing in LA in the 70s. The book lovingly reproduces entirely unpublished sheets of original flash from the likes of Bob Shaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, Ed Smith, Paul Rogers, the Moskowitz brothers, and many, many others relatively known and unknown.
Are you thinking about learning to tattoo? Not sure where to start? Or simply want an advantage over the competition? This book will tell you everything you need to know to get you on the right path! From how to make your portfolio stand out, to how to approach shops and much, much more. You will also get a behind the scenes view of things and advice on topics such as how much you will earn and things you may not have considered about the job. This really does give you all the information you will need to set you on the right path and advise you on if tattooing is the right career for you.
