First Published in 1980. The events which took place in Iran during the time of original publication took the world by surprise. A little reflection however will suggest that they were not inexplicable prodigies. They constitute rather a manifestation, albeit sudden and astonishing, of a social, intellectual and political crisis in the throes of which Iran has found itself. The eleven studies included in this book are devoted to the examination of one or other aspect of this crisis and aim to clarify the origins and character of the crisis.
First Published in 1980. The events which took place in Iran during the time of original publication took the world by surprise. A little reflection however will suggest that they were not inexplicable prodigies. They constitute rather a manifestation, albeit sudden and astonishing, of a social, intellectual and political crisis in the throes of which Iran has found itself. The eleven studies included in this book are devoted to the examination of one or other aspect of this crisis and aim to clarify the origins and character of the crisis.
New perspectives on Iran's relationship to democracy Can Islamic societies embrace democracy? In Democracy in Modern Iran, Ali Mirsepassi maintains that it is possible, demonstrating that Islam is not inherently hostile to the idea of democracy. Rather, he provides new perspective on how such a political and social transformation could take place, arguing that the key to understanding the integration of Islam and democracy lies in concrete social institutions rather than pre-conceived ideas, the every day experiences rather than abstract theories. Mirsepassi, an Iranian native, provides a rare inside look into the country, offering a deep understanding of how Islamic countries like Iran and Iraq can and will embrace democracy. Democracy in Modern Iran challenges readers to think about Islam and democracy critically and in a far more nuanced way than is done in black-and-white dichotomies of Islam vs. Democracy, or Iran vs. the West. This essential volume contributes important insights to current discussions, creating a more complex conception of modernity in the Eastern world and, with it, Mirsepassi offers to a broad Western audience a more accurate, less clichéd vision of Iran’s political reality.
What does the practice of torture presuppose about human beings and human society? How does one explain a society in which institutional torture persists despite massive changes in government and class structure? What, indeed, are the social foundations of modern torture? In Culture and Modernity, Darius M. Rejali investigates torture in Iran in order to understand and critically reconsider the politics and psychology of modern torture. In a world in which one out of every three governments uses torture, Rejali points to a common past, one shared by Iranians and non-Iranians alike, that supports this practice.“My aim,” Rejali writes, “is to use the study of torture, and of punishment more generally, to unearth deep and important assumptions about society, history, politics, and the ‘good life' that I believe underpin the life of a torturer.”Exploring the four principle explanations of modern torture—those offered by human rights activists, modernization theorists, state terrorist theorists such as Noam Chomsky, and post-structuralists, especially Michel Foucault—Rejali asks, “Do the accounts of political violence that we have developed over the past century have any real… explanatory or even moral significance… in today's world, or are they just consolations in the face of events we cannot fully understand?” His answers lead him to reconsider how Middle Eastern and European history are written and move him to question cherished assumptions about state formation, modernization, and postmodernism. Torture and Modernity is a deeply unsettling book—it contains not only graphic verbal passages, but an extensive photographic essay—yet it is intended to serve as a guide to rethinking current attitudes and reshaping political policies. How people are punished necessarily invokes conceptions of what human beings are and what they might become. A work such as this offers an understanding of what it means to “become modern,” and it is only when this notion of modernity is made manifest and analyzed that one can firmly grasp the prospects for a world without torture.
Modern Iran since 1797 offers a comprehensive analysis of political, social and economic developments in Iran since the beginning of the nineteenth century. This edition has been extended to stretch from 1797 up until the present day. It remains the perfect guide for all those studying the history of modern Iran.
In this book, Ali Gheissari and Vali Nasr look at the political history of Iran in the modern era, and offer an in-depth analysis of the prospects for democracy to flourish there. After having produced the only successful Islamist challenge to the state, a revolution, and an Islamic Republic, Iran is now poised to produce a genuine and indigenous democratic movement in the Muslim world. Democracy in Iran is neither a sudden development nor a western import, and Gheissari and Nasr seek to understand why democracy failed to grow roots and lost ground to an autocratic Iranian state.
This book explores the transformation of home culture and domestic architecture in twentieth century Iran. While highlighting the role of architects and urban planners since the turn of the century, the book also studies the interplay between foreign influences, gender roles, consumer culture, and women's education as they intersect with taste, fashion, and interior design.
Now more than ever the role of icons and monuments in shaping a national identity is a subject of vital importance to scholars of both nationalism and memory studies. While the nation-state undoubtedly has a powerful influence on a society’s cultural memory, it cannot necessarily control the ways in which icons are perceived. Once created, national symbols and perceptions of them take on a life of their own. Taking an innovative approach to the study of Iranian nationalism, Merhavy examines the way symbols from Iran’s past have played an important role in the struggles between political, religious, and ideological movements over legitimacy in the last five decades. Using a rich variety of primary sources, he traces the process by which these symbols have been appropriated, rejected, and reinterpreted by the Pahlavi state, the Islamic opposition, and finally, the Islamic Republic. In doing so, this volume contributes to our understanding of cultural symbols that survive political upheavals, dramatic and significant as they may be. It also contributes to the growing body of literature that challenges the state centered perspective of much research on modern Iran by exposing the ever growing importance of civil society in the Iranian public sphere from the second half of the twentieth century onward.
