Toward Robert Frost

Toward Robert Frost

Author: Judith Oster

Publisher: University of Georgia Press

Published: 1994-02-01

Total Pages: 364

ISBN-13: 9780820316215

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Every poem, Robert Frost declared, "is an epitome of the great predicament, a figure of the will braving alien entanglements". This study considers what Frost meant by those entanglements, how he braved them in his poetry, and how he invited his readers to do the same. In the process it contributes significantly to a new critical awareness of Frost as a complex artist who anticipated postmodernism--a poet who invoked literary traditions and conventions frequently to set himself in tension with them. Using the insights of reader-response theory, Judith Oster explains how Frost appeals to readers with his apparent accessibility and then, because of the openness of his poetry's possibilities, engages them in the process of constructing meaning. Frost's poems, she demonstrates, teach the reader how they should be read; at the same time, they resist closure and definitive reading. The reader's acts of encountering and constructing the poems parallel Frost's own encounters and acts of construction. Commenting at length on a number of individual poems, Oster ranges in her discussion from the ways in which the poet dramatizes the inadequacy of the self alone to the manner in which he "reads" the Book of Genesis or the writing of Emerson. Oster illuminates, finally, the central conflict in Frost: his need to be read well against his fear of being read; his need to share his creation against his fear of its appropriation by others.


The Collected Prose of Robert Frost

The Collected Prose of Robert Frost

Author: Robert Frost

Publisher: Harvard University Press

Published: 2007

Total Pages: 422

ISBN-13: 9780674024632

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Presents a collection of both published and unpublished prose pieces, including correspondence, articles, talks, readings, and stories.


The Collected Prose of Robert Frost

The Collected Prose of Robert Frost

Author: Robert Frost

Publisher: Harvard University Press

Published: 2006

Total Pages: 856

ISBN-13: 9780674023116

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Robert Frost is one of the most widely read, well loved, and misunderstood of modern writers. In his day, he was also an inveterate note-taker, penning thousands of intense aphoristic thoughts, observations, and meditations in small pocket pads and school theme books throughout his life. These notebooks, transcribed and presented here in their entirety for the first time, offer unprecedented insight into Frost's complex and often highly contradictory thinking about poetics, politics, education, psychology, science, and religion--his attitude toward Marxism, the New Deal, World War--as well as Yeats, Pound, Santayana, and William James. Covering a period from the late 1890s to early 1960s, the notebooks reveal the full range of the mind of one of America's greatest poets. Their depth and complexity convey the restless and probing quality of his thought, and show how the unruliness of chaotic modernity was always just beneath his appearance of supreme poetic control. Edited and annotated by Robert Faggen, the notebooks are cross-referenced to mark thematic connections within these and Frost's other writings, including his poetry, letters, and other prose. This is a major new addition to the canon of Robert Frost's writings.


Going by Contraries

Going by Contraries

Author: Robert Bernard Hass

Publisher: University of Virginia Press

Published: 2002

Total Pages: 244

ISBN-13: 9780813921129

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The ascendancy of science pushed aside Emerson's view of nature as an analogue for a kind and benevolent deity and led to a spiritual crisis that Robert Frost attempted to address in his work. Hass (English, Edinboro U. of Pennsylvania) argues that this was the central concern of Frost's work throughout his career. Frost consistently argued that poetry must seek to find a consistent rationality that strives towards wisdom and firmly rejected Poe's conception of poetry as mere ornament or the more revolutionary conceptions of the American Modernists. Hass traces Frost's career as one in which he slowly overcame his fear of materialism and was able to restore his religious faith. Annotation copyrighted by Book News, Inc., Portland, OR


Robert Frost and the New England Renaissance

Robert Frost and the New England Renaissance

Author: George Monteiro

Publisher: University Press of Kentucky

Published: 2014-10-17

Total Pages: 192

ISBN-13: 0813157013

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"A poem is best read in the light of all the other poems ever written." So said Robert Frost in instructing readers on how to achieve poetic literacy. George Monteiro's newest book follows that dictum to enhance our understanding of Frost's most valuable poems by demonstrating the ways in which they circulate among the constellations of great poems and essays of the New England Renaissance. Monteiro reads Frost's own poetry not against "all the other poems ever written" but in the light of poems and essays by his precursors, particularly Emerson, Thoreau, and Dickinson. Familiar poems such as "Mending Wall," "After Apple-Picking," "Birches," "Stopping by Woods on a Snowy Evening," "The Road Not Taken," and "Mowing," as well as lesser known poems such as "The Draft Horse," "The Ax-Helve," "The Bonfire," "Dust of Snow," "A Cabin in the Clearing," "The Cocoon," and "Pod of the Milkweed," are renewed by fresh and original readings that show why and how these poems pay tribute to their distinguished sources. Frost's insistence that Emerson and Thoreau were the giants of nineteenth-century American letters is confirmed by the many poems, variously influenced, that derive from them. His attitude toward Emily Dickinson, however, was more complex and sometimes less generous. In his twenties he molded his poetry after hers. But later, after he joined the faculty of Amherst College, he found her to be less a benefactor than a competitor. Monteiro tells a two-stranded tale of attraction, imitation, and homage countered by competition, denigration, and grudging acceptance of Dickinson's greatness as a woman poet. In a daring move, he composes—out of Frost's own words and phrases—the talk on Emily Dickinson that Frost was never invited to give. In showing how Frost's work converses with that of his predecessors, Monteiro gives us a new Frost whose poetry is seen as the culmination of an intensely felt New England literary experience.


The Art of Robert Frost

The Art of Robert Frost

Author: Tim Kendall

Publisher: Yale University Press

Published: 2012-05-29

Total Pages: 408

ISBN-13: 0300118139

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Offers detailed accounts of sixty-five poems that span Frost's writing career and assesses the particular nature of the poet's style, discussing how it changes over time and relates to the works of contemporary poets and movements.


The Road Not Taken

The Road Not Taken

Author: David Orr

Publisher: Penguin

Published: 2015-08-18

Total Pages: 127

ISBN-13: 0698140893

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A cultural “biography” of Robert Frost’s beloved poem, arguably the most popular piece of literature written by an American “Two roads diverged in a yellow wood . . .” One hundred years after its first publication in August 1915, Robert Frost’s poem “The Road Not Taken” is so ubiquitous that it’s easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost’s immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr’s The Road Not Taken dives directly into the controversy, illuminating the poem’s enduring greatness while revealing its mystifying contradictions. Widely admired as the poetry columnist for The New York Times Book Review, Orr is the perfect guide for lay readers and experts alike. Orr offers a lively look at the poem’s cultural influence, its artistic complexity, and its historical journey from the margins of the First World War all the way to its canonical place today as a true masterpiece of American literature. “The Road Not Taken” seems straightforward: a nameless traveler is faced with a choice: two paths forward, with only one to walk. And everyone remembers the traveler taking “the one less traveled by, / And that has made all the difference.” But for a century readers and critics have fought bitterly over what the poem really says. Is it a paean to triumphant self-assertion, where an individual boldly chooses to live outside conformity? Or a biting commentary on human self-deception, where a person chooses between identical roads and yet later romanticizes the decision as life altering? What Orr artfully reveals is that the poem speaks to both of these impulses, and all the possibilities that lie between them. The poem gives us a portrait of choice without making a decision itself. And in this, “The Road Not Taken” is distinctively American, for the United States is the country of choice in all its ambiguous splendor. Published for the poem’s centennial—along with a new Penguin Classics Deluxe Edition of Frost’s poems, edited and introduced by Orr himself—The Road Not Taken is a treasure for all readers, a triumph of artistic exploration and cultural investigation that sings with its own unforgettably poetic voice.


Edward Thomas [and] Robert Frost

Edward Thomas [and] Robert Frost

Author: Edward Thomas

Publisher:

Published: 2008

Total Pages: 32

ISBN-13: 9781906578220

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Contains poems, without any commentary, enabling them to be used either as student reference material or as 'clean' copies for the examination.


The Letters of Robert Frost, Volume 1

The Letters of Robert Frost, Volume 1

Author: Robert Frost

Publisher: Harvard University Press

Published: 2014-02-25

Total Pages: 837

ISBN-13: 0674727827

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Pensive, mercurial, and often funny, the private Robert Frost remains less appreciated than the public poet. The Letters of Robert Frost, the first major edition of the correspondence of this complex and subtle verbal artist, includes hundreds of unpublished letters whose literary interest is on a par with Dickinson, Lowell, and Beckett.


Elected Friends

Elected Friends

Author: Matthew Spencer

Publisher: National Geographic Books

Published: 2012-08-21

Total Pages: 0

ISBN-13: 159051596X

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Robert Frost and Edward Thomas met in a bookshop in London in 1913. During the next four years, the two writers—Frost, an unknown poet who had sold his farm in New Hampshire in order to take his family to England for one last gamble on poetry and Thomas, a sad literary journalist—formed the most important friendship between poets since that of Wordsworth and Coleridge. Their friendship only ended with Thomas' death in Arras, France, a casualty of the First World War. The story of Edward Thomas' turn to poetry, in fact, has been dominated by the account of Robert Frost's injunction: to break his existing prose into lines, bringing his musical cadence and his direct speaking voice into conversation with formal prosody. Thomas himself had already championed Frost's own early work: These poems are revolutionary because they lack the exaggeration of rhetoric.... Their language is free from the poetical words and forms that are the chief material of the secondary poets. The metre avoids not only old fashioned pomp and sweetness, but the later fashion also of discord and fuss. In fact the medium is common speech.... Mr. Frost has, in fact, gone back, as Whitman and as Wordsworth went back, through the paraphernalia of poetry into poetry once again. This book presents for the first time the full record, arranged chronologically, of what the poets wrote to, for, and about one another—their letters, poems, and Thomas' review of Frost's first two books. They reveal a warmth and charm that give us the key to the relationship between Frost and Thomas.