A collection of photographs concentrating on the erotic appeal of the torero. Apart from beautiful boys in (and out) of their trajes de luces, the collection is interesting for concentrating on very young toreros from South America and Spain.
Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or "toreo, "as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in "toreo "are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of "toreo "but, in the opinion of some, he ignored or slighted the full, unique nature of the subject. In "Bullfighting: Art, Technique, and Spanish Society "John McCormick sorts through the complexities of "toreo, "to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with "toreo. "To try to right Hemingway's distortions, he named the first edition of this book "The Complete Aficionado, "but then realized that the volume was directed at more than just the spectator: "BullFighting "is written from the point of view of the "torerro, "as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired "matador de toros, "Mario Sevilla Mascarenas, who taught McCormick the rudiments of "toreo "as well as the emotions and discipline essential to survival, the authors rescue "'toreo "from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the "corrida, "and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez. Here then is an informed analysis and critique of the origins and myths of "toreo "and a survey of the novels it has inspired. Defending the faith in a lively as well as clear and discerning manner, this volume provides a committed and vivid approach to the rich history, ritual, and symbolism of the bullfight as it currently exists.
Follow the fun and crazy adventure of Ales San, when she finds the planner of her favorite entertainer in the world, Hoon HaDo. She, along with her best friend Song Jin Seong, head to South Korea—traveling from city-to-city trying to join the planner with its owner. They not only invade his personal life, but also the show he stars in—Tribal Loco—and the lives of other Korean entertainers. My Adventures with Hoon HaDo is a parody based upon the popular South Korean show Running Man. The uniqueness and familiarity of that goofball variety show is inside.
The matador flourishes his cape, the bull charges, the crowd cheers: this is the image of Spain best known to the world. But while the bull has long been a symbol of Spanish culture, it carries more meaning than has previously been recognized. In this book, anthropologist Carrie B. Douglass views bulls and bullfighting as a means of discussing fundamental oppositions in Spanish society and explains the political significance of those issues for one of Europe's most regionalized countries. In talking about bulls and bullfighting, observes Douglass, one ends up talking not only about differences in region, class, and politics in Spain but also about that country's ongoing struggle between modernity and tradition. She relates how Spaniards and outsiders see bullfighting as representative of a traditional, irrational Spain contrasted with a more civilized Europe, and she shows how Spaniards' ambivalence about bullfighting is actually a way of expressing ambivalence about the loss of traditional culture in a modern world. To fully explore the symbolism of bulls and bullfighting, Douglass offers an overview of Spain's fiesta cycle, in which the bull is central. She broadly and meticulously details three different fiestas through ethnographic fieldwork conducted over a number of years, delineating the differences in festivals held in different regions. She also shows how a cycle of these fiestas may hold the key to resolving some of Spain's fundamental political contradictions by uniting the different regions of Spain and reconciling opposing political camps--the right, which holds that there is one Spain, and the left, which contends that there are many. Bulls, Bullfighting, and Spanish Identities is an intriguing study of symbolism used to examine the broader anthropological issues of identity and nationhood. Through its focus on the political discourse of bulls and bullfighting, it makes an original contribution to understanding not only Spanish politics but also Spain's place in the modern world.
This collection of pithy, brilliantly acerbic pieces is a companion to Sixty Stories, Barthelme's earlier retrospective volume. Barthelme spotlights the idiosyncratic, haughty, sometimes downright ludicrous behavior of human beings, but it is style rather than content which takes precedence.
Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or toreo, as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in toreo are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of toreo but, in the opinion of some, he ignored or slighted the full, unique nature of the subject.In Bullfighting: Art, Technique, and Spanish Society John McCormick sorts through the complexities of toreo, to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with toreo. To try to right Hemingway's distortions, he named the first edition of this book The Complete Aficionado, but then realized that the volume was directed at more than just the spectator: BullFighting is written from the point of view of the torerro, as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired matador de toros, Mario Sevilla Mascarenas, who taught McCormick the rudiments of toreo as well as the emotions and discipline essential to survival, the authors rescue 'toreo from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the corrida, and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez.Here then is an informed analysis and critique of the origins and myths of toreo and a survey of the novels it has inspired. Defending the faith in a live
A special mention for 2004 is in order for the new Doctoral Symposium Workshop where three young postdoc researchers organized an original setup and formula to bring PhD students together and allow them to submit their research proposals for selection. A limited number of the submissions and their approaches were independently evaluated by a panel of senior experts at the conference, and presented by the students in front of a wider audience. These students also got free access to all other parts of the OTM program, and only paid a heavily discounted fee for the Doctoral Symposium itself. (In fact their attendance was largely sponsored by the other participants!) If evaluated as successful, it is the intention of the General Chairs to expand this model in future editions of the OTM conferences and so draw in an audience of young researchers to the OnTheMove forum. All three main conferences and the associated workshops share the d- tributed aspects of modern computing systems, and the resulting applicati- pull created by the Internet and the so-called Semantic Web. For DOA 2004, the primary emphasis stayed on the distributed object infrastructure; for ODBASE 2004, it was the knowledge bases and methods required for enabling the use of formalsemantics;andforCoopIS2004themaintopicwastheinteractionofsuch technologies and methods with management issues, such as occurs in networked organizations. These subject areas naturally overlap and many submissions in factalsotreatenvisagedmutualimpactsamongthem.
Defining "culture" is an important step in undertaking archaeological research. Any thorough study of a particular culture first has to determine what that culture contains-- what particular time period, geographic region, and group of people make up that culture. The study of archaeology has many accepted definitions of particular cultures, but recently these accepted definitions have come into question. As archaeologists struggle to define cultures, they also seek to define the components of culture. This volume brings together 21 international case studies to explore the meaning of "culture" for regions around the globe and periods from the Paleolithic to the Bronze Age and beyond. Taking lessons and overarching themes from these studies, the contributors draw important conclusions about cultural transmission, technology development, and cultural development. The result is a comprehensive model for approaching the study of culture, broken down into regions (Russia, Continental Europe, North America, Britain, and Africa), materials (Lithics, Ceramics, Metals) and time periods. This work will be valuable to all archaeologists and cultural anthropologists, particularly those studying material culture.