Burke's contributions to Canadian architecture include introducing the technology of the "Chicago men" to Canada and helping to establish a formal professional organization for architects in Ontario.
Toronto - the largest and one of the most multicultural cities in Canada - boasts an equally interesting and diverse architectural heritage. Architecture, Design and Craft in Toronto 1900-1940 tells a story of the significant changes in domestic life in the first 40 years of the twentieth century. Adopting a multidisciplinary approach to studies of residential spaces, the author examines how questions of modernity and modern living influenced not only architectural designs but also interior furnishings, modes of transportation and ways to spend leisure time. The book discusses several case studies, some of which are known both locally and internationally (for example Casa Loma), while others such as Guild of All Arts or Sherwood have been virtually unstudied by historians of visual culture. The overall goal of the book is to put Toronto on the map of scholars of urban design and architecture and to uncover previously unknown histories of design, craft and domesticity in Toronto. This study will be of interest not only to the academic community (namely architects, designers, craftspeople and scholars of these disciplines, along with social historians), but also the general public interested in local history and/or visual culture.
Mike Filey’s column "The Way We Were" first appeared in the Toronto Sunday Sun not long after the first edition of the paper hit the newsstands on September 16, 1973. Now, over four decades later, Filey’s column has enjoyed an uninterrupted stretch as one of the newspaper’s most popular features. In 1992 a number of his columns were reprinted in Toronto Sketches: "The Way We Were." Since then another ten volumes have been published. Each column looks at Toronto as it was and contributes to our understanding of how the city became what it is. Illustrated with photographs of the city’s people and places of the past, Toronto Sketches are nostalgic journeys for the long-time Torontonian and a voyage of discovery for the newcomer. This special bundle collects volumes four to six, packed with fascinating information about Toronto’s history. Includes Toronto Sketches 4 Toronto Sketches 5 Toronto Sketches 6
Toronto has been hailed as “a city in the making” and “the city that works.” It’s an ongoing project: in recent years Canada’s largest city has experienced transformative, exciting change. But just what does contemporary Toronto look like? This authoritative architectural guide, newly updated and expanded, leads readers on 26 walking tours—revealing the evolution of the place from a quiet Georgian town to a dynamic global city. More than 1,000 designs are featured: from modest Victorian houses to shimmering downtown towers and cultural landmarks. Over 300 photographs, 29 maps, a description of architectural styles, a glossary of architectural terms, and indexes of architects and buildings pilot readers through Toronto’s diverse cityscape. New sections illustrate the swiftly changing face of Toronto’s waterfront and design highlights across the region. Originally written by architectural journalist Patricia McHugh and enhanced with new material and insights by Globe and Mail architecture critic Alex Bozikovic, this definitive guide offers a revealing exploration of Toronto’s past and future, for the city’s visitors and locals alike.
In 1911, when Arthur Goss was hired as Toronto’s first official photographer, the city was at a critical juncture. Industry expansion and population growth produced pressing concerns about housing shortages, sanitation, and the health and welfare of citizens. Dispelling popular misconceptions, Picturing Toronto demonstrates that Goss and other photographers did not simply document the changing conditions of urban life – their photography contributed to the development of modern Toronto and shaped its inhabitants. Drawing on archival sources from the early twentieth century, Sarah Bassnett investigates how a range of groups, including the municipal government, social reformers, and the press, used photography to reconfigure the urban environment and constitute liberal subjects. Through a series of case studies, including the construction of the Bloor Viaduct, civic beautification plans, urban reform in “the Ward,” immigration and citizenship, and Goss’s portrait photography, Bassnett exposes how photographs were at the heart of debates over what the city should look like, how it should operate, and under what conditions it was appropriate for people to live. This lavishly illustrated book is the first study to treat images as vital elements that shaped Toronto’s social and political history. Interdisciplinary in its approach, Picturing Toronto displays the complex entanglements between photography and urban modernity.
University of Toronto: The Campus Guide, second edition, portrays the dramatic growth and development of Canada's largest university while it showcases some of the finest architecture and landscapes in eleven curated walking tours. Founded in 1850 and built in a pastoral setting outside the city limits, the renowned university now has more than 90,000 students at three distinguished campuses: the downtown Toronto St. George campus, the University of Toronto Mississauga, and the University of Toronto Scarborough. Extraordinary new photographs and beautifully illustrated maps bring to life the university's historical evolution, from the nineteenth century to the present. University of Toronto is the newest addition in the acclaimed Campus Guide series of leading colleges and universities in North America.
Canada is a country of massive size, of diverse geographical features and an equally diverse population—all features that are magnificently reflected in its architecture. In this book, Rhodri Windsor Liscombe and Michelangelo Sabatino offer a richly informative history of Canadian architecture that celebrates and explores the country’s many contributions to the spread of architectural modernity in the Americas. A distinct Canadian design attitude coalesced during the twentieth century, one informed by a liberal, hybrid, and pragmatic mindset intent less upon the dogma of architectural language and more on thinking about the formation of inclusive spaces and places. Taking a fresh perspective on design production, they map the unfolding of architectural modernity across the country, from the completion of the transcontinental railway in the late 1880s through to the present. Along the way they discuss architecture within the broader contexts of political, industrial, and sociocultural evolution; the urban-suburban expansion; and new building technologies. Examining the works of architects and firms such as ARCOP, Eric Arthur, Ernest Cormier, Brigitte Shim, and Howard Sutcliffe, this book brings Canadian architecture chronologically and thematically to life.