Touchstone, together with Viewpoint, is a six-level English program, based on research from the Cambridge English Corpus. Touchstone uses a corpus-informed syllabus ensuring students are learning the language that people really use. Activities include a strong focus on inductive learning, personalized practice, and encouraging learner autonomy. Student's Book, Level 3B, includes Units 7-12 of Level 3 Student's Book and is at the low intermediate CEFR level (A2-B1).
"Touchstone is an innovative four-level series for adults and young adults, taking students from beginning to intermediate levels (CEFR: A1-B2). Based on research into the Cambridge English Corpus, Touchstone teaches English as it is really used. It presents natural language in authentic contexts, and explicitly develops conversation strategies so learners speak with fluency and confidence."--Page 4 of cover.
Touchstone, together with Viewpoint, is a six-level English program, based on research from the Cambridge English Corpus. Touchstone Second Edition Full Contact with DVD, Level 3A includes Units 1-6 of four key components of the Touchstone Second Edition series: Student's Book, Level 3; Workbook, Level 3; Level 3 Video Activity Pages; and Video on DVD.
On her last day of high school, Cassandra Devlin walked out of exams and into a forest. Surrounded by the wrong sort of trees, and animals never featured in any nature documentary, Cass is only sure of one thing: alone, she will be lucky to survive. The sprawl of abandoned blockish buildings Cass discovers offers her only more puzzles. Where are the people? What is the intoxicating mist which drifts off the buildings in the moonlight? And why does she feel like she's being watched? Increasingly unnerved, Cass is overjoyed at the arrival of the formidable Setari. Whisked to a world as technologically advanced as the first was primitive, where nanotech computers are grown inside people's skulls, and few have any interest in venturing outside the enormous whitestone cities, Cass finds herself processed as a 'stray', a refugee displaced by the gates torn between worlds. Struggling with an unfamiliar language and culture, she must adapt to virtual classrooms, friends who can teleport, and the ingrained attitude that strays are backward and slow. Can Cass ever find her way home? And after the people of her new world discover her unexpected value, will they be willing to let her leave? Keywords: science fiction, ya, young adult, young adult science fiction, science fiction romance, teen, psychics, space adventure, portal fantasy, australian author
Three hundred years before The Glass Dragon, civil war has raged through Coronnan for generations. Fueled by jealous and powerful battlemages, no lord has emerged as a leader who can combine the warring factions in peace. The dragons have had enough when misdirected battle spells endanger them. They seek the one human desperate enough to listen to reason. Nimbulan has been hailed as the greatest battlemage of his age. His grief over having to kill his apprentice, the one he loved as a son, drives him to wander Coronnan in search of a better way, a different form of magic, anything that will end the endless wars. Along the way he finds some answers residing in the forgetfulness of Myrilandel, the love of his life, a witchwoman with a flywacket for a familiar. Can the dragons reach him in time? What will it cost Nimbulan, his love, and the dragons to finally bring peace to a land that has known nothing but war for too many generations?
As director Gus Van Sant observes in the introduction to Matt Damon's and Ben Affleck's screenplay Good Will Hunting, the two young actors somewhat resemble the characters they play in the film: they're best friends, and Affleck (who plays Chuckie) habitually chauffeurs Damon (Will), who doesn't drive. Van Sant says we can see how badly Damon drives by watching the film's last scene, in which he is actually driving the car with the camera mounted on it. But Damon and company write better than he drives; this script contains some of the boldest, best monologues since Pulp Fiction.Van Sant and cast member Robin Williams helped the young actors tame the tigers in their cranial tanks, trimming the script into a precision instrument. Though the stills from the film are not perfectly matched to their places in the script, this story remains as much a joy to read as it is towatch on the big screen.
Touchstone, together with Viewpoint, is a six-level English program based on research from the Cambridge English Corpus. Touchstone Second edition Presentation Plus, Level 3 can be used with an interactive whiteboard or with a computer and a projector. Teachers can present the pages from the Student's Book, Workbook, and Video Activity Pages, play the Class Audio and the Video Program, and display scripts and answer keys. Tools allow teachers to zoom in, annotate pages, and add custom links to other material.
